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The Ripple Effect

The best music you're not listening to.™ Reviews of lost classics and obscure titles. Unheralded bands and songwriters. New bands deserving of greater attention. The site for the music omnivore. It's all here, on the Ripple Effect

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Showing posts with the label high on fire

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Bow to your Masters I, II, III

big scenic nowhere bow to your masters cover album Deep Purple desert rock duel glory or death records Goya high on fire Judas Priest mothership Slow Season Thin Lizzy Wo Fat Yob

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DUSTED ANGEL "This Side Of The Dirt" Out September 19th on Heavy Psych Sounds

bandcamp dusted angel Fu Manchu heavy psych sounds high on fire Melvins new album Preorder this side of dirt

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A Fistful Of DOOM With Kris From AAWKS

a fistful of doom aawks alice in chains Black Sabbath curtis mayfield high on fire kris dzierzbicki mooch on through the sky maze pentagram Pink Floyd seum Sleep star trek

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Californian 90s stoner metallers DEAR DECEASED (with ex-High On Fire, Operator Generator) share visualizer off "Dear Deceased" album; out December 6th on Ripple Music

November 29, 2024

bandcamp beneath the desert floor dear deceased Doomed & Stoned high on fire operator generator Preorder ripple Music stoner metal traffic vinyl visualizer

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A Fistful Of Questions With Taylor Waring From Merlock

January 15, 2023

a fistful of questions amenra cruel velvet dopesmoker high on fire homer leonard cohen merlock Neurosis onward strides colossus Pink Floyd taylor waring The Mars Volta wizzerd year of the cobra

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A Fistful Of Questions With Andre Almaraz Of Pale Horseman

November 21, 2022

a fistful of questions andre almaraz buzzherd coroner Godflesh high on fire led zeppelin metallica pale horseman slayer star wars The Beatles the exorcist Venom

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HERON Announce Empires of Ash Album And Release First Single "With Dead Eyes"

November 09, 2022

bandcamp conan empires of ash hauntology heron high on fire hungry ghosts new single pallbearer rust and rot Sludge metal sludgelord the middle distance with dead eyes

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A Fistful Of Questions With Bram The Bard Of Wizard Tattoo

September 11, 2022

a fistful of questions Agalloch bram the bard clutch gozer the gozerian high on fire Nachtmystium Panopticon prince Sleep The Allman Brothers void king wizard tattoo Yob zz top

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Jane's Addiction - Nothing's Shocking

Growing up as a teenager in the 1980’s I’d say my progression through rock and roll was fairly standard. Status Quo were my gateway band that drew me into a world of distorted guitars and hard assed rhythms. From there it had to be harder and heavier…Quo gave way to Maiden who gave way to Venom, who gave way to Mercyful Fate then to Metallica, Slayer, Bay Area thrash, death metal…etc. I also embraced the pantheon of forebears…Sabbath always did rule the roost for me from one summer’s day in ’83 when I heard “Live Evil” and still do to this day as do the classics like Lizzy, Purple, Skynyrd, Led Zep, ZZ Top, AC/DC, Motorhead, Kiss. I was a typical heavy metal teenager. Metal was always what it was…hard, heavy, escapist…etc but towards the end of the decade there was a shift; the Red Hot Chilli Peppers introduced metallers to funk, The Beastie Boys and Run DMC with Aerosmith introduced metallers to rap, Faith No More introduced metallers to funk and rap and then there was Jane’s Addict...

Burn on the Bayou: a Heavy Underground Tribute to Creedence Clearwater Revival

Tribute Albums can be a minefield, depending on whom the chosen artist is that is being given the (sometimes dubious) honour of having their songs covered. Black Sabbath have countless tributes and have had every possible band from the Giants (Metallica) to the bizarre (Busta Rhymes) cover them with extremely mixed results. For every White Zombie and 1000 Homo D.J.s sublime covers of Children of the Grave and Supernaught theflip side is the absolute travesty of Emerald Sabbath (I kid you not) consisting of anyone with the most tenuous connection to Sabbath (Dave Walker, Neil Murray, Bev Bevan) murdering their songs. The first hurdle of any tribute album is avoiding the obvious (Sabbath, Lizzy, Purple etc) picking an artist well known but not covered to point of saturation. So, Credit to Ripple Music A whip smart choice of a tribute and overall executed with style. With Burn on the Bayou the first hurdle has been easily jumped. Creedence Clearwater Revivals music is par...

Noiseworks - Noiseworks

Back in the late eighties an Australian friend of mine, whom I've sadly lost touch with since, sent me a cassette of a Sydney-based band. It was their self-titled debut and the band in question was Noiseworks. At this point in time, this five-piece were completely unknown to me and based off of the artwork, a photo of the band against a white backdrop with the logo above, I had no clue what to expect. However, once the music started I was sold - hook, line and sinker! Australian rock and pop of the eighties had a particular sound. Can't honestly describe it in words but to this day that sound is very identifiable in a good way. And Noiseworks are not exempt of this. They deftly embrace their heritage while going full tilt with awesome hooks, great lyrics and a lot of emotion. What baffles me is that the guys were labeled a pub rock band. Maybe that was the case in their infant years but ‘Noiseworks’ is anything but. Then again, we all look at things differently. ...

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Labels

-(16)-
; NASHVILLE
:Twingiant
. Book
. new album
...and the fire within
...in the shadows below
...it's ugly or nothing
...must die
...only a suggestion

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