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The Ripple Effect

The best music you're not listening to.™ Reviews of lost classics and obscure titles. Unheralded bands and songwriters. New bands deserving of greater attention. The site for the music omnivore. It's all here, on the Ripple Effect

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Showing posts with the label singer-songwriter

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Sufjan Stevens - Carrie & Lowell

carrie & lowell death death with dignity illinois lullaby singer-songwriter sufjan stevens

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December 03, 2012

'70's rock album review CD Review download free podcast I would die for you insensitive Jann Arden living under june new album new music singer-songwriter time for mercy

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Ted Garber - Live at Strathmore

album review American Rail Americana jazz Jim Croce live album Live at Strathmore music review singer-songwriter Ted Garber The ripple Effect

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John Wesley - Live at Katie Fitzgerald's

August 09, 2010

album review Americana guitarist John Wesley Live at Katie Fitzgerald's live record music review Porcupine Tree Shiver singer-songwriter The ripple Effect

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A Sunday Conversation with Award-Winning Songwriter, Kevin Beadles

alt country Americana free download free podcast interview interview new album Kevin Beadles new CD roots rock singer-songwriter You Can't Argue With Water

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A Man and his Guitar - A Ripple Rundown of Recent Singer/Songwriters Featuring PJ Bond and A Minor Kingdom

acoustic guitars acoustic rock Americana folk music folk rock Minor Kingdom My Back Will Bend PJ Bond singer-songwriter The ripple Effect You Didn't Know I was Alphabetical

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Ted Garber - American Rail

November 13, 2009

acoustic rock American Rail Americana bruce springsteen CD Review folk rock music review roots singer-songwriter Ted Garber The ripple Effect

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Dala - Everyone Is Someone

October 26, 2009

Amanda Walther CD Review Dala Everyone is Someone folk music review Sheila Carabine singer-songwriter The ripple Effect

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Ernie Halter – Live

September 14, 2009

CD Review Ernie Halter folk Live music review singer-songwriter soul Starting Over The ripple Effect

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A Sunday Conversation with Neil Nathan

70's rock acoustic rock California Run interview Neil Nathan singer-songwriter The Distance Calls The ripple Effect

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Jane's Addiction - Nothing's Shocking

Growing up as a teenager in the 1980’s I’d say my progression through rock and roll was fairly standard. Status Quo were my gateway band that drew me into a world of distorted guitars and hard assed rhythms. From there it had to be harder and heavier…Quo gave way to Maiden who gave way to Venom, who gave way to Mercyful Fate then to Metallica, Slayer, Bay Area thrash, death metal…etc. I also embraced the pantheon of forebears…Sabbath always did rule the roost for me from one summer’s day in ’83 when I heard “Live Evil” and still do to this day as do the classics like Lizzy, Purple, Skynyrd, Led Zep, ZZ Top, AC/DC, Motorhead, Kiss. I was a typical heavy metal teenager. Metal was always what it was…hard, heavy, escapist…etc but towards the end of the decade there was a shift; the Red Hot Chilli Peppers introduced metallers to funk, The Beastie Boys and Run DMC with Aerosmith introduced metallers to rap, Faith No More introduced metallers to funk and rap and then there was Jane’s Addict...

Burn on the Bayou: a Heavy Underground Tribute to Creedence Clearwater Revival

Tribute Albums can be a minefield, depending on whom the chosen artist is that is being given the (sometimes dubious) honour of having their songs covered. Black Sabbath have countless tributes and have had every possible band from the Giants (Metallica) to the bizarre (Busta Rhymes) cover them with extremely mixed results. For every White Zombie and 1000 Homo D.J.s sublime covers of Children of the Grave and Supernaught theflip side is the absolute travesty of Emerald Sabbath (I kid you not) consisting of anyone with the most tenuous connection to Sabbath (Dave Walker, Neil Murray, Bev Bevan) murdering their songs. The first hurdle of any tribute album is avoiding the obvious (Sabbath, Lizzy, Purple etc) picking an artist well known but not covered to point of saturation. So, Credit to Ripple Music A whip smart choice of a tribute and overall executed with style. With Burn on the Bayou the first hurdle has been easily jumped. Creedence Clearwater Revivals music is par...

Noiseworks - Noiseworks

Back in the late eighties an Australian friend of mine, whom I've sadly lost touch with since, sent me a cassette of a Sydney-based band. It was their self-titled debut and the band in question was Noiseworks. At this point in time, this five-piece were completely unknown to me and based off of the artwork, a photo of the band against a white backdrop with the logo above, I had no clue what to expect. However, once the music started I was sold - hook, line and sinker! Australian rock and pop of the eighties had a particular sound. Can't honestly describe it in words but to this day that sound is very identifiable in a good way. And Noiseworks are not exempt of this. They deftly embrace their heritage while going full tilt with awesome hooks, great lyrics and a lot of emotion. What baffles me is that the guys were labeled a pub rock band. Maybe that was the case in their infant years but ‘Noiseworks’ is anything but. Then again, we all look at things differently. ...

Ripples Past - Album Review Archives

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2011 474
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2009 369
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2007 31

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-(16)-
; NASHVILLE
:Twingiant
. Book
. new album
...and the fire within
...in the shadows below
...it's ugly or nothing
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