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The best music you're not listening to.™ Reviews of lost classics and obscure titles. Unheralded bands and songwriters. New bands deserving of greater attention. The site for the music omnivore. It's all here, on the Ripple Effect

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Showing posts with the label IV

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Ordos - Fire

bandcamp crowbar doom metal eyes of fire fire hell has come IV killing joke Monolord ordos Sludge metal

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The Xroadie Files

August 15, 2023

blood sabbath dead quiet double planet earth alter fables of the damned inter terra solis IV serpent corpse sun below the great divide the xroadie files volume 2 wizard tattoo

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The Xroadie Files

December 18, 2019

come the dark deaf radio Death Wolf diagnosis hellehond IV modern panic rocking horse music club the wildhearts the xroadie files verslonden which way the wind blows

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BEASTWARS RETURN: New Zealand Heavyweights Revisit The Riff with New Album | Release Video for ‘Omens’ Single

album release tour Beastwars bigcartel heavy metal IV new video Omens witchskull

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Ripple Field Trip: Black Mountain @ The Independent SF - 4/29/2016

Black Mountain cemetary breeding druganaut florian saucer attack in the future IV mothers of the sun San Francisco space to bakersfield stormy high the independent you can dream

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PSYCHOSTICK Post ‘Bruce Campbell’ Lyric Video (a tribute to the world’s greatest action hero); New Album ‘IV: Revenge of The Vengeance’

November 18, 2014

Bruce Campbell IV Lyric Video new album psychostick Revenge of The Vengeance

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Aosoth – IV: Arrow In Heart

October 21, 2013

Aosoth Arrow In Heart heavy metal IV ripple music free album music review download free mp3

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Sasquatch - IV

October 15, 2013

Doom IV ripple music free album music review download free mp3 sasquatch sludge small stone stoner rock reviews

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Daily Bandcamp Album; IV by Sasquatch

September 24, 2013

California classic rock hard rock IV sasquatch small stone small stone records stoner rock

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Jane's Addiction - Nothing's Shocking

Growing up as a teenager in the 1980’s I’d say my progression through rock and roll was fairly standard. Status Quo were my gateway band that drew me into a world of distorted guitars and hard assed rhythms. From there it had to be harder and heavier…Quo gave way to Maiden who gave way to Venom, who gave way to Mercyful Fate then to Metallica, Slayer, Bay Area thrash, death metal…etc. I also embraced the pantheon of forebears…Sabbath always did rule the roost for me from one summer’s day in ’83 when I heard “Live Evil” and still do to this day as do the classics like Lizzy, Purple, Skynyrd, Led Zep, ZZ Top, AC/DC, Motorhead, Kiss. I was a typical heavy metal teenager. Metal was always what it was…hard, heavy, escapist…etc but towards the end of the decade there was a shift; the Red Hot Chilli Peppers introduced metallers to funk, The Beastie Boys and Run DMC with Aerosmith introduced metallers to rap, Faith No More introduced metallers to funk and rap and then there was Jane’s Addict...

Burn on the Bayou: a Heavy Underground Tribute to Creedence Clearwater Revival

Tribute Albums can be a minefield, depending on whom the chosen artist is that is being given the (sometimes dubious) honour of having their songs covered. Black Sabbath have countless tributes and have had every possible band from the Giants (Metallica) to the bizarre (Busta Rhymes) cover them with extremely mixed results. For every White Zombie and 1000 Homo D.J.s sublime covers of Children of the Grave and Supernaught theflip side is the absolute travesty of Emerald Sabbath (I kid you not) consisting of anyone with the most tenuous connection to Sabbath (Dave Walker, Neil Murray, Bev Bevan) murdering their songs. The first hurdle of any tribute album is avoiding the obvious (Sabbath, Lizzy, Purple etc) picking an artist well known but not covered to point of saturation. So, Credit to Ripple Music A whip smart choice of a tribute and overall executed with style. With Burn on the Bayou the first hurdle has been easily jumped. Creedence Clearwater Revivals music is par...

Noiseworks - Noiseworks

Back in the late eighties an Australian friend of mine, whom I've sadly lost touch with since, sent me a cassette of a Sydney-based band. It was their self-titled debut and the band in question was Noiseworks. At this point in time, this five-piece were completely unknown to me and based off of the artwork, a photo of the band against a white backdrop with the logo above, I had no clue what to expect. However, once the music started I was sold - hook, line and sinker! Australian rock and pop of the eighties had a particular sound. Can't honestly describe it in words but to this day that sound is very identifiable in a good way. And Noiseworks are not exempt of this. They deftly embrace their heritage while going full tilt with awesome hooks, great lyrics and a lot of emotion. What baffles me is that the guys were labeled a pub rock band. Maybe that was the case in their infant years but ‘Noiseworks’ is anything but. Then again, we all look at things differently. ...

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-(16)-
; NASHVILLE
:Twingiant
. Book
. new album
...and the fire within
...in the shadows below
...it's ugly or nothing
...must die
...only a suggestion

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