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The best music you're not listening to.™ Reviews of lost classics and obscure titles. Unheralded bands and songwriters. New bands deserving of greater attention. The site for the music omnivore. It's all here, on the Ripple Effect

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Showing posts from November, 2019

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VISIONS OF ATLANTIS Announces 2020 European Headline Tour

November 29, 2019

chaos magic edenbridge heroes of the dawn leecher morlas memoria scarlet symphonic metal tour dates UK tour Visions of Atlantis wanderers wanderers tour 2020

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The Xroadie Files

November 27, 2019

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Cleopatra Entertainment To Release Festival Award Winning Documentary “MELODY MAKERS the Bible of Rock 'n Roll” - November 29 in Los Angeles

November 26, 2019

alan white award winning barrie wentzell Cleopatra Records documentary eric burdon Ian Anderson melody makers steve howe the bible of rock 'n roll

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Swedish hard rock purveyors KAMCHATKA unleash new single off upcoming album 'Hoodoo Lightning'; out Dec. 6th on Border Music

November 25, 2019

border music clutch fool hard rock hoodoo lightning Kamchatka new album new single pre-order tour dates

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A Ripple Conversation With Cybernetic Witch Cult

November 24, 2019

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NO-MAN (TIM BOWNESS AND STEVEN WILSON) NEW ALBUM, LOVE YOU TO BITS, OUT NOW

November 23, 2019

flowermouth goldfrapp kraftwerk love you to bits new album no-man Pink Floyd robert fripp steven wilson tears for fears tim bowness

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A Ripple Conversation With Void Vator

November 22, 2019

a ripple conversation Dream Theater Iron Maiden led zeppelin nosferatu ripple Music slayer Stevie Wonder Testament the ramones void vator

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L.A hard-hitting rockers VOID VATOR share rip-roaring album 'Stranded' via Metal Injection ; out this Friday on Ripple Music

November 21, 2019

debut album Metal Injection new single pre-order ripple Music stranded void vator

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The Xroadie Files

November 20, 2019

blues from the tombs cursed seeds dark rails heavy heart horror god kelly carmichael self-titled skanska mord the narrator the new death cult the xroadie files

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Noiseworks - Noiseworks

Back in the late eighties an Australian friend of mine, whom I've sadly lost touch with since, sent me a cassette of a Sydney-based band. It was their self-titled debut and the band in question was Noiseworks. At this point in time, this five-piece were completely unknown to me and based off of the artwork, a photo of the band against a white backdrop with the logo above, I had no clue what to expect. However, once the music started I was sold - hook, line and sinker! Australian rock and pop of the eighties had a particular sound. Can't honestly describe it in words but to this day that sound is very identifiable in a good way. And Noiseworks are not exempt of this. They deftly embrace their heritage while going full tilt with awesome hooks, great lyrics and a lot of emotion. What baffles me is that the guys were labeled a pub rock band. Maybe that was the case in their infant years but ‘Noiseworks’ is anything but. Then again, we all look at things differently. ...

Jane's Addiction - Nothing's Shocking

Growing up as a teenager in the 1980’s I’d say my progression through rock and roll was fairly standard. Status Quo were my gateway band that drew me into a world of distorted guitars and hard assed rhythms. From there it had to be harder and heavier…Quo gave way to Maiden who gave way to Venom, who gave way to Mercyful Fate then to Metallica, Slayer, Bay Area thrash, death metal…etc. I also embraced the pantheon of forebears…Sabbath always did rule the roost for me from one summer’s day in ’83 when I heard “Live Evil” and still do to this day as do the classics like Lizzy, Purple, Skynyrd, Led Zep, ZZ Top, AC/DC, Motorhead, Kiss. I was a typical heavy metal teenager. Metal was always what it was…hard, heavy, escapist…etc but towards the end of the decade there was a shift; the Red Hot Chilli Peppers introduced metallers to funk, The Beastie Boys and Run DMC with Aerosmith introduced metallers to rap, Faith No More introduced metallers to funk and rap and then there was Jane’s Addict...

Burn on the Bayou: a Heavy Underground Tribute to Creedence Clearwater Revival

Tribute Albums can be a minefield, depending on whom the chosen artist is that is being given the (sometimes dubious) honour of having their songs covered. Black Sabbath have countless tributes and have had every possible band from the Giants (Metallica) to the bizarre (Busta Rhymes) cover them with extremely mixed results. For every White Zombie and 1000 Homo D.J.s sublime covers of Children of the Grave and Supernaught theflip side is the absolute travesty of Emerald Sabbath (I kid you not) consisting of anyone with the most tenuous connection to Sabbath (Dave Walker, Neil Murray, Bev Bevan) murdering their songs. The first hurdle of any tribute album is avoiding the obvious (Sabbath, Lizzy, Purple etc) picking an artist well known but not covered to point of saturation. So, Credit to Ripple Music A whip smart choice of a tribute and overall executed with style. With Burn on the Bayou the first hurdle has been easily jumped. Creedence Clearwater Revivals music is par...

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