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Showing posts with the label Dirty Streets

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Bandcamp Bonanza – 083

November 17, 2018

bandcamp bonanza Beitthemeans bitter roots Dirty Streets gods & punks grand reunion jamestown pagans lady killer lady lizard manthrass white coven winchester

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A Ripple Conversation With Justin Toland Of Dirty Streets

August 21, 2018

a ripple conversation carlito's way Dirty Streets freelance fiend jack white james Brown jimi Hendrix jimmy reid leafhound MC5 on the way Queens of the Stone Age stax the rolling stones white stripes

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DIRTY STREETS UNVEIL NEW TITLE TRACK FROM THEIR NEW LP "DISTRACTIONS" VIA ALLMUSIC

August 18, 2018

allmusic classic rock Dirty Streets distractions heavy rock new album pre-order psychedelic rock title track white horse

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DIRTY STREETS' NEW WHITE HORSE ALBUM OUT NOW VIA ALIVE NATURALSOUND RECORDS

December 07, 2015

Alive Naturalsound Records Blades Of Grass blues rock Dirty Streets power trio RADIO MOSCOW white horse

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Dirty Streets premieres new song via Pure Volume

October 16, 2015

Blades Of Grass blues rock Dirty Streets psychedelic rock RADIO MOSCOW Rock 'n' Roll song premiere US Tour Dates white horse

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Dirty Streets - Blades Of Grass

Blades Of Grass Dirty Streets Doom free album music review zip download new music new album new cd mp3 cd review album review heavy rock ripple Music stoner The ripple Effect

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Jane's Addiction - Nothing's Shocking

Growing up as a teenager in the 1980’s I’d say my progression through rock and roll was fairly standard. Status Quo were my gateway band that drew me into a world of distorted guitars and hard assed rhythms. From there it had to be harder and heavier…Quo gave way to Maiden who gave way to Venom, who gave way to Mercyful Fate then to Metallica, Slayer, Bay Area thrash, death metal…etc. I also embraced the pantheon of forebears…Sabbath always did rule the roost for me from one summer’s day in ’83 when I heard “Live Evil” and still do to this day as do the classics like Lizzy, Purple, Skynyrd, Led Zep, ZZ Top, AC/DC, Motorhead, Kiss. I was a typical heavy metal teenager. Metal was always what it was…hard, heavy, escapist…etc but towards the end of the decade there was a shift; the Red Hot Chilli Peppers introduced metallers to funk, The Beastie Boys and Run DMC with Aerosmith introduced metallers to rap, Faith No More introduced metallers to funk and rap and then there was Jane’s Addict...

Burn on the Bayou: a Heavy Underground Tribute to Creedence Clearwater Revival

Tribute Albums can be a minefield, depending on whom the chosen artist is that is being given the (sometimes dubious) honour of having their songs covered. Black Sabbath have countless tributes and have had every possible band from the Giants (Metallica) to the bizarre (Busta Rhymes) cover them with extremely mixed results. For every White Zombie and 1000 Homo D.J.s sublime covers of Children of the Grave and Supernaught theflip side is the absolute travesty of Emerald Sabbath (I kid you not) consisting of anyone with the most tenuous connection to Sabbath (Dave Walker, Neil Murray, Bev Bevan) murdering their songs. The first hurdle of any tribute album is avoiding the obvious (Sabbath, Lizzy, Purple etc) picking an artist well known but not covered to point of saturation. So, Credit to Ripple Music A whip smart choice of a tribute and overall executed with style. With Burn on the Bayou the first hurdle has been easily jumped. Creedence Clearwater Revivals music is par...

Noiseworks - Noiseworks

Back in the late eighties an Australian friend of mine, whom I've sadly lost touch with since, sent me a cassette of a Sydney-based band. It was their self-titled debut and the band in question was Noiseworks. At this point in time, this five-piece were completely unknown to me and based off of the artwork, a photo of the band against a white backdrop with the logo above, I had no clue what to expect. However, once the music started I was sold - hook, line and sinker! Australian rock and pop of the eighties had a particular sound. Can't honestly describe it in words but to this day that sound is very identifiable in a good way. And Noiseworks are not exempt of this. They deftly embrace their heritage while going full tilt with awesome hooks, great lyrics and a lot of emotion. What baffles me is that the guys were labeled a pub rock band. Maybe that was the case in their infant years but ‘Noiseworks’ is anything but. Then again, we all look at things differently. ...

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-(16)-
; NASHVILLE
:Twingiant
. Book
. new album
...and the fire within
...in the shadows below
...it's ugly or nothing
...must die
...only a suggestion

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