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The Ripple Effect

The best music you're not listening to.™ Reviews of lost classics and obscure titles. Unheralded bands and songwriters. New bands deserving of greater attention. The site for the music omnivore. It's all here, on the Ripple Effect

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Showing posts with the label 80's rock

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A Sunday Conversation with Gala

September 20, 2009

'70's rock 80's rock Gala interview music review Pop pop rock The ripple Effect Tough Love

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Night Ranger - Hole in the Sun

80's rock Brad Gillis CD Review free podcast hard rock heavy metal Hole in the Sun Jack Blades Kelly Keagy music review Night Ranger The ripple Effect

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The Beat - S/T

January 02, 2009

'80's new wave 80's rock album review classic album download free mp3 free podcast new music Paul Collins Beat Peter Case power pop powerpop The Beat the Knack the Nerves

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Sonic Bliss – Loved to Death

November 14, 2008

80's rock Bruce dickinson CD Review download free podcast heavy metal Loved to Death music review new album new music Rene D. Berrios rock n' roll Sonic Bliss

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The Fixx - Ink

November 10, 2008

'80's new wave 80's rock CD Review Cy Curnin free podcast Ink Jamie West - Oram music review new wave Phantoms Reach the Beach Shuttered Room The Fixx

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Midnight Oil - Red Sails in the Sunset

December 24, 2007

80's rock aboriginal rights australian rock CD Review classic rock download free podcast heavy metal midnight oil music review music video new music Obscure red sails in the sunset rock music

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Eric Hamilton – Dear Pia

November 17, 2007

80's rock blues blues rock CD Review classic rock Dear Pia download Eric Hamilton Eric Hamilton Band free podcast heavy metal music review music video new music Obscure rock music

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apb - Three

November 02, 2007

80's rock apb CD Review classic rock download free podcast funk funk punk heavy metal music review music video new CD new music Obscure rock music Three

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apb - Something to Believe In

October 25, 2007

80's rock album review apb CD Review classic rock download free podcast funk punk heavy metal music music review music video new music Obscure something to believe in

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Jane's Addiction - Nothing's Shocking

Growing up as a teenager in the 1980’s I’d say my progression through rock and roll was fairly standard. Status Quo were my gateway band that drew me into a world of distorted guitars and hard assed rhythms. From there it had to be harder and heavier…Quo gave way to Maiden who gave way to Venom, who gave way to Mercyful Fate then to Metallica, Slayer, Bay Area thrash, death metal…etc. I also embraced the pantheon of forebears…Sabbath always did rule the roost for me from one summer’s day in ’83 when I heard “Live Evil” and still do to this day as do the classics like Lizzy, Purple, Skynyrd, Led Zep, ZZ Top, AC/DC, Motorhead, Kiss. I was a typical heavy metal teenager. Metal was always what it was…hard, heavy, escapist…etc but towards the end of the decade there was a shift; the Red Hot Chilli Peppers introduced metallers to funk, The Beastie Boys and Run DMC with Aerosmith introduced metallers to rap, Faith No More introduced metallers to funk and rap and then there was Jane’s Addict...

Burn on the Bayou: a Heavy Underground Tribute to Creedence Clearwater Revival

Tribute Albums can be a minefield, depending on whom the chosen artist is that is being given the (sometimes dubious) honour of having their songs covered. Black Sabbath have countless tributes and have had every possible band from the Giants (Metallica) to the bizarre (Busta Rhymes) cover them with extremely mixed results. For every White Zombie and 1000 Homo D.J.s sublime covers of Children of the Grave and Supernaught theflip side is the absolute travesty of Emerald Sabbath (I kid you not) consisting of anyone with the most tenuous connection to Sabbath (Dave Walker, Neil Murray, Bev Bevan) murdering their songs. The first hurdle of any tribute album is avoiding the obvious (Sabbath, Lizzy, Purple etc) picking an artist well known but not covered to point of saturation. So, Credit to Ripple Music A whip smart choice of a tribute and overall executed with style. With Burn on the Bayou the first hurdle has been easily jumped. Creedence Clearwater Revivals music is par...

Noiseworks - Noiseworks

Back in the late eighties an Australian friend of mine, whom I've sadly lost touch with since, sent me a cassette of a Sydney-based band. It was their self-titled debut and the band in question was Noiseworks. At this point in time, this five-piece were completely unknown to me and based off of the artwork, a photo of the band against a white backdrop with the logo above, I had no clue what to expect. However, once the music started I was sold - hook, line and sinker! Australian rock and pop of the eighties had a particular sound. Can't honestly describe it in words but to this day that sound is very identifiable in a good way. And Noiseworks are not exempt of this. They deftly embrace their heritage while going full tilt with awesome hooks, great lyrics and a lot of emotion. What baffles me is that the guys were labeled a pub rock band. Maybe that was the case in their infant years but ‘Noiseworks’ is anything but. Then again, we all look at things differently. ...

Ripples Past - Album Review Archives

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2009 369
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2008 198
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2007 31

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-(16)-
; NASHVILLE
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