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The Ripple Effect

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Showing posts with the label Greenleaf

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Heavy rock festival RIPPLEFEST TEXAS reveals full lineup for September 2026 edition with Yob, Khemmis, Greenleaf and more; day tickets available!

blue heron Borracho demons my friends dopethrone far out lounge Greenleaf high desert queen howling giant kal-el khemmis lick my spoon productions mr. plow ripplefest texas sagebrush yob zed

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New "...In The Key Of Doom" Festival Debuts This October

afghan haze Bongripper crystal spiders festival gav's heavily curated glacier grave bathers Greenleaf high desert queen howling giant in the key of doom insomniac leather lung Seismic

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Greenleaf – Selftitled EP

October 19, 2025

blues rock Dozer echoes from a mass ep Greenleaf heavy rock revolution rock deluxe Self Titled stoner rock Trails And Passes

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The Xroadie Files

a breakfast for champions amammoth distant skies and the ocean flies Greenleaf honeybombs komatsu nightwalker revolution rock the eternal flame of death the xroadie files

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Greenleaf ★ Revolution Rock Deluxe

bandcamp demon cleaner devil woman Dozer gluecifer Greenleaf lowrider red tab revolution rock deluxe smell the green sold my lady spiritual beggars stoner rock

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Young Acid – Murder At Maple Mountain

besvarjelsen classic rock Death Rock domkraft grand cadaver Greenleaf majestic mountain records murder at maple mountain proto doom stoner rock supergroup the moth young acid

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A Ripple Conversation With Planet Of The 8s

November 25, 2021

a ripple conversation desert rock elephant tree Gojira Greenleaf james Brown jimi Hendrix Kyuss lowrider Mastodon neil young Pantera planet of the 8s shihad stoner rock Tool

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A Ripple Conversation With William Miller From The Age Of Truth

September 05, 2021

a ripple conversation chris squire Geezer butler Greenleaf led zeppelin mike d resolute scott reeder spiral grave Steve Harris the age of truth they live william miller yes

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A Sunday Conversation With Psychlona

August 11, 2019

a sunday conversation cracker dead kennedy's down in the valley elder Fu Manchu Greenleaf john peel Kyuss metallica mojo rising psychlona the Clash U2

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Jane's Addiction - Nothing's Shocking

Growing up as a teenager in the 1980’s I’d say my progression through rock and roll was fairly standard. Status Quo were my gateway band that drew me into a world of distorted guitars and hard assed rhythms. From there it had to be harder and heavier…Quo gave way to Maiden who gave way to Venom, who gave way to Mercyful Fate then to Metallica, Slayer, Bay Area thrash, death metal…etc. I also embraced the pantheon of forebears…Sabbath always did rule the roost for me from one summer’s day in ’83 when I heard “Live Evil” and still do to this day as do the classics like Lizzy, Purple, Skynyrd, Led Zep, ZZ Top, AC/DC, Motorhead, Kiss. I was a typical heavy metal teenager. Metal was always what it was…hard, heavy, escapist…etc but towards the end of the decade there was a shift; the Red Hot Chilli Peppers introduced metallers to funk, The Beastie Boys and Run DMC with Aerosmith introduced metallers to rap, Faith No More introduced metallers to funk and rap and then there was Jane’s Addict...

Burn on the Bayou: a Heavy Underground Tribute to Creedence Clearwater Revival

Tribute Albums can be a minefield, depending on whom the chosen artist is that is being given the (sometimes dubious) honour of having their songs covered. Black Sabbath have countless tributes and have had every possible band from the Giants (Metallica) to the bizarre (Busta Rhymes) cover them with extremely mixed results. For every White Zombie and 1000 Homo D.J.s sublime covers of Children of the Grave and Supernaught theflip side is the absolute travesty of Emerald Sabbath (I kid you not) consisting of anyone with the most tenuous connection to Sabbath (Dave Walker, Neil Murray, Bev Bevan) murdering their songs. The first hurdle of any tribute album is avoiding the obvious (Sabbath, Lizzy, Purple etc) picking an artist well known but not covered to point of saturation. So, Credit to Ripple Music A whip smart choice of a tribute and overall executed with style. With Burn on the Bayou the first hurdle has been easily jumped. Creedence Clearwater Revivals music is par...

Noiseworks - Noiseworks

Back in the late eighties an Australian friend of mine, whom I've sadly lost touch with since, sent me a cassette of a Sydney-based band. It was their self-titled debut and the band in question was Noiseworks. At this point in time, this five-piece were completely unknown to me and based off of the artwork, a photo of the band against a white backdrop with the logo above, I had no clue what to expect. However, once the music started I was sold - hook, line and sinker! Australian rock and pop of the eighties had a particular sound. Can't honestly describe it in words but to this day that sound is very identifiable in a good way. And Noiseworks are not exempt of this. They deftly embrace their heritage while going full tilt with awesome hooks, great lyrics and a lot of emotion. What baffles me is that the guys were labeled a pub rock band. Maybe that was the case in their infant years but ‘Noiseworks’ is anything but. Then again, we all look at things differently. ...

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-(16)-
; NASHVILLE
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. Book
. new album
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