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Showing posts with the label Candlelight Records

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ORANGE GOBLIN Premieres New Video Via Noisey; Back From The Abyss To Drop Next Month

September 25, 2014

Back From The Abyss Candlelight Records new video NOISEY orange goblin Sabbath Hex The Devil's Whip

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ORANGE GOBLIN's New Album Coming This October; Track Streaming At Loudwire

August 28, 2014

Back From The Abyss Candlelight Records Loudwire new album orange goblin streaming song

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ORANGE GOBLIN: Candlelight Records To Reissue Healing Through Fire

Candlelight Records Healing Through Fire orange goblin reissue

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A Sunday Conversation with The Atlas Moth

January 24, 2010

A Glorified Piece of Blue Sky Candlelight Records drone metal extreme metal heavy metal interview post hardcore progressive metal The Atlas Moth The ripple Effect

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Monday Morning Metal Report: Featuring Månegarm, Noriega, and Viatrophy

January 04, 2010

album review Candlelight Records death metal Desolo extreme metal folk metal Manegarm music review Nattvasen Noriega pagan metal The ripple Effect Viatrophy

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Forest Stream – The Crown of Winter

December 11, 2009

album review Candlelight Records death metal Forest Stream music review Opeth progressive metal Russian Metal The Crown of Winter The ripple Effect

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Monday Morning Metal Report Featuring The Atlas Moth, Faust, and Crack Up

November 23, 2009

A Glorified Piece of Blue Sky Candlelight Records Crack Up extreme metal Faust From Glory to Infinity From the Ground heavy metal Metal Mind nuclear blast The Atlas Moth

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1349 - Revelations of the Black Flame

August 21, 2009

1349 black metal Candlelight Records CD Review corpse paint experimental metal extreme metal Hellfire music review progressive metal Revelations of the Black Flame The ripple Effect

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Monday Morning Metal Report: Candlelight Records

August 17, 2009

Attitude Blood Tsunami Candlelight Records CD Review Darkest Day death metal extreme metal Grand Feast For Vultures heavy metal music review Obituary Susperia thrash metal

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The Pope's Monday Morning Metal Moment

February 16, 2009

black metal Candlelight Records CD Review Crogacht death metal extreme metal Farmakon free podcast music review Robin Sear Bliss Suidakra The Arcane Odyssey Wacken Records

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Jane's Addiction - Nothing's Shocking

Growing up as a teenager in the 1980’s I’d say my progression through rock and roll was fairly standard. Status Quo were my gateway band that drew me into a world of distorted guitars and hard assed rhythms. From there it had to be harder and heavier…Quo gave way to Maiden who gave way to Venom, who gave way to Mercyful Fate then to Metallica, Slayer, Bay Area thrash, death metal…etc. I also embraced the pantheon of forebears…Sabbath always did rule the roost for me from one summer’s day in ’83 when I heard “Live Evil” and still do to this day as do the classics like Lizzy, Purple, Skynyrd, Led Zep, ZZ Top, AC/DC, Motorhead, Kiss. I was a typical heavy metal teenager. Metal was always what it was…hard, heavy, escapist…etc but towards the end of the decade there was a shift; the Red Hot Chilli Peppers introduced metallers to funk, The Beastie Boys and Run DMC with Aerosmith introduced metallers to rap, Faith No More introduced metallers to funk and rap and then there was Jane’s Addict...

Burn on the Bayou: a Heavy Underground Tribute to Creedence Clearwater Revival

Tribute Albums can be a minefield, depending on whom the chosen artist is that is being given the (sometimes dubious) honour of having their songs covered. Black Sabbath have countless tributes and have had every possible band from the Giants (Metallica) to the bizarre (Busta Rhymes) cover them with extremely mixed results. For every White Zombie and 1000 Homo D.J.s sublime covers of Children of the Grave and Supernaught theflip side is the absolute travesty of Emerald Sabbath (I kid you not) consisting of anyone with the most tenuous connection to Sabbath (Dave Walker, Neil Murray, Bev Bevan) murdering their songs. The first hurdle of any tribute album is avoiding the obvious (Sabbath, Lizzy, Purple etc) picking an artist well known but not covered to point of saturation. So, Credit to Ripple Music A whip smart choice of a tribute and overall executed with style. With Burn on the Bayou the first hurdle has been easily jumped. Creedence Clearwater Revivals music is par...

Noiseworks - Noiseworks

Back in the late eighties an Australian friend of mine, whom I've sadly lost touch with since, sent me a cassette of a Sydney-based band. It was their self-titled debut and the band in question was Noiseworks. At this point in time, this five-piece were completely unknown to me and based off of the artwork, a photo of the band against a white backdrop with the logo above, I had no clue what to expect. However, once the music started I was sold - hook, line and sinker! Australian rock and pop of the eighties had a particular sound. Can't honestly describe it in words but to this day that sound is very identifiable in a good way. And Noiseworks are not exempt of this. They deftly embrace their heritage while going full tilt with awesome hooks, great lyrics and a lot of emotion. What baffles me is that the guys were labeled a pub rock band. Maybe that was the case in their infant years but ‘Noiseworks’ is anything but. Then again, we all look at things differently. ...

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Labels

-(16)-
; NASHVILLE
:Twingiant
. Book
. new album
...and the fire within
...in the shadows below
...it's ugly or nothing
...must die
...only a suggestion

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