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The Ripple Effect

The best music you're not listening to.™ Reviews of lost classics and obscure titles. Unheralded bands and songwriters. New bands deserving of greater attention. The site for the music omnivore. It's all here, on the Ripple Effect

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On The Ripple Desk - A Vinyl Excusion: Featuring Judas Priest and Motorhead/Girlschool

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On The Ripple Desk - A Vinyl Excursion: Featuring Boomerang, Dawn After Dark, and Ram Jam

February 03, 2022

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On the Ripple Desk - A Vinyl Excursion: Featuring J. Geils Band, Formerly Anthrax, and Randy Hansen

January 19, 2022

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On the Ripple Desk - Featuring The Satanic Overlords of Rock n Roll, ZZ Top, and Scorched Oak

December 14, 2020

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It's Better to Burn out Than it is to Rust - When Formerly Great Artists Try to Keep Up with the Times, featuring DNA (Rick Derringer/Carmine Appice) and Gamma (Ronnie Montrose)

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On the Ripple Desk: Featuring Dirt Eater and Deville

January 16, 2018

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STAHV - S/T

December 26, 2017

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Love Moon - Clouded Bliss

December 15, 2015

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Dumpster Diving - My Life in the Bargain Bins: featuring The Lorries, Gun, and Salem Mass

December 08, 2015

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Revenge of the Quick Ripple Bursts: Featuring Phobic Instinct, Black 4, Smash Fashion, and Birch Hill Dam

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On the Ripple Desk - featuring, Hidden Cabins & Eyeswan split 10", and 5 AM

February 23, 2015

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Ripple Record Store Round Up - Bagatelle Records, Long Beach

September 07, 2014

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Ripple Record Store Round-Up! - Fingerprints Records, Long Beach

September 02, 2014

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Crate Digging - Slave Raider - What Do You Know About Rock n Roll?

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Bismuth/ Undersmile split review - Tartarus Records

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Ripple Library - "Honestly My Life And Stryper revealed" Michael Sweet

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MOS GENERATOR: Ripple Music To Reissue Classic Album ‘Songs For Future Gods’

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Free – Fire And Water

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Popular Posts

Jane's Addiction - Nothing's Shocking

Growing up as a teenager in the 1980’s I’d say my progression through rock and roll was fairly standard. Status Quo were my gateway band that drew me into a world of distorted guitars and hard assed rhythms. From there it had to be harder and heavier…Quo gave way to Maiden who gave way to Venom, who gave way to Mercyful Fate then to Metallica, Slayer, Bay Area thrash, death metal…etc. I also embraced the pantheon of forebears…Sabbath always did rule the roost for me from one summer’s day in ’83 when I heard “Live Evil” and still do to this day as do the classics like Lizzy, Purple, Skynyrd, Led Zep, ZZ Top, AC/DC, Motorhead, Kiss. I was a typical heavy metal teenager. Metal was always what it was…hard, heavy, escapist…etc but towards the end of the decade there was a shift; the Red Hot Chilli Peppers introduced metallers to funk, The Beastie Boys and Run DMC with Aerosmith introduced metallers to rap, Faith No More introduced metallers to funk and rap and then there was Jane’s Addict...

Burn on the Bayou: a Heavy Underground Tribute to Creedence Clearwater Revival

Tribute Albums can be a minefield, depending on whom the chosen artist is that is being given the (sometimes dubious) honour of having their songs covered. Black Sabbath have countless tributes and have had every possible band from the Giants (Metallica) to the bizarre (Busta Rhymes) cover them with extremely mixed results. For every White Zombie and 1000 Homo D.J.s sublime covers of Children of the Grave and Supernaught theflip side is the absolute travesty of Emerald Sabbath (I kid you not) consisting of anyone with the most tenuous connection to Sabbath (Dave Walker, Neil Murray, Bev Bevan) murdering their songs. The first hurdle of any tribute album is avoiding the obvious (Sabbath, Lizzy, Purple etc) picking an artist well known but not covered to point of saturation. So, Credit to Ripple Music A whip smart choice of a tribute and overall executed with style. With Burn on the Bayou the first hurdle has been easily jumped. Creedence Clearwater Revivals music is par...

Noiseworks - Noiseworks

Back in the late eighties an Australian friend of mine, whom I've sadly lost touch with since, sent me a cassette of a Sydney-based band. It was their self-titled debut and the band in question was Noiseworks. At this point in time, this five-piece were completely unknown to me and based off of the artwork, a photo of the band against a white backdrop with the logo above, I had no clue what to expect. However, once the music started I was sold - hook, line and sinker! Australian rock and pop of the eighties had a particular sound. Can't honestly describe it in words but to this day that sound is very identifiable in a good way. And Noiseworks are not exempt of this. They deftly embrace their heritage while going full tilt with awesome hooks, great lyrics and a lot of emotion. What baffles me is that the guys were labeled a pub rock band. Maybe that was the case in their infant years but ‘Noiseworks’ is anything but. Then again, we all look at things differently. ...

Ripples Past - Album Review Archives

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2017 441
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2016 500
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2015 500
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2014 510
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2013 775
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2010 384
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2009 369
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2008 198
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; NASHVILLE
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