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The Ripple Effect

The best music you're not listening to.™ Reviews of lost classics and obscure titles. Unheralded bands and songwriters. New bands deserving of greater attention. The site for the music omnivore. It's all here, on the Ripple Effect

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Showing posts from September, 2008

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The Front Fell Off

September 30, 2008

free podcast front fell funny humor humorous off

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Rumors Heard in MySpace: Episode 8

September 29, 2008

Attic of Love Braintoy CD Review free podcast Gumshen Hectic Watermelon Hollow Corp. music review Neurosis Obscure prosthetic records Roadburn Festival Saints of the Underground Trettioariga Kriget

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A Sunday Conversation With Mountain Mirrors

September 28, 2008

acoustic rock free podcast heavy acoustic music interview Jeff Sanders Mountain Mirrors mountain music

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The Ripple Seasonal Listening Guide - Summer into Fall - An Amazing Alliteration of Attractive Alterna-Pop

September 26, 2008

31knots alt-rock alterna-pop Boo Human CD Review download free podcast indy indy rock Joan of Arc John Popper new music Polyvinyl Records Real Close Ones The iOs The Ms Tim Kinsella Worried Well

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Ernie Halter - Starting Over

September 24, 2008

AJ Croce Babybash blues CD Review David Ryan Harris Ernie Halter free podcast gospel Jonny Lang music review rock Ridge music Starting Over

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Bigelf - Cheat the Gallows

September 22, 2008

70's rock Bigelf CD Review Cheat the Gallows free podcast glam rock hard rock heavy metal new music pomp rock

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A Sunday Conversation with Poobah

September 21, 2008

blues free podcast interview music reviews Poobah proto metal proto-metal protometal psychedelic rock

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Heir to Madness - The Citadel

September 19, 2008

CD Review Dimaension X free podcast heavy metal Heir to Madness Mountain Mirrors music review Obscure progressive metal progressive rock The Citadel

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Vanessa Kafka - Into Place

September 17, 2008

70's rock acoustic rock CD Review download free podcast Into Place new album new CD roots singer-songwriter Vanessa Kafka

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Hollow Corp. - Cloister of Radiance

September 15, 2008

CD Review Cloister of Radiance doom metal drone rock extreme metal free podcast French metal Hollow Corp. Isis Mastodon music review Obscure prosthetic records

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Noiseworks - Noiseworks

Back in the late eighties an Australian friend of mine, whom I've sadly lost touch with since, sent me a cassette of a Sydney-based band. It was their self-titled debut and the band in question was Noiseworks. At this point in time, this five-piece were completely unknown to me and based off of the artwork, a photo of the band against a white backdrop with the logo above, I had no clue what to expect. However, once the music started I was sold - hook, line and sinker! Australian rock and pop of the eighties had a particular sound. Can't honestly describe it in words but to this day that sound is very identifiable in a good way. And Noiseworks are not exempt of this. They deftly embrace their heritage while going full tilt with awesome hooks, great lyrics and a lot of emotion. What baffles me is that the guys were labeled a pub rock band. Maybe that was the case in their infant years but ‘Noiseworks’ is anything but. Then again, we all look at things differently.

Jane's Addiction - Nothing's Shocking

Growing up as a teenager in the 1980’s I’d say my progression through rock and roll was fairly standard. Status Quo were my gateway band that drew me into a world of distorted guitars and hard assed rhythms. From there it had to be harder and heavier…Quo gave way to Maiden who gave way to Venom, who gave way to Mercyful Fate then to Metallica, Slayer, Bay Area thrash, death metal…etc. I also embraced the pantheon of forebears…Sabbath always did rule the roost for me from one summer’s day in ’83 when I heard “Live Evil” and still do to this day as do the classics like Lizzy, Purple, Skynyrd, Led Zep, ZZ Top, AC/DC, Motorhead, Kiss. I was a typical heavy metal teenager. Metal was always what it was…hard, heavy, escapist…etc but towards the end of the decade there was a shift; the Red Hot Chilli Peppers introduced metallers to funk, The Beastie Boys and Run DMC with Aerosmith introduced metallers to rap, Faith No More introduced metallers to funk and rap and then there was Jane’s Addict

Burn on the Bayou: a Heavy Underground Tribute to Creedence Clearwater Revival

Tribute Albums can be a minefield, depending on whom the chosen artist is that is being given the (sometimes dubious) honour of having their songs covered. Black Sabbath have countless tributes and have had every possible band from the Giants (Metallica) to the bizarre (Busta Rhymes) cover them with extremely mixed results. For every White Zombie and 1000 Homo D.J.s sublime covers of Children of the Grave and Supernaught theflip side is the absolute travesty of Emerald Sabbath (I kid you not) consisting of anyone with the most tenuous connection to Sabbath (Dave Walker, Neil Murray, Bev Bevan) murdering their songs. The first hurdle of any tribute album is avoiding the obvious (Sabbath, Lizzy, Purple etc) picking an artist well known but not covered to point of saturation. So, Credit to Ripple Music A whip smart choice of a tribute and overall executed with style. With Burn on the Bayou the first hurdle has been easily jumped. Creedence Clearwater Revivals music is part of the

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