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Showing posts with the label Witch Mountain

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MARYLAND DOOM FEST 2020 Rescheduled For OCT. 29 - NOV. 01 - Halloween Weekend!

blood ceremony cirith ungol gates of slumber Halloween maryland doom fest 2020 MUSIC FESTIVAL speedealer the skull Witch Mountain worshipper

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MARYLAND DOOM FEST Announces Daily Lineups: June 18-21, 2020 - CIRITH UNGOL, BLOOD CEREMONY, SPEEDEALER, MONDO GENERATOR + More!

February 10, 2020

2020 blood ceremony cirith ungol death row assembly doom metal mondo generator speedealer the maryland doom fest the skull Witch Mountain worhipper

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Riffcaster’s 2018 Top 11 List

December 31, 2018

blackwulf clutch corrosion of conformity forming the void high on fire holy grove MIssissippi Bones Mos Generator Sleep top ten list Witch Mountain Yob

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New YEAR OF THE COBRA is here! And so is... Bill Ward?!?!

October 31, 2017

bill ward burn your dead day of errors Magnetic eye records new EP NOISEY Pink Floyd Witch Mountain year of the cobra

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Blackwitch Pudding – Betty Kougar/Herman The Worm Man

7" single betty kougar BLACKWITCH PUDDING doom metal heavy rock herman the worm man soul wizard stoner rock Witch Mountain

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HOVERFEST 2015: Slough Feg, Witch Mountain, Danava, Lord Dying, Sons Of Huns, Holy Grove & More To Play Second Annual Festival Of Amps, Riffs & Motorcycles

Danava holy grove hoverfest lord dying mane of the cur slough Feg Sons Of Huns Witch Mountain zirakzigil

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YOB: Portland Doom Kings North American Tour

doom metal Ecstatic Vision enslaved heavy metal North American tour will haven Witch Mountain Yob

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YOB: Portland Doom Monarchs Announce North American Headlining Dates

January 17, 2015

Clearing The Path To Ascend doom metal Ecstatic Vision enslaved neurot recordings North American tour Witch Mountain Yob

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Jane's Addiction - Nothing's Shocking

Growing up as a teenager in the 1980’s I’d say my progression through rock and roll was fairly standard. Status Quo were my gateway band that drew me into a world of distorted guitars and hard assed rhythms. From there it had to be harder and heavier…Quo gave way to Maiden who gave way to Venom, who gave way to Mercyful Fate then to Metallica, Slayer, Bay Area thrash, death metal…etc. I also embraced the pantheon of forebears…Sabbath always did rule the roost for me from one summer’s day in ’83 when I heard “Live Evil” and still do to this day as do the classics like Lizzy, Purple, Skynyrd, Led Zep, ZZ Top, AC/DC, Motorhead, Kiss. I was a typical heavy metal teenager. Metal was always what it was…hard, heavy, escapist…etc but towards the end of the decade there was a shift; the Red Hot Chilli Peppers introduced metallers to funk, The Beastie Boys and Run DMC with Aerosmith introduced metallers to rap, Faith No More introduced metallers to funk and rap and then there was Jane’s Addict...

Burn on the Bayou: a Heavy Underground Tribute to Creedence Clearwater Revival

Tribute Albums can be a minefield, depending on whom the chosen artist is that is being given the (sometimes dubious) honour of having their songs covered. Black Sabbath have countless tributes and have had every possible band from the Giants (Metallica) to the bizarre (Busta Rhymes) cover them with extremely mixed results. For every White Zombie and 1000 Homo D.J.s sublime covers of Children of the Grave and Supernaught theflip side is the absolute travesty of Emerald Sabbath (I kid you not) consisting of anyone with the most tenuous connection to Sabbath (Dave Walker, Neil Murray, Bev Bevan) murdering their songs. The first hurdle of any tribute album is avoiding the obvious (Sabbath, Lizzy, Purple etc) picking an artist well known but not covered to point of saturation. So, Credit to Ripple Music A whip smart choice of a tribute and overall executed with style. With Burn on the Bayou the first hurdle has been easily jumped. Creedence Clearwater Revivals music is par...

Noiseworks - Noiseworks

Back in the late eighties an Australian friend of mine, whom I've sadly lost touch with since, sent me a cassette of a Sydney-based band. It was their self-titled debut and the band in question was Noiseworks. At this point in time, this five-piece were completely unknown to me and based off of the artwork, a photo of the band against a white backdrop with the logo above, I had no clue what to expect. However, once the music started I was sold - hook, line and sinker! Australian rock and pop of the eighties had a particular sound. Can't honestly describe it in words but to this day that sound is very identifiable in a good way. And Noiseworks are not exempt of this. They deftly embrace their heritage while going full tilt with awesome hooks, great lyrics and a lot of emotion. What baffles me is that the guys were labeled a pub rock band. Maybe that was the case in their infant years but ‘Noiseworks’ is anything but. Then again, we all look at things differently. ...

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-(16)-
; NASHVILLE
:Twingiant
. Book
. new album
...and the fire within
...in the shadows below
...it's ugly or nothing
...must die
...only a suggestion

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