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The Ripple Effect

The best music you're not listening to.™ Reviews of lost classics and obscure titles. Unheralded bands and songwriters. New bands deserving of greater attention. The site for the music omnivore. It's all here, on the Ripple Effect

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Showing posts with the label At The Gates

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A Ripple Conversation With Sanne Karlsson, Vocalist Of The Swedish Heavy Rock/Stoner Punk Band ELECTRIC HYDRA

a ripple conversation At The Gates bandcamp blackened eyes capricorn electric hydra heavy rock iron lung rebel rise from below sanne karlsson stoner punk won't go to war (with myself)

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AT THE GATES ANNOUNCES NEW ALBUM THE NIGHTMARE OF BEING, REVEALS ARTWORK, RELEASE DATE AND FIRST ALBUM DETAILS

At The Gates century media records daggers of black haze lindberg redant new album pre-order the nightmare of being the paradox to drink from the night itself

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PSYCHO LAS VEGAS LINEUP ADDITIONS: 1999 🔜 2020

January 02, 2020

At The Gates Blonde Redhead blue oyster cult BORIS festival lineup additions mayhem psycho las vegas purchase Satyricon thursday tickets ty segall ulver Warpaint Watain

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WACKEN METAL BATTLE USA 2020 Battles Return - Band Submissions Open Now!

October 03, 2019

2020 Amon Amarth Annihilator At The Gates band submissions death angel heavy metal festival Judas Priest mercyful fate overkill sick of it all sodom spotify u.d.o. Venom wacken metal battle usa

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AT THE GATES ANNOUNCE SPECIAL NEW EP RELEASES

December 03, 2018

At The Gates melodic death metal new EP raped by the light of christ rob miller the chasm the mirror black to drink from the night itself tour dates with the pantheons blind

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AT THE GATES Begin Recording New Album, Announce Live Shows for 2018

November 28, 2017

At The Gates at war with reality century media records heroes and tombs new album the night eternal the red in the sky is ours

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Thou Shall Kill – Death King Enthroned

At The Gates buried beneath death king enthroned death metal thou shall kill tomas lindberg weapons of war

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Odin's Top Ten List for 2014

December 25, 2014

At The Gates behemoth Best Of 2014 Death Penalty Exhumed/Iron Reagan Falls Of Rauros/Panopticon goatwhore Mortualia The Body top 10 Tryptikon Yob

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Jane's Addiction - Nothing's Shocking

Growing up as a teenager in the 1980’s I’d say my progression through rock and roll was fairly standard. Status Quo were my gateway band that drew me into a world of distorted guitars and hard assed rhythms. From there it had to be harder and heavier…Quo gave way to Maiden who gave way to Venom, who gave way to Mercyful Fate then to Metallica, Slayer, Bay Area thrash, death metal…etc. I also embraced the pantheon of forebears…Sabbath always did rule the roost for me from one summer’s day in ’83 when I heard “Live Evil” and still do to this day as do the classics like Lizzy, Purple, Skynyrd, Led Zep, ZZ Top, AC/DC, Motorhead, Kiss. I was a typical heavy metal teenager. Metal was always what it was…hard, heavy, escapist…etc but towards the end of the decade there was a shift; the Red Hot Chilli Peppers introduced metallers to funk, The Beastie Boys and Run DMC with Aerosmith introduced metallers to rap, Faith No More introduced metallers to funk and rap and then there was Jane’s Addict...

Burn on the Bayou: a Heavy Underground Tribute to Creedence Clearwater Revival

Tribute Albums can be a minefield, depending on whom the chosen artist is that is being given the (sometimes dubious) honour of having their songs covered. Black Sabbath have countless tributes and have had every possible band from the Giants (Metallica) to the bizarre (Busta Rhymes) cover them with extremely mixed results. For every White Zombie and 1000 Homo D.J.s sublime covers of Children of the Grave and Supernaught theflip side is the absolute travesty of Emerald Sabbath (I kid you not) consisting of anyone with the most tenuous connection to Sabbath (Dave Walker, Neil Murray, Bev Bevan) murdering their songs. The first hurdle of any tribute album is avoiding the obvious (Sabbath, Lizzy, Purple etc) picking an artist well known but not covered to point of saturation. So, Credit to Ripple Music A whip smart choice of a tribute and overall executed with style. With Burn on the Bayou the first hurdle has been easily jumped. Creedence Clearwater Revivals music is par...

Noiseworks - Noiseworks

Back in the late eighties an Australian friend of mine, whom I've sadly lost touch with since, sent me a cassette of a Sydney-based band. It was their self-titled debut and the band in question was Noiseworks. At this point in time, this five-piece were completely unknown to me and based off of the artwork, a photo of the band against a white backdrop with the logo above, I had no clue what to expect. However, once the music started I was sold - hook, line and sinker! Australian rock and pop of the eighties had a particular sound. Can't honestly describe it in words but to this day that sound is very identifiable in a good way. And Noiseworks are not exempt of this. They deftly embrace their heritage while going full tilt with awesome hooks, great lyrics and a lot of emotion. What baffles me is that the guys were labeled a pub rock band. Maybe that was the case in their infant years but ‘Noiseworks’ is anything but. Then again, we all look at things differently. ...

Ripples Past - Album Review Archives

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-(16)-
; NASHVILLE
:Twingiant
. Book
. new album
...and the fire within
...in the shadows below
...it's ugly or nothing
...must die
...only a suggestion

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