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The Ripple Effect

The best music you're not listening to.™ Reviews of lost classics and obscure titles. Unheralded bands and songwriters. New bands deserving of greater attention. The site for the music omnivore. It's all here, on the Ripple Effect

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Showing posts with the label MUSIC FESTIVAL

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Weedeater, The Atomic Bitchwax, Duel and more join Heavy Psych Sounds Fest California 2022 lineup; tickets on sale now!

January 28, 2022

16 bongzilla crypt trip Danava dead meadow duel Fest heavy psych sounds hot lunch kadabra MUSIC FESTIVAL Nebula the atomic bitchwax the freeks Weedeater

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MARYLAND DOOM FEST 2020 Rescheduled For OCT. 29 - NOV. 01 - Halloween Weekend!

blood ceremony cirith ungol gates of slumber Halloween maryland doom fest 2020 MUSIC FESTIVAL speedealer the skull Witch Mountain worshipper

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Yob, Voivod to Perform Live at Hell's Heroes Pre-Fest April 12

Exciter heavy metal hell's heroes Helstar MUSIC FESTIVAL pegstar concerts Power Trip pre-order Voivod Yob

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UP IN SMOKE UNVEILS FINAL BANDS FOR 2018!

September 13, 2018

Acid King doom metal dopethrone elder electric Wizard Farflung fuzz rock glanville heavy psychedelic rock Kadavar MUSIC FESTIVAL sasquatch stoner rock the well up in smoke whores witchcraft

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DESERTFEST BERLIN 2018 - READY TO BREAK NEW GROUNDS !!!

September 28, 2017

berlin kreuzberg desertfest berlin doom metal MUSIC FESTIVAL

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Vultures Of Volume - Inagural Heavy Festival set to Blow Ears Apart!

Beelzefuzz blizaro Gorgantherron MUSIC FESTIVAL ogre Pale divine the skull unorthodox Vultures Of Volume

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DOOM IN JUNE III MUSIC FESTIVAL - Manilla Road, The Skull, Karma to Burn and more

2013 Ancestors demon lung DOOM IN JUNE III June 1st Karma to burn las cruces Las Vegas MANILLA ROAD monster magnet MUSIC FESTIVAL ron holzner Saturday snail The Cheyenne Saloon the skull Trouble

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Jane's Addiction - Nothing's Shocking

Growing up as a teenager in the 1980’s I’d say my progression through rock and roll was fairly standard. Status Quo were my gateway band that drew me into a world of distorted guitars and hard assed rhythms. From there it had to be harder and heavier…Quo gave way to Maiden who gave way to Venom, who gave way to Mercyful Fate then to Metallica, Slayer, Bay Area thrash, death metal…etc. I also embraced the pantheon of forebears…Sabbath always did rule the roost for me from one summer’s day in ’83 when I heard “Live Evil” and still do to this day as do the classics like Lizzy, Purple, Skynyrd, Led Zep, ZZ Top, AC/DC, Motorhead, Kiss. I was a typical heavy metal teenager. Metal was always what it was…hard, heavy, escapist…etc but towards the end of the decade there was a shift; the Red Hot Chilli Peppers introduced metallers to funk, The Beastie Boys and Run DMC with Aerosmith introduced metallers to rap, Faith No More introduced metallers to funk and rap and then there was Jane’s Addict...

Burn on the Bayou: a Heavy Underground Tribute to Creedence Clearwater Revival

Tribute Albums can be a minefield, depending on whom the chosen artist is that is being given the (sometimes dubious) honour of having their songs covered. Black Sabbath have countless tributes and have had every possible band from the Giants (Metallica) to the bizarre (Busta Rhymes) cover them with extremely mixed results. For every White Zombie and 1000 Homo D.J.s sublime covers of Children of the Grave and Supernaught theflip side is the absolute travesty of Emerald Sabbath (I kid you not) consisting of anyone with the most tenuous connection to Sabbath (Dave Walker, Neil Murray, Bev Bevan) murdering their songs. The first hurdle of any tribute album is avoiding the obvious (Sabbath, Lizzy, Purple etc) picking an artist well known but not covered to point of saturation. So, Credit to Ripple Music A whip smart choice of a tribute and overall executed with style. With Burn on the Bayou the first hurdle has been easily jumped. Creedence Clearwater Revivals music is par...

Noiseworks - Noiseworks

Back in the late eighties an Australian friend of mine, whom I've sadly lost touch with since, sent me a cassette of a Sydney-based band. It was their self-titled debut and the band in question was Noiseworks. At this point in time, this five-piece were completely unknown to me and based off of the artwork, a photo of the band against a white backdrop with the logo above, I had no clue what to expect. However, once the music started I was sold - hook, line and sinker! Australian rock and pop of the eighties had a particular sound. Can't honestly describe it in words but to this day that sound is very identifiable in a good way. And Noiseworks are not exempt of this. They deftly embrace their heritage while going full tilt with awesome hooks, great lyrics and a lot of emotion. What baffles me is that the guys were labeled a pub rock band. Maybe that was the case in their infant years but ‘Noiseworks’ is anything but. Then again, we all look at things differently. ...

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-(16)-
; NASHVILLE
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. new album
...and the fire within
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