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The Ripple Effect

The best music you're not listening to.™ Reviews of lost classics and obscure titles. Unheralded bands and songwriters. New bands deserving of greater attention. The site for the music omnivore. It's all here, on the Ripple Effect

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Showing posts with the label R.E.M.

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GIN LADY - “Before The Dawn Of Time” - (Ripple, 2025, Sweden) -

before the dawn of time black bonzo blue oyster cult gin lady hard rock R.E.M. ripple Music rolling stones the brain the paramount ways to cross the sky wishbone ash you're a big star

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A Fistful Of Questions With Ricardo Jimenez From Extinction A.D.

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A Fistful Of Questions With Austin Taft

a fistful of questions austin taft beavis and butt-head do america genesis King Crimson Meshuggah R.E.M. sinead o'connor skeletons star trek the Human condition the smashing pumpkins Tony Bennett

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Begin the Begin: R.E.M.'s Early Years Coming via Verse Chorus Press on May 14

begin the begin biography dangerous minds early years pre-order R.E.M. robert dean lurie verse chorus press

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A Ripple Conversation With The Over Unders

britpop dazed and confused oasis old 97's one fine day R.E.M. sunflower bean The Beatles the big moon the la's the over unders there she goes top of the world twin peaks U2

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Orange & Atlas - Euphoria

December 21, 2010

album review Euphoria free download free mp3 new CD Orange and Atlas R.E.M.

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Musical Martyrs - The Vilified Albums - REM - New Adventures in Hi-Fi

album review CD Review classic album free download free mp3 New Adventures in Hi-fi podcast R.E.M.

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54-40 - Sweeter Things- A Compilation (Fiftyfour forty)

December 17, 2007

54-40 canadian CD Review classic rock college rock download fiftyfour forty fiftyfour-forty free podcast heavy metal indie rock music review music video new music northwest Obscure R.E.M. rock music

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Jane's Addiction - Nothing's Shocking

Growing up as a teenager in the 1980’s I’d say my progression through rock and roll was fairly standard. Status Quo were my gateway band that drew me into a world of distorted guitars and hard assed rhythms. From there it had to be harder and heavier…Quo gave way to Maiden who gave way to Venom, who gave way to Mercyful Fate then to Metallica, Slayer, Bay Area thrash, death metal…etc. I also embraced the pantheon of forebears…Sabbath always did rule the roost for me from one summer’s day in ’83 when I heard “Live Evil” and still do to this day as do the classics like Lizzy, Purple, Skynyrd, Led Zep, ZZ Top, AC/DC, Motorhead, Kiss. I was a typical heavy metal teenager. Metal was always what it was…hard, heavy, escapist…etc but towards the end of the decade there was a shift; the Red Hot Chilli Peppers introduced metallers to funk, The Beastie Boys and Run DMC with Aerosmith introduced metallers to rap, Faith No More introduced metallers to funk and rap and then there was Jane’s Addict...

Burn on the Bayou: a Heavy Underground Tribute to Creedence Clearwater Revival

Tribute Albums can be a minefield, depending on whom the chosen artist is that is being given the (sometimes dubious) honour of having their songs covered. Black Sabbath have countless tributes and have had every possible band from the Giants (Metallica) to the bizarre (Busta Rhymes) cover them with extremely mixed results. For every White Zombie and 1000 Homo D.J.s sublime covers of Children of the Grave and Supernaught theflip side is the absolute travesty of Emerald Sabbath (I kid you not) consisting of anyone with the most tenuous connection to Sabbath (Dave Walker, Neil Murray, Bev Bevan) murdering their songs. The first hurdle of any tribute album is avoiding the obvious (Sabbath, Lizzy, Purple etc) picking an artist well known but not covered to point of saturation. So, Credit to Ripple Music A whip smart choice of a tribute and overall executed with style. With Burn on the Bayou the first hurdle has been easily jumped. Creedence Clearwater Revivals music is par...

Noiseworks - Noiseworks

Back in the late eighties an Australian friend of mine, whom I've sadly lost touch with since, sent me a cassette of a Sydney-based band. It was their self-titled debut and the band in question was Noiseworks. At this point in time, this five-piece were completely unknown to me and based off of the artwork, a photo of the band against a white backdrop with the logo above, I had no clue what to expect. However, once the music started I was sold - hook, line and sinker! Australian rock and pop of the eighties had a particular sound. Can't honestly describe it in words but to this day that sound is very identifiable in a good way. And Noiseworks are not exempt of this. They deftly embrace their heritage while going full tilt with awesome hooks, great lyrics and a lot of emotion. What baffles me is that the guys were labeled a pub rock band. Maybe that was the case in their infant years but ‘Noiseworks’ is anything but. Then again, we all look at things differently. ...

Ripples Past - Album Review Archives

2026 169

2025 283
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2024 299
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2023 309
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2022 326
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2021 384
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2020 365
- December 27
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2019 342
- December 27
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2018 355
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2017 441
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2016 500
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2015 500
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2014 510
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- April 74
- March 37
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2013 775
- December 43
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2012 539
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2011 474
- December 36
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2010 384
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2009 369
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- January 28
2008 198
- December 28
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- January 14
2007 31

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-(16)-
; NASHVILLE
:Twingiant
. Book
. new album
...and the fire within
...in the shadows below
...it's ugly or nothing
...must die
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