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The Ripple Effect

The best music you're not listening to.™ Reviews of lost classics and obscure titles. Unheralded bands and songwriters. New bands deserving of greater attention. The site for the music omnivore. It's all here, on the Ripple Effect

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Showing posts with the label fuzz

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Cancervo - I, II, III

cancervo doom metal electric valley records folklore fuzz I II III Italy myths organ psychedelic rock

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Finnish heavy psych band Craneium release fourth album 23 Feb

January 15, 2024

album preorder craneium explore the void fuzz point of no return psychedelic rock ripple Music the narrow line the sign records the sun things have changed unknown heights

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A Fistful of Questions With Jackie Green Of Reverend Mother

a fistful of questions Black Sabbath dune frank herbert fuzz jackie green Janis Joplin Jefferson Airplane priestess reverend mother riders on the storm the doors the rolling stones

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WO FAT: Dallas Swampadelic Fuzz Faction Premieres New Track At Revolver; European Trek Underway

dallas european tour fuzz mothership New Track premiere Revolver ripple music free album music review download free mp3 small stone records Swampadelic Wo Fat

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Daily Bandcamp Album; The Fountain of Tantric Worship by Black Moth Cult

October 03, 2013

Black Moth Cult desert rock fuzz fuzz rock fuzzed out desert rock hard rock heavy rock stoner metal stoner rock The Fountain of Tantric Worship

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Daily Bandcamp Album; EP2012 by Jupiter

August 21, 2013

blues rock classic rock EP2012 Finland fuzz fuzz rock hard rock Helsinki Jupiter led zeppelin stoner rock

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POWERED WIG MACHINE RELEASE NEW MUSIC VIDEO “At The Helm Hades” Filmed As Movie Short

At The Helm Hades Doom download free mp3 fuzz heavy rock Movie Short New Music Video POWERED WIG MACHINE release ripple Music sludge stoner The ripple Effect

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Jane's Addiction - Nothing's Shocking

Growing up as a teenager in the 1980’s I’d say my progression through rock and roll was fairly standard. Status Quo were my gateway band that drew me into a world of distorted guitars and hard assed rhythms. From there it had to be harder and heavier…Quo gave way to Maiden who gave way to Venom, who gave way to Mercyful Fate then to Metallica, Slayer, Bay Area thrash, death metal…etc. I also embraced the pantheon of forebears…Sabbath always did rule the roost for me from one summer’s day in ’83 when I heard “Live Evil” and still do to this day as do the classics like Lizzy, Purple, Skynyrd, Led Zep, ZZ Top, AC/DC, Motorhead, Kiss. I was a typical heavy metal teenager. Metal was always what it was…hard, heavy, escapist…etc but towards the end of the decade there was a shift; the Red Hot Chilli Peppers introduced metallers to funk, The Beastie Boys and Run DMC with Aerosmith introduced metallers to rap, Faith No More introduced metallers to funk and rap and then there was Jane’s Addict...

Burn on the Bayou: a Heavy Underground Tribute to Creedence Clearwater Revival

Tribute Albums can be a minefield, depending on whom the chosen artist is that is being given the (sometimes dubious) honour of having their songs covered. Black Sabbath have countless tributes and have had every possible band from the Giants (Metallica) to the bizarre (Busta Rhymes) cover them with extremely mixed results. For every White Zombie and 1000 Homo D.J.s sublime covers of Children of the Grave and Supernaught theflip side is the absolute travesty of Emerald Sabbath (I kid you not) consisting of anyone with the most tenuous connection to Sabbath (Dave Walker, Neil Murray, Bev Bevan) murdering their songs. The first hurdle of any tribute album is avoiding the obvious (Sabbath, Lizzy, Purple etc) picking an artist well known but not covered to point of saturation. So, Credit to Ripple Music A whip smart choice of a tribute and overall executed with style. With Burn on the Bayou the first hurdle has been easily jumped. Creedence Clearwater Revivals music is par...

Noiseworks - Noiseworks

Back in the late eighties an Australian friend of mine, whom I've sadly lost touch with since, sent me a cassette of a Sydney-based band. It was their self-titled debut and the band in question was Noiseworks. At this point in time, this five-piece were completely unknown to me and based off of the artwork, a photo of the band against a white backdrop with the logo above, I had no clue what to expect. However, once the music started I was sold - hook, line and sinker! Australian rock and pop of the eighties had a particular sound. Can't honestly describe it in words but to this day that sound is very identifiable in a good way. And Noiseworks are not exempt of this. They deftly embrace their heritage while going full tilt with awesome hooks, great lyrics and a lot of emotion. What baffles me is that the guys were labeled a pub rock band. Maybe that was the case in their infant years but ‘Noiseworks’ is anything but. Then again, we all look at things differently. ...

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-(16)-
; NASHVILLE
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. new album
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