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Showing posts with the label brown acid

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Band Of Spice & White Lightning

October 07, 2022

band of spice brown acid demonized how we play the game in the corner of tomorrow offside Riding Easy Records scarlet records spiritual beggars thunderbolts of fuzz white lightning

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Brown Acid series of rare 60s-70s pre-metal singles shares new track from Fourteenth Trip

bandcamp brown acid fever games heavy rock from the underground i've been you mijal & white pre-metal proto metal RidingEasy Records stoner rock the fourteenth trip the legends

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Brown Acid: The Seventh Trip compilation out on Halloween, hear C.T. Pilferhogg's 1973 rager "You Haul"

October 15, 2018

bandcamp blizzard brown acid c.t. pilferhogg peace of mind pegasus permanent records pre-order Riding Easy Records the seventh trip the sorcerer what youth you haul

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Brown Acid: The Seventh Trip compilation out on Halloween, hear first track via Loudwire

August 03, 2018

blizzard blue amber brown acid heavy psych Loudwire negative space peace of mind pegasus permanent records proto-metal RidingEasy Records summit sweet wine the seventh trip third world zane

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Hear Brown Acid: The Fifth Trip compilation in full early via Brooklyn Vegan

November 02, 2017

Album Stream bandcamp brooklyn vegan brown acid fuzz rock heavy rock lenny kaye nuggets permanent records proto-metal RidingEasy Records the fifth trip

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Previously unreleased track from upcoming Brown Acid: The Fourth Trip compilation premieres

brown acid clrvynt comin' back Compilation kanaan leave it permanent records proto metal psychedelic rock RidingEasy Records the fourth trip unreleased track zekes

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Bandcamp Bonanza – Compilations

bandcamp bandcamp bonanza brown acid compilation album doomed & stoned in portland electric lady land hard rock revolution Magnetic eye records Riding Easy Records volume iii

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Jane's Addiction - Nothing's Shocking

Growing up as a teenager in the 1980’s I’d say my progression through rock and roll was fairly standard. Status Quo were my gateway band that drew me into a world of distorted guitars and hard assed rhythms. From there it had to be harder and heavier…Quo gave way to Maiden who gave way to Venom, who gave way to Mercyful Fate then to Metallica, Slayer, Bay Area thrash, death metal…etc. I also embraced the pantheon of forebears…Sabbath always did rule the roost for me from one summer’s day in ’83 when I heard “Live Evil” and still do to this day as do the classics like Lizzy, Purple, Skynyrd, Led Zep, ZZ Top, AC/DC, Motorhead, Kiss. I was a typical heavy metal teenager. Metal was always what it was…hard, heavy, escapist…etc but towards the end of the decade there was a shift; the Red Hot Chilli Peppers introduced metallers to funk, The Beastie Boys and Run DMC with Aerosmith introduced metallers to rap, Faith No More introduced metallers to funk and rap and then there was Jane’s Addict...

Burn on the Bayou: a Heavy Underground Tribute to Creedence Clearwater Revival

Tribute Albums can be a minefield, depending on whom the chosen artist is that is being given the (sometimes dubious) honour of having their songs covered. Black Sabbath have countless tributes and have had every possible band from the Giants (Metallica) to the bizarre (Busta Rhymes) cover them with extremely mixed results. For every White Zombie and 1000 Homo D.J.s sublime covers of Children of the Grave and Supernaught theflip side is the absolute travesty of Emerald Sabbath (I kid you not) consisting of anyone with the most tenuous connection to Sabbath (Dave Walker, Neil Murray, Bev Bevan) murdering their songs. The first hurdle of any tribute album is avoiding the obvious (Sabbath, Lizzy, Purple etc) picking an artist well known but not covered to point of saturation. So, Credit to Ripple Music A whip smart choice of a tribute and overall executed with style. With Burn on the Bayou the first hurdle has been easily jumped. Creedence Clearwater Revivals music is par...

Noiseworks - Noiseworks

Back in the late eighties an Australian friend of mine, whom I've sadly lost touch with since, sent me a cassette of a Sydney-based band. It was their self-titled debut and the band in question was Noiseworks. At this point in time, this five-piece were completely unknown to me and based off of the artwork, a photo of the band against a white backdrop with the logo above, I had no clue what to expect. However, once the music started I was sold - hook, line and sinker! Australian rock and pop of the eighties had a particular sound. Can't honestly describe it in words but to this day that sound is very identifiable in a good way. And Noiseworks are not exempt of this. They deftly embrace their heritage while going full tilt with awesome hooks, great lyrics and a lot of emotion. What baffles me is that the guys were labeled a pub rock band. Maybe that was the case in their infant years but ‘Noiseworks’ is anything but. Then again, we all look at things differently. ...

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-(16)-
; NASHVILLE
:Twingiant
. Book
. new album
...and the fire within
...in the shadows below
...it's ugly or nothing
...must die
...only a suggestion

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