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Showing posts with the label Pink Floyd

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Hällas ★ Panorama

February 22, 2026

above the continuum at the summit bestiaus face of an angel hallas panorama Pink Floyd progressive rock the emissary tommy alexandersson

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Pink Floyd ★ Wish You Were Here -50-

January 18, 2026

50th anniversary classic rock have a cigar Pink Floyd progressive rock shine on you crazy diamond the dark side of the moon welcome to the machine Wish You Were Here

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A Fistful Of Questions With Lawrence Gomez From Hell Ever After

December 21, 2025

a fistful of questions act 1 andrew lloyd webber Ghost hell ever after lawrence gomez metallica misfits necrogoblikon Pink Floyd professional wrestling slayer

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A Fistful Of DOOM With Kris From AAWKS

a fistful of doom aawks alice in chains Black Sabbath curtis mayfield high on fire kris dzierzbicki mooch on through the sky maze pentagram Pink Floyd seum Sleep star trek

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KADAVAR ★ I Just Want To Be A Sound

Black Sabbath i just want to be a sound Kadavar Krautrock max rieger Pink Floyd quartet retro rock the isolation tapes transformation

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Pink Floyd ★ Live at Pompeii

a saucerful of secrets David Gilmour echoes live at pompeii nick mason Pink Floyd richard wright Roger Waters set the controls for the heart of the sun

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A Fistful Of Questions With Peter From Galgeberg

a fistful of questions aura noir Blood Tsunami cerberus datsun dismember galgeberg Iron Maiden Kiss kreator new model army pete evil peter vegem Pink Floyd sovereign the pogues

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Psychlona ★ Warped Vision

October 13, 2024

Fu Manchu Hawkwind heavy psych jasmine Kyuss magic carpet Pink Floyd psychlona stoner rock warped vision

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A Fistful Of Questions With Adam R. Bryant

September 01, 2024

a fistful of questions adam r. bryant BORIS cave dweller gorguts John Coltrane locrian Neurosis Pink Floyd radiohead salt on sunday sumac Sunn O))) Swans Tool unfold

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Jane's Addiction - Nothing's Shocking

Growing up as a teenager in the 1980’s I’d say my progression through rock and roll was fairly standard. Status Quo were my gateway band that drew me into a world of distorted guitars and hard assed rhythms. From there it had to be harder and heavier…Quo gave way to Maiden who gave way to Venom, who gave way to Mercyful Fate then to Metallica, Slayer, Bay Area thrash, death metal…etc. I also embraced the pantheon of forebears…Sabbath always did rule the roost for me from one summer’s day in ’83 when I heard “Live Evil” and still do to this day as do the classics like Lizzy, Purple, Skynyrd, Led Zep, ZZ Top, AC/DC, Motorhead, Kiss. I was a typical heavy metal teenager. Metal was always what it was…hard, heavy, escapist…etc but towards the end of the decade there was a shift; the Red Hot Chilli Peppers introduced metallers to funk, The Beastie Boys and Run DMC with Aerosmith introduced metallers to rap, Faith No More introduced metallers to funk and rap and then there was Jane’s Addict...

Burn on the Bayou: a Heavy Underground Tribute to Creedence Clearwater Revival

Tribute Albums can be a minefield, depending on whom the chosen artist is that is being given the (sometimes dubious) honour of having their songs covered. Black Sabbath have countless tributes and have had every possible band from the Giants (Metallica) to the bizarre (Busta Rhymes) cover them with extremely mixed results. For every White Zombie and 1000 Homo D.J.s sublime covers of Children of the Grave and Supernaught theflip side is the absolute travesty of Emerald Sabbath (I kid you not) consisting of anyone with the most tenuous connection to Sabbath (Dave Walker, Neil Murray, Bev Bevan) murdering their songs. The first hurdle of any tribute album is avoiding the obvious (Sabbath, Lizzy, Purple etc) picking an artist well known but not covered to point of saturation. So, Credit to Ripple Music A whip smart choice of a tribute and overall executed with style. With Burn on the Bayou the first hurdle has been easily jumped. Creedence Clearwater Revivals music is par...

Noiseworks - Noiseworks

Back in the late eighties an Australian friend of mine, whom I've sadly lost touch with since, sent me a cassette of a Sydney-based band. It was their self-titled debut and the band in question was Noiseworks. At this point in time, this five-piece were completely unknown to me and based off of the artwork, a photo of the band against a white backdrop with the logo above, I had no clue what to expect. However, once the music started I was sold - hook, line and sinker! Australian rock and pop of the eighties had a particular sound. Can't honestly describe it in words but to this day that sound is very identifiable in a good way. And Noiseworks are not exempt of this. They deftly embrace their heritage while going full tilt with awesome hooks, great lyrics and a lot of emotion. What baffles me is that the guys were labeled a pub rock band. Maybe that was the case in their infant years but ‘Noiseworks’ is anything but. Then again, we all look at things differently. ...

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