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The Ripple Effect

The best music you're not listening to.™ Reviews of lost classics and obscure titles. Unheralded bands and songwriters. New bands deserving of greater attention. The site for the music omnivore. It's all here, on the Ripple Effect

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Showing posts from January, 2023

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The Xroadie Files

January 31, 2023

generation landslide metallophobia not like the others you know peterson quizboy ruling the street scene solitary experiments the wolves of avalon the xroadie files transcendent y gododdin

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ÅSKVÄDER Unveil New Single "Don't Worry"

January 30, 2023

askvader bandcamp cyclops don't worry facebook fenix new single quick fixes Rock 'n' Roll the sign records

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A Fistful Of Questions With Shaun Forshaw From Robot Death Monkey

January 29, 2023

50 cent a fistful of questions Bad Religion clutch Fu Manchu gza Karma to burn Kyuss led zeppelin neil young Nirvana robot death monkey shaun forshaw Sleep wu tang clan

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New Doctor Doom & The Necromancers In The US Store!

January 27, 2023

a shadow called danger bandcamp CD DoctoR DooM doom metal retrogressive rock ripple Music the necromancers vinyl where the void rose

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A Ripple Conversation With Mythosphere.

January 26, 2023

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Ten Years After “A Space In Time” New 50th Anniversary Remix Available on 2CD and 2LP Half-Speed Master 180g Vinyl on March 17, 2023

January 25, 2023

2 cd 2 lp 50th anniversary a space in time chris kimsey classic rock half-speed master i'd love to change the world remix ten years after

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The Xroadie Files

January 24, 2023

a couple of times animal logic can you tell me chris spelling hellafied lodestone ordinary robert gordon the xroadie files think pink ii think pink iii Time flies twink twogether

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Tidal Waves Is Raucous Fuzz For The Masses

January 23, 2023

bandcamp blueberry muffin CD fuzz rock purple bird ripple Music robbero bobbero stoner rock the lord knows tidal wave vinyl

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A Fistful Of Questions With Jim Haldenwang From Dying Light

January 22, 2023

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Baardvader ★ Foolish Fires

January 21, 2023

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Noiseworks - Noiseworks

Back in the late eighties an Australian friend of mine, whom I've sadly lost touch with since, sent me a cassette of a Sydney-based band. It was their self-titled debut and the band in question was Noiseworks. At this point in time, this five-piece were completely unknown to me and based off of the artwork, a photo of the band against a white backdrop with the logo above, I had no clue what to expect. However, once the music started I was sold - hook, line and sinker! Australian rock and pop of the eighties had a particular sound. Can't honestly describe it in words but to this day that sound is very identifiable in a good way. And Noiseworks are not exempt of this. They deftly embrace their heritage while going full tilt with awesome hooks, great lyrics and a lot of emotion. What baffles me is that the guys were labeled a pub rock band. Maybe that was the case in their infant years but ‘Noiseworks’ is anything but. Then again, we all look at things differently.

Jane's Addiction - Nothing's Shocking

Growing up as a teenager in the 1980’s I’d say my progression through rock and roll was fairly standard. Status Quo were my gateway band that drew me into a world of distorted guitars and hard assed rhythms. From there it had to be harder and heavier…Quo gave way to Maiden who gave way to Venom, who gave way to Mercyful Fate then to Metallica, Slayer, Bay Area thrash, death metal…etc. I also embraced the pantheon of forebears…Sabbath always did rule the roost for me from one summer’s day in ’83 when I heard “Live Evil” and still do to this day as do the classics like Lizzy, Purple, Skynyrd, Led Zep, ZZ Top, AC/DC, Motorhead, Kiss. I was a typical heavy metal teenager. Metal was always what it was…hard, heavy, escapist…etc but towards the end of the decade there was a shift; the Red Hot Chilli Peppers introduced metallers to funk, The Beastie Boys and Run DMC with Aerosmith introduced metallers to rap, Faith No More introduced metallers to funk and rap and then there was Jane’s Addict

Burn on the Bayou: a Heavy Underground Tribute to Creedence Clearwater Revival

Tribute Albums can be a minefield, depending on whom the chosen artist is that is being given the (sometimes dubious) honour of having their songs covered. Black Sabbath have countless tributes and have had every possible band from the Giants (Metallica) to the bizarre (Busta Rhymes) cover them with extremely mixed results. For every White Zombie and 1000 Homo D.J.s sublime covers of Children of the Grave and Supernaught theflip side is the absolute travesty of Emerald Sabbath (I kid you not) consisting of anyone with the most tenuous connection to Sabbath (Dave Walker, Neil Murray, Bev Bevan) murdering their songs. The first hurdle of any tribute album is avoiding the obvious (Sabbath, Lizzy, Purple etc) picking an artist well known but not covered to point of saturation. So, Credit to Ripple Music A whip smart choice of a tribute and overall executed with style. With Burn on the Bayou the first hurdle has been easily jumped. Creedence Clearwater Revivals music is part of the

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-(16)-
; NASHVILLE
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. Book
. new album
...and the fire within
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