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The Ripple Effect

The best music you're not listening to.™ Reviews of lost classics and obscure titles. Unheralded bands and songwriters. New bands deserving of greater attention. The site for the music omnivore. It's all here, on the Ripple Effect

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Showing posts with the label instrumental

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Space Witch ★ Mountains of Neptune

February 15, 2026

bandcamp doom metal instrumental mountains of neptune single track space rock Space Witch stoner rock

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Howling Giant - Alteration

alteration enemy of my anemone ep farmer maggott's crop howling giant instrumental luring alluring rings marshall bolton sebastian baltes skldzr tom polzine understudy zach wheeler

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The Basement Paintings - Antipodes

antipodes experimental instinct instrumental mystic post rock progressive rock the basement paintings time lapse city Tool

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WuW – Rien Ne Nous Sera Epargne

for what will remain instrumental nothing will be spared post metal psychedelic krautrock rien ne nous sera epargne to live in the splendor of the crepuscules we were born to be people wuw

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ARMONITE - And The Stars Above

a playful day and the stars above armonite by the waters of babylon Cleopatra Records facebook freaks instrumental prog rock

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PATRICK GRANT - A Sequence Of Waves (Twelve Stories And A Dream)

October 23, 2017

a sequence of waves driving patterns instrumental lucid intervals patrick grant progressive rock robert fripp seven years at sea twelve stories and a dream

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MATT CHANWAY - Self-titled

assimilation death metal instrumental matt chanway Pink Floyd progressive metal self-titled yngwie j malmsteen

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Ocean of Stars - Great Divide

digital single great divide instrumental ocean of stars psychedelic rock Rock and Roll saxophone

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Valley - Sunburst

October 11, 2015

drone rock instrumental jazz kiro mogwai picture puzzle pattern door Post-rock psychedelic rock shoegaze sunburst tunguska valley

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Vinnie Moore - Aerial Visions

October 10, 2015

aerial visions Alice Cooper eric johnson instrumental Judas Priest power ballad progressive metal ritchie Blackmore UFO uli john roth Vinnie moore zz top

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Lúnasa - Lúnasa

December 02, 2014

Galway instrumental Irish Folk Music Lunasa Thin Lizzy

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Blackwolfgoat - Drone Maintenance

October 17, 2014

Blackwolfgoat Drone Maintenance drone metal Electronics experimental metal instrumental

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Monobrow - Big Sky, Black Horse

Big Sky Black Horse Doom instrumental monobrow prog stoner vinyl

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Daily Bandcamp Album; Soul Elevation by Turbomatt

December 01, 2013

garage rock instrumental Italy lo-fi Soul Elevation stoner rock surf

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Pelican - Ataraxia/Taraxis

album review album new Ataraxia Taraxis free album free download free mp3 zip instrumental music reviews new CD pelican post metal

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A Sunday Conversation with East of the Wall

December 21, 2008

Biclops East of the Wall Farmer's Almanac free podcast heavy metal instrumental interview jazz fusion Kevin Conway Matt Lupo Postman Syndrome progressive metal progressive rock

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Jane's Addiction - Nothing's Shocking

Growing up as a teenager in the 1980’s I’d say my progression through rock and roll was fairly standard. Status Quo were my gateway band that drew me into a world of distorted guitars and hard assed rhythms. From there it had to be harder and heavier…Quo gave way to Maiden who gave way to Venom, who gave way to Mercyful Fate then to Metallica, Slayer, Bay Area thrash, death metal…etc. I also embraced the pantheon of forebears…Sabbath always did rule the roost for me from one summer’s day in ’83 when I heard “Live Evil” and still do to this day as do the classics like Lizzy, Purple, Skynyrd, Led Zep, ZZ Top, AC/DC, Motorhead, Kiss. I was a typical heavy metal teenager. Metal was always what it was…hard, heavy, escapist…etc but towards the end of the decade there was a shift; the Red Hot Chilli Peppers introduced metallers to funk, The Beastie Boys and Run DMC with Aerosmith introduced metallers to rap, Faith No More introduced metallers to funk and rap and then there was Jane’s Addict...

Burn on the Bayou: a Heavy Underground Tribute to Creedence Clearwater Revival

Tribute Albums can be a minefield, depending on whom the chosen artist is that is being given the (sometimes dubious) honour of having their songs covered. Black Sabbath have countless tributes and have had every possible band from the Giants (Metallica) to the bizarre (Busta Rhymes) cover them with extremely mixed results. For every White Zombie and 1000 Homo D.J.s sublime covers of Children of the Grave and Supernaught theflip side is the absolute travesty of Emerald Sabbath (I kid you not) consisting of anyone with the most tenuous connection to Sabbath (Dave Walker, Neil Murray, Bev Bevan) murdering their songs. The first hurdle of any tribute album is avoiding the obvious (Sabbath, Lizzy, Purple etc) picking an artist well known but not covered to point of saturation. So, Credit to Ripple Music A whip smart choice of a tribute and overall executed with style. With Burn on the Bayou the first hurdle has been easily jumped. Creedence Clearwater Revivals music is par...

Noiseworks - Noiseworks

Back in the late eighties an Australian friend of mine, whom I've sadly lost touch with since, sent me a cassette of a Sydney-based band. It was their self-titled debut and the band in question was Noiseworks. At this point in time, this five-piece were completely unknown to me and based off of the artwork, a photo of the band against a white backdrop with the logo above, I had no clue what to expect. However, once the music started I was sold - hook, line and sinker! Australian rock and pop of the eighties had a particular sound. Can't honestly describe it in words but to this day that sound is very identifiable in a good way. And Noiseworks are not exempt of this. They deftly embrace their heritage while going full tilt with awesome hooks, great lyrics and a lot of emotion. What baffles me is that the guys were labeled a pub rock band. Maybe that was the case in their infant years but ‘Noiseworks’ is anything but. Then again, we all look at things differently. ...

Ripples Past - Album Review Archives

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; NASHVILLE
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. new album
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