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The Ripple Effect

The best music you're not listening to.™ Reviews of lost classics and obscure titles. Unheralded bands and songwriters. New bands deserving of greater attention. The site for the music omnivore. It's all here, on the Ripple Effect

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Showing posts with the label new wave

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Bill Nelson’s Red Noise – Sound On Sound

a better home in the phantom zone be-bop deluxe bill nelson devo don't touch me (I'm electric) for young moderns new wave red noise revolt into style sound on sound stay young stop/go/stop the cars

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Twelfth Night - Art & Illusion The Definitive Edition

January 04, 2024

art & illusion c.r.a.b. counterpoint creepshow first new day kings & queens marillion new wave progressive rock take a look the ceiling speaks the definitive edition twelfth night

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The Xroadie Files

September 27, 2017

breag naofa breaking news captain sib cearo crawl death metal grande royale new wave pop punk progressive metal self-titled southern rock the xroadi this sad cadav'r

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The Xroadie Files

September 10, 2017

Black Sabbath heavy metal lucifer's dream mindcult my ticket home new wave punk stoner metal the Clash the xroadie files thrush unreal

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It’s Not Dead, It Just Smells Funny - Scenes From A Record Fair

AC/DC Bad Religion frank zappa jazz kraut rock misfits new wave pub rock punk rock record fair thrash metal vinyl

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The Fixx - Ink

November 10, 2008

'80's new wave 80's rock CD Review Cy Curnin free podcast Ink Jamie West - Oram music review new wave Phantoms Reach the Beach Shuttered Room The Fixx

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The Tubes - The Completion Backwards Prinicple

October 24, 2008

CD Review classic rock Completion Backwards Prinicple download Fee Waybill free podcast new wave The Tubes

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Bang-Bang - Life Part II

January 16, 2008

Bang Bang Bang-Bang CD Review download eighties rock glam rock Julian Raymond Life Part II music review music video new music new wave Obscure podcast rock music This is Love

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Jane's Addiction - Nothing's Shocking

Growing up as a teenager in the 1980’s I’d say my progression through rock and roll was fairly standard. Status Quo were my gateway band that drew me into a world of distorted guitars and hard assed rhythms. From there it had to be harder and heavier…Quo gave way to Maiden who gave way to Venom, who gave way to Mercyful Fate then to Metallica, Slayer, Bay Area thrash, death metal…etc. I also embraced the pantheon of forebears…Sabbath always did rule the roost for me from one summer’s day in ’83 when I heard “Live Evil” and still do to this day as do the classics like Lizzy, Purple, Skynyrd, Led Zep, ZZ Top, AC/DC, Motorhead, Kiss. I was a typical heavy metal teenager. Metal was always what it was…hard, heavy, escapist…etc but towards the end of the decade there was a shift; the Red Hot Chilli Peppers introduced metallers to funk, The Beastie Boys and Run DMC with Aerosmith introduced metallers to rap, Faith No More introduced metallers to funk and rap and then there was Jane’s Addict...

Burn on the Bayou: a Heavy Underground Tribute to Creedence Clearwater Revival

Tribute Albums can be a minefield, depending on whom the chosen artist is that is being given the (sometimes dubious) honour of having their songs covered. Black Sabbath have countless tributes and have had every possible band from the Giants (Metallica) to the bizarre (Busta Rhymes) cover them with extremely mixed results. For every White Zombie and 1000 Homo D.J.s sublime covers of Children of the Grave and Supernaught theflip side is the absolute travesty of Emerald Sabbath (I kid you not) consisting of anyone with the most tenuous connection to Sabbath (Dave Walker, Neil Murray, Bev Bevan) murdering their songs. The first hurdle of any tribute album is avoiding the obvious (Sabbath, Lizzy, Purple etc) picking an artist well known but not covered to point of saturation. So, Credit to Ripple Music A whip smart choice of a tribute and overall executed with style. With Burn on the Bayou the first hurdle has been easily jumped. Creedence Clearwater Revivals music is par...

Noiseworks - Noiseworks

Back in the late eighties an Australian friend of mine, whom I've sadly lost touch with since, sent me a cassette of a Sydney-based band. It was their self-titled debut and the band in question was Noiseworks. At this point in time, this five-piece were completely unknown to me and based off of the artwork, a photo of the band against a white backdrop with the logo above, I had no clue what to expect. However, once the music started I was sold - hook, line and sinker! Australian rock and pop of the eighties had a particular sound. Can't honestly describe it in words but to this day that sound is very identifiable in a good way. And Noiseworks are not exempt of this. They deftly embrace their heritage while going full tilt with awesome hooks, great lyrics and a lot of emotion. What baffles me is that the guys were labeled a pub rock band. Maybe that was the case in their infant years but ‘Noiseworks’ is anything but. Then again, we all look at things differently. ...

Ripples Past - Album Review Archives

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-(16)-
; NASHVILLE
:Twingiant
. Book
. new album
...and the fire within
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...it's ugly or nothing
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