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Showing posts with the label psychadelic

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Bad Afro Records set to Release Baby Woodrose Compilation of Rare B-sides

November 30, 2013

baby Woodrose Bad Afro Records Compilation lorenzo woodrose psychadelic rare b-sides tour dates

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Proto-metal Report - May Blitz - May Blitz/The 2nd of May

August 16, 2013

2nd of May album review CD Review download free podcast hard rock heavy metal May Blitz new music proto metal proto-metal protometal psychadelic psychedelic rock

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Proto-metal Report - Poobah - Underground

August 16, 2013

album review CD Review download free podcast neo psychedlia new music Poobah proto metal proto-metal protometal psychadelic psychedelic rock Underground

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A Sunday Conversation with Dead Man

November 30, 2008

CD Review Dead Man Euphoria free podcast interview music video new album new music prog rock progressive rock psychadelic psychedelic psychedelic rock

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Colour Haze - All

August 29, 2008

All CD Review Colour Haze download free podcast heavy metal new album new music new rock Obscure progressive rock psychadelic psychedelic stoner rock

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Proto-metal report - JPT Scare Band - Past is Prologue

CD Review download free podcast heavy psych JPT Scare Band music review music video new music Obscure proto metal proto-metal protometal psychadelic psychedelic rock music

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Dead Man - Euphoria

CD Review classic rock Dead Man download free podcast Grateful Dead heavy metal music review music video new music Obscure Opeth Pink Floyd prog progressive rock psychadelic rock music Swedish prog rock

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Imogene – Imogene

December 03, 2007

CD Review classic rock download free podcast garage rock heavy metal Imogene music review music video new music Obscure prog progressive rock psychadelic retro rock rock music

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Jane's Addiction - Nothing's Shocking

Growing up as a teenager in the 1980’s I’d say my progression through rock and roll was fairly standard. Status Quo were my gateway band that drew me into a world of distorted guitars and hard assed rhythms. From there it had to be harder and heavier…Quo gave way to Maiden who gave way to Venom, who gave way to Mercyful Fate then to Metallica, Slayer, Bay Area thrash, death metal…etc. I also embraced the pantheon of forebears…Sabbath always did rule the roost for me from one summer’s day in ’83 when I heard “Live Evil” and still do to this day as do the classics like Lizzy, Purple, Skynyrd, Led Zep, ZZ Top, AC/DC, Motorhead, Kiss. I was a typical heavy metal teenager. Metal was always what it was…hard, heavy, escapist…etc but towards the end of the decade there was a shift; the Red Hot Chilli Peppers introduced metallers to funk, The Beastie Boys and Run DMC with Aerosmith introduced metallers to rap, Faith No More introduced metallers to funk and rap and then there was Jane’s Addict...

Burn on the Bayou: a Heavy Underground Tribute to Creedence Clearwater Revival

Tribute Albums can be a minefield, depending on whom the chosen artist is that is being given the (sometimes dubious) honour of having their songs covered. Black Sabbath have countless tributes and have had every possible band from the Giants (Metallica) to the bizarre (Busta Rhymes) cover them with extremely mixed results. For every White Zombie and 1000 Homo D.J.s sublime covers of Children of the Grave and Supernaught theflip side is the absolute travesty of Emerald Sabbath (I kid you not) consisting of anyone with the most tenuous connection to Sabbath (Dave Walker, Neil Murray, Bev Bevan) murdering their songs. The first hurdle of any tribute album is avoiding the obvious (Sabbath, Lizzy, Purple etc) picking an artist well known but not covered to point of saturation. So, Credit to Ripple Music A whip smart choice of a tribute and overall executed with style. With Burn on the Bayou the first hurdle has been easily jumped. Creedence Clearwater Revivals music is par...

Noiseworks - Noiseworks

Back in the late eighties an Australian friend of mine, whom I've sadly lost touch with since, sent me a cassette of a Sydney-based band. It was their self-titled debut and the band in question was Noiseworks. At this point in time, this five-piece were completely unknown to me and based off of the artwork, a photo of the band against a white backdrop with the logo above, I had no clue what to expect. However, once the music started I was sold - hook, line and sinker! Australian rock and pop of the eighties had a particular sound. Can't honestly describe it in words but to this day that sound is very identifiable in a good way. And Noiseworks are not exempt of this. They deftly embrace their heritage while going full tilt with awesome hooks, great lyrics and a lot of emotion. What baffles me is that the guys were labeled a pub rock band. Maybe that was the case in their infant years but ‘Noiseworks’ is anything but. Then again, we all look at things differently. ...

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-(16)-
; NASHVILLE
:Twingiant
. Book
. new album
...and the fire within
...in the shadows below
...it's ugly or nothing
...must die
...only a suggestion

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