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The Ripple Effect

The best music you're not listening to.™ Reviews of lost classics and obscure titles. Unheralded bands and songwriters. New bands deserving of greater attention. The site for the music omnivore. It's all here, on the Ripple Effect

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Showing posts with the label country

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CRUSHWATER - The Cactus Storm EP

October 22, 2018

blue moon California country crushwater fly fly fly folk rock SOUNDCLOUD spotify starry skies the cactus storm ep

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The Xroadie Files

October 07, 2017

a ballad for dead love country heavy metal hysteria ponytails progressive rock the great discord the moth the rabbit hole tony steele and the massacre U2

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MOONBOW: BMX legend/Survivor star Matt Bischoff returns with Kentucky rockers for new album on Ripple Music | Stream title track, 'War Bear' now

country desert rock hank 3 John Garcia matt bischoff Moonbow new album ripple Music survivor The End of Time volto del demone war bear

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Sturgill Simpson - A Sailor's Guide To Earth

December 05, 2016

a sailor's guide to earth brace for impact (live a little) breakers roar country in bloom Nirvana oh sarah outlaw country sea stories Sturgill Simpson the dap kings

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Bucky’s Bandcamp Bonanza – Hootenanny edition

bandcamp benchmarks bianca caruso burn the tapes country great peacock have gun will travel high on tulsa heat honky tonk suicide john moreland making ghosts norma macdonald the paychecks

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Willie Nelson - Stardust (I love this album)

country free album music review zip download new music new album cd mp3 cd review album outlaw country Stardust waylon jennings willie nelson

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Daily Bandcamp Album; Las Cruces by Cactus Black

November 08, 2013

acoustic Cactus Black country country rock folk las cruces rock

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Buffalo Clover - Test Your Love

September 06, 2013

Americana Buffalo Clover country Doom ripple music free album music review download free mp3 roots stoner rock reviews Test Your Love

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Jane's Addiction - Nothing's Shocking

Growing up as a teenager in the 1980’s I’d say my progression through rock and roll was fairly standard. Status Quo were my gateway band that drew me into a world of distorted guitars and hard assed rhythms. From there it had to be harder and heavier…Quo gave way to Maiden who gave way to Venom, who gave way to Mercyful Fate then to Metallica, Slayer, Bay Area thrash, death metal…etc. I also embraced the pantheon of forebears…Sabbath always did rule the roost for me from one summer’s day in ’83 when I heard “Live Evil” and still do to this day as do the classics like Lizzy, Purple, Skynyrd, Led Zep, ZZ Top, AC/DC, Motorhead, Kiss. I was a typical heavy metal teenager. Metal was always what it was…hard, heavy, escapist…etc but towards the end of the decade there was a shift; the Red Hot Chilli Peppers introduced metallers to funk, The Beastie Boys and Run DMC with Aerosmith introduced metallers to rap, Faith No More introduced metallers to funk and rap and then there was Jane’s Addict...

Burn on the Bayou: a Heavy Underground Tribute to Creedence Clearwater Revival

Tribute Albums can be a minefield, depending on whom the chosen artist is that is being given the (sometimes dubious) honour of having their songs covered. Black Sabbath have countless tributes and have had every possible band from the Giants (Metallica) to the bizarre (Busta Rhymes) cover them with extremely mixed results. For every White Zombie and 1000 Homo D.J.s sublime covers of Children of the Grave and Supernaught theflip side is the absolute travesty of Emerald Sabbath (I kid you not) consisting of anyone with the most tenuous connection to Sabbath (Dave Walker, Neil Murray, Bev Bevan) murdering their songs. The first hurdle of any tribute album is avoiding the obvious (Sabbath, Lizzy, Purple etc) picking an artist well known but not covered to point of saturation. So, Credit to Ripple Music A whip smart choice of a tribute and overall executed with style. With Burn on the Bayou the first hurdle has been easily jumped. Creedence Clearwater Revivals music is par...

Noiseworks - Noiseworks

Back in the late eighties an Australian friend of mine, whom I've sadly lost touch with since, sent me a cassette of a Sydney-based band. It was their self-titled debut and the band in question was Noiseworks. At this point in time, this five-piece were completely unknown to me and based off of the artwork, a photo of the band against a white backdrop with the logo above, I had no clue what to expect. However, once the music started I was sold - hook, line and sinker! Australian rock and pop of the eighties had a particular sound. Can't honestly describe it in words but to this day that sound is very identifiable in a good way. And Noiseworks are not exempt of this. They deftly embrace their heritage while going full tilt with awesome hooks, great lyrics and a lot of emotion. What baffles me is that the guys were labeled a pub rock band. Maybe that was the case in their infant years but ‘Noiseworks’ is anything but. Then again, we all look at things differently. ...

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-(16)-
; NASHVILLE
:Twingiant
. Book
. new album
...and the fire within
...in the shadows below
...it's ugly or nothing
...must die
...only a suggestion

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