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The Ripple Effect

The best music you're not listening to.™ Reviews of lost classics and obscure titles. Unheralded bands and songwriters. New bands deserving of greater attention. The site for the music omnivore. It's all here, on the Ripple Effect

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MARS RED SKY European takeover continues; new video for "Circles" unveiled

January 21, 2015

Circles Listenable Records Mars Red Sky new video stoner rock Stranded In Arcadia

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Red Mesa – Red Mesa

January 20, 2015

Black Sabbath doom metal monster magnet One Percenter Red Mesa Self Destruction stoner metal

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Coloured Balls - Ball Power

January 19, 2015

AC/DC Ball Power Coloured Balls Eddie & The Hot Rods Flash MC5 rolling stones Rose Tattoo Sing Sing Records Whole Lotta Shakin

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DEVO "Hardcore Live!" Released on DVD, Blu-Ray, CD & Vinyl on 16 February 2015

January 18, 2015

devo Hardcore Devo Hardcore Live! Mark Mothersbaugh Robert "Bob 2" Casale Whip It

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YOB: Portland Doom Monarchs Announce North American Headlining Dates

January 17, 2015

Clearing The Path To Ascend doom metal Ecstatic Vision enslaved neurot recordings North American tour Witch Mountain Yob

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Mount Carmel February 2015 tour dates

January 17, 2015

Alive Naturalsound Records Get Pure Mount Carmel tour dates Whisper

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Penfold's Quick Hits: Mustasch - Sounds Like Hell, Looks Like Heaven

January 16, 2015

corrosion of conformity hard rock heavy metal ian astbury Mustasch Sounds Like Heaven Looks Like Hell speed metal The Cult

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Deep Purple – Live In Japan

January 15, 2015

Deep Purple ian gillan Ian Paice jon lord Live In Japan Made In Japan ritchie Blackmore roger glover Smoke on the water Space Truckin'

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A Ripple Conversation with Bone Man

January 14, 2015

Bone Man heavy interview stoner

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Weight Of The Tide - Epilogue

January 13, 2015

crowbar doom metal down Epilogue melodic rock Only Living Witness Sludge metal stoner rock Undergroove Records Weight Of The Tide

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UFO - The Wild, The Willing And The Innocent

January 12, 2015

Andy Parker classic rock Neil Carter Paul'Tonka'Chapman pete way phil mogg The Wild The Willing And The Innocent UFO

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Popular Posts

Jane's Addiction - Nothing's Shocking

Growing up as a teenager in the 1980’s I’d say my progression through rock and roll was fairly standard. Status Quo were my gateway band that drew me into a world of distorted guitars and hard assed rhythms. From there it had to be harder and heavier…Quo gave way to Maiden who gave way to Venom, who gave way to Mercyful Fate then to Metallica, Slayer, Bay Area thrash, death metal…etc. I also embraced the pantheon of forebears…Sabbath always did rule the roost for me from one summer’s day in ’83 when I heard “Live Evil” and still do to this day as do the classics like Lizzy, Purple, Skynyrd, Led Zep, ZZ Top, AC/DC, Motorhead, Kiss. I was a typical heavy metal teenager. Metal was always what it was…hard, heavy, escapist…etc but towards the end of the decade there was a shift; the Red Hot Chilli Peppers introduced metallers to funk, The Beastie Boys and Run DMC with Aerosmith introduced metallers to rap, Faith No More introduced metallers to funk and rap and then there was Jane’s Addict...

Burn on the Bayou: a Heavy Underground Tribute to Creedence Clearwater Revival

Tribute Albums can be a minefield, depending on whom the chosen artist is that is being given the (sometimes dubious) honour of having their songs covered. Black Sabbath have countless tributes and have had every possible band from the Giants (Metallica) to the bizarre (Busta Rhymes) cover them with extremely mixed results. For every White Zombie and 1000 Homo D.J.s sublime covers of Children of the Grave and Supernaught theflip side is the absolute travesty of Emerald Sabbath (I kid you not) consisting of anyone with the most tenuous connection to Sabbath (Dave Walker, Neil Murray, Bev Bevan) murdering their songs. The first hurdle of any tribute album is avoiding the obvious (Sabbath, Lizzy, Purple etc) picking an artist well known but not covered to point of saturation. So, Credit to Ripple Music A whip smart choice of a tribute and overall executed with style. With Burn on the Bayou the first hurdle has been easily jumped. Creedence Clearwater Revivals music is par...

Noiseworks - Noiseworks

Back in the late eighties an Australian friend of mine, whom I've sadly lost touch with since, sent me a cassette of a Sydney-based band. It was their self-titled debut and the band in question was Noiseworks. At this point in time, this five-piece were completely unknown to me and based off of the artwork, a photo of the band against a white backdrop with the logo above, I had no clue what to expect. However, once the music started I was sold - hook, line and sinker! Australian rock and pop of the eighties had a particular sound. Can't honestly describe it in words but to this day that sound is very identifiable in a good way. And Noiseworks are not exempt of this. They deftly embrace their heritage while going full tilt with awesome hooks, great lyrics and a lot of emotion. What baffles me is that the guys were labeled a pub rock band. Maybe that was the case in their infant years but ‘Noiseworks’ is anything but. Then again, we all look at things differently. ...

Ripples Past - Album Review Archives

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-(16)-
; NASHVILLE
:Twingiant
. Book
. new album
...and the fire within
...in the shadows below
...it's ugly or nothing
...must die
...only a suggestion

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