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Showing posts with the label black metal

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Swedish doom folk pioneers Witchcraft return with a gorgeous 5-track EP entitled "A Sinner's Child" this spring!

December 31, 2025

a sinner's child bandcamp black metal doom metal firewood folk music heavy psych sounds new EP nucleus Preorder the alchemist witchcraft

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Witchcraft ★ IDAG

black metal burning cross drommen om dod och forruttnelse heavy psych sounds idag irreligious flamboyant flame magnus pelander om du vill proto-doom spirit witchcraft

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WITCHCRAFT premiere new single "Drömmar Av Is" via Metal Injection; new album "IDAG" out May 23rd on Heavy Psych Sounds!

black metal burning cross doom rock drommar av is firewood heavy psych sounds idag Metal Injection new album new single nucleus Preorder witchcraft

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A Fistful Of Questions With Rob Martin From RRRags

a fistful of questions black metal butcher Ecstatic Vision eric Clapton heliocentrics magma Miles Davis mortal kombat my dying bride Pink Floyd Queen resident evil roadburn rob martin rrrags

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MENTAL CRUELTY Announces New Full-Length Album Zwielicht, Starts Pre-Order And Releases New Single "Forgotten Kings"

black metal century media records death metal deathcore forgotten kings mental cruelty new album new single pre-order Stream vinyl zwielicht

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A Fistful Of Questions With Violet From Wolven Daughter

January 01, 2023

a fistful of questions black metal Darkthrone feminazgul immortal mare cognitum Panopticon stan rogers thy throat is an open grave violet palmer Watain wolven daughter wormwith

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Joe D. Carpenter - Verum Loqui

December 29, 2022

bandcamp black metal death metal hermetik industrial joe d. carpenter kreator odium reborn sangre the traveler verum loqui wurmwood

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Gospelhelm – Ritual & Repetition

November 02, 2022

bandcamp black metal death metal extreme metal gene simmons gospelheim hope springs eternal into smithereens king diamond ritual & repetition satan blues

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FORLESEN Premiere New Single "Strega" At Machine Music

September 14, 2022

black metal black terrain epic doom metal forlesen harrowed earth i voidhanger records machine music new album new single saturnine strega

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MO'YNOQ Release New Single "Penance"

September 05, 2022

a place for ash black metal effigies adorned in fire immortal mgla mo'ynoq new album new single penance Stream the beast that mourned at the heart of the mountain Wolves In The Throne Room

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RICK MASSIE To Release Prog Metal Album Guided to an Imperfect Light Internationally On CD

September 05, 2022

black metal cd release Devin Townsend doom metal enslaved guided to an imperfect light haken hard rock Opeth progressive metal rick massie yes

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Austin post-hardcore metallers GLASSING to release "Dire and Sulk" EP on Medication Time/Brutal Panda Records next week; watch "Sulk" video now!

August 26, 2022

black metal Brutal panda records Decibel Magazine dire and sulk ep glassing medication time records New Music Video post-hardcore

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Jane's Addiction - Nothing's Shocking

Growing up as a teenager in the 1980’s I’d say my progression through rock and roll was fairly standard. Status Quo were my gateway band that drew me into a world of distorted guitars and hard assed rhythms. From there it had to be harder and heavier…Quo gave way to Maiden who gave way to Venom, who gave way to Mercyful Fate then to Metallica, Slayer, Bay Area thrash, death metal…etc. I also embraced the pantheon of forebears…Sabbath always did rule the roost for me from one summer’s day in ’83 when I heard “Live Evil” and still do to this day as do the classics like Lizzy, Purple, Skynyrd, Led Zep, ZZ Top, AC/DC, Motorhead, Kiss. I was a typical heavy metal teenager. Metal was always what it was…hard, heavy, escapist…etc but towards the end of the decade there was a shift; the Red Hot Chilli Peppers introduced metallers to funk, The Beastie Boys and Run DMC with Aerosmith introduced metallers to rap, Faith No More introduced metallers to funk and rap and then there was Jane’s Addict...

Burn on the Bayou: a Heavy Underground Tribute to Creedence Clearwater Revival

Tribute Albums can be a minefield, depending on whom the chosen artist is that is being given the (sometimes dubious) honour of having their songs covered. Black Sabbath have countless tributes and have had every possible band from the Giants (Metallica) to the bizarre (Busta Rhymes) cover them with extremely mixed results. For every White Zombie and 1000 Homo D.J.s sublime covers of Children of the Grave and Supernaught theflip side is the absolute travesty of Emerald Sabbath (I kid you not) consisting of anyone with the most tenuous connection to Sabbath (Dave Walker, Neil Murray, Bev Bevan) murdering their songs. The first hurdle of any tribute album is avoiding the obvious (Sabbath, Lizzy, Purple etc) picking an artist well known but not covered to point of saturation. So, Credit to Ripple Music A whip smart choice of a tribute and overall executed with style. With Burn on the Bayou the first hurdle has been easily jumped. Creedence Clearwater Revivals music is par...

Noiseworks - Noiseworks

Back in the late eighties an Australian friend of mine, whom I've sadly lost touch with since, sent me a cassette of a Sydney-based band. It was their self-titled debut and the band in question was Noiseworks. At this point in time, this five-piece were completely unknown to me and based off of the artwork, a photo of the band against a white backdrop with the logo above, I had no clue what to expect. However, once the music started I was sold - hook, line and sinker! Australian rock and pop of the eighties had a particular sound. Can't honestly describe it in words but to this day that sound is very identifiable in a good way. And Noiseworks are not exempt of this. They deftly embrace their heritage while going full tilt with awesome hooks, great lyrics and a lot of emotion. What baffles me is that the guys were labeled a pub rock band. Maybe that was the case in their infant years but ‘Noiseworks’ is anything but. Then again, we all look at things differently. ...

Ripples Past - Album Review Archives

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