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The Ripple Effect

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Showing posts with the label oasis

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A Fistful Of Questions With Ben Yarley From La Chinga

August 20, 2023

a fistful of questions abba ben yarley duel Fu Manchu Humble Pie La Chinga led zeppelin oasis primal forces rolling stones suede The Beatles the byrds Van Halen

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A Ripple Conversation With Higher Sights

a ripple conversation blur embrace higher sights mansun oasis quadrophenia Queen radiohead sleeper The Beatles the joker the who turn the screw

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A Ripple Conversation With Kill, The Icon

December 27, 2021

a ripple conversation anthony bourdain bourbon buddhist monk christina aguilera david byrne interpol kill oasis oh sees Queens of the Stone Age shame the icon the monolith the strokes

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A Ripple Conversation With Lee Michael Stevens

November 04, 2021

a ripple conversation broken hearted britain dylan john thomas i miss u now jake bugg james bond lee michael stevens liam gallagher lms oasis part-time rock 'n' roll star The Beatles the swagger

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A Sunday Conversation With Gaz Price

August 20, 2021

a ripple conversation AC/DC better life chase the sun gaz price green day greta van fleet guardian's of the galaxy jamie webster max bianco oasis the Clash

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A Ripple Conversation With Joe Wright

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A Ripple Conversation With Salvation Jayne

October 09, 2020

a ripple conversation alanis morissette blink 182 coldplay Kiss oasis peaky blinders Queens of the Stone Age salvation jayne The Black Keys The Cure the white stripes

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Jane's Addiction - Nothing's Shocking

Growing up as a teenager in the 1980’s I’d say my progression through rock and roll was fairly standard. Status Quo were my gateway band that drew me into a world of distorted guitars and hard assed rhythms. From there it had to be harder and heavier…Quo gave way to Maiden who gave way to Venom, who gave way to Mercyful Fate then to Metallica, Slayer, Bay Area thrash, death metal…etc. I also embraced the pantheon of forebears…Sabbath always did rule the roost for me from one summer’s day in ’83 when I heard “Live Evil” and still do to this day as do the classics like Lizzy, Purple, Skynyrd, Led Zep, ZZ Top, AC/DC, Motorhead, Kiss. I was a typical heavy metal teenager. Metal was always what it was…hard, heavy, escapist…etc but towards the end of the decade there was a shift; the Red Hot Chilli Peppers introduced metallers to funk, The Beastie Boys and Run DMC with Aerosmith introduced metallers to rap, Faith No More introduced metallers to funk and rap and then there was Jane’s Addict...

Burn on the Bayou: a Heavy Underground Tribute to Creedence Clearwater Revival

Tribute Albums can be a minefield, depending on whom the chosen artist is that is being given the (sometimes dubious) honour of having their songs covered. Black Sabbath have countless tributes and have had every possible band from the Giants (Metallica) to the bizarre (Busta Rhymes) cover them with extremely mixed results. For every White Zombie and 1000 Homo D.J.s sublime covers of Children of the Grave and Supernaught theflip side is the absolute travesty of Emerald Sabbath (I kid you not) consisting of anyone with the most tenuous connection to Sabbath (Dave Walker, Neil Murray, Bev Bevan) murdering their songs. The first hurdle of any tribute album is avoiding the obvious (Sabbath, Lizzy, Purple etc) picking an artist well known but not covered to point of saturation. So, Credit to Ripple Music A whip smart choice of a tribute and overall executed with style. With Burn on the Bayou the first hurdle has been easily jumped. Creedence Clearwater Revivals music is par...

Noiseworks - Noiseworks

Back in the late eighties an Australian friend of mine, whom I've sadly lost touch with since, sent me a cassette of a Sydney-based band. It was their self-titled debut and the band in question was Noiseworks. At this point in time, this five-piece were completely unknown to me and based off of the artwork, a photo of the band against a white backdrop with the logo above, I had no clue what to expect. However, once the music started I was sold - hook, line and sinker! Australian rock and pop of the eighties had a particular sound. Can't honestly describe it in words but to this day that sound is very identifiable in a good way. And Noiseworks are not exempt of this. They deftly embrace their heritage while going full tilt with awesome hooks, great lyrics and a lot of emotion. What baffles me is that the guys were labeled a pub rock band. Maybe that was the case in their infant years but ‘Noiseworks’ is anything but. Then again, we all look at things differently. ...

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-(16)-
; NASHVILLE
:Twingiant
. Book
. new album
...and the fire within
...in the shadows below
...it's ugly or nothing
...must die
...only a suggestion

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