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Showing posts with the label ambient metal

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THE BLUE COLLAR ARMY - Norrland

ambient metal bandcamp death metal doom metal experimental metal facebook harsh vocals ladysnow society norrland the blue collar army youtube

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cuttooth - Elements

December 25, 2011

. new album ambient metal boards of canada cuttooth downtempo elements free download free mp3 live music review new cd new music nick cooke

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Ripple News - Team All About the Music Releases Free Compilation Album!

December 18, 2010

a backwards glance on a travel road A Band of Orcs ambient metal free album free mp3 Hypno5e metal team all about the music Truth Corroded

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Prophecy Productions - Whom the Moon a Nightsong Sings (Compilation)

December 13, 2010

album review ambient metal black metal compilation album Les Discrets music review Nebelung post progressive rock Prophecy Productions shoe-gazer Tenhi Whom The Moon A Nightsong Sings

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At the Soundawn – Shifting

ambient metal At the Soundawn CD Review D.O.A. new album free download free mp3 free podcast prog rock Shifting

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A Sunday Conversation with Abysse

Abysse ambient metal French metal French underground interview Le vide est forme The French Collective The ripple Effect

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Prophecy Productions Report: Featuring Alcest, Les Descrits, and Negura Bunget

album review Alcest ambient metal atmospheric rock black metal Écailles De Lune Les Discrets Măiestrit Negura Bunget Prophecy Productions Septembre Et Ses Dernières Pensées

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Jane's Addiction - Nothing's Shocking

Growing up as a teenager in the 1980’s I’d say my progression through rock and roll was fairly standard. Status Quo were my gateway band that drew me into a world of distorted guitars and hard assed rhythms. From there it had to be harder and heavier…Quo gave way to Maiden who gave way to Venom, who gave way to Mercyful Fate then to Metallica, Slayer, Bay Area thrash, death metal…etc. I also embraced the pantheon of forebears…Sabbath always did rule the roost for me from one summer’s day in ’83 when I heard “Live Evil” and still do to this day as do the classics like Lizzy, Purple, Skynyrd, Led Zep, ZZ Top, AC/DC, Motorhead, Kiss. I was a typical heavy metal teenager. Metal was always what it was…hard, heavy, escapist…etc but towards the end of the decade there was a shift; the Red Hot Chilli Peppers introduced metallers to funk, The Beastie Boys and Run DMC with Aerosmith introduced metallers to rap, Faith No More introduced metallers to funk and rap and then there was Jane’s Addict...

Burn on the Bayou: a Heavy Underground Tribute to Creedence Clearwater Revival

Tribute Albums can be a minefield, depending on whom the chosen artist is that is being given the (sometimes dubious) honour of having their songs covered. Black Sabbath have countless tributes and have had every possible band from the Giants (Metallica) to the bizarre (Busta Rhymes) cover them with extremely mixed results. For every White Zombie and 1000 Homo D.J.s sublime covers of Children of the Grave and Supernaught theflip side is the absolute travesty of Emerald Sabbath (I kid you not) consisting of anyone with the most tenuous connection to Sabbath (Dave Walker, Neil Murray, Bev Bevan) murdering their songs. The first hurdle of any tribute album is avoiding the obvious (Sabbath, Lizzy, Purple etc) picking an artist well known but not covered to point of saturation. So, Credit to Ripple Music A whip smart choice of a tribute and overall executed with style. With Burn on the Bayou the first hurdle has been easily jumped. Creedence Clearwater Revivals music is par...

Noiseworks - Noiseworks

Back in the late eighties an Australian friend of mine, whom I've sadly lost touch with since, sent me a cassette of a Sydney-based band. It was their self-titled debut and the band in question was Noiseworks. At this point in time, this five-piece were completely unknown to me and based off of the artwork, a photo of the band against a white backdrop with the logo above, I had no clue what to expect. However, once the music started I was sold - hook, line and sinker! Australian rock and pop of the eighties had a particular sound. Can't honestly describe it in words but to this day that sound is very identifiable in a good way. And Noiseworks are not exempt of this. They deftly embrace their heritage while going full tilt with awesome hooks, great lyrics and a lot of emotion. What baffles me is that the guys were labeled a pub rock band. Maybe that was the case in their infant years but ‘Noiseworks’ is anything but. Then again, we all look at things differently. ...

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