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The Ripple Effect

The best music you're not listening to.™ Reviews of lost classics and obscure titles. Unheralded bands and songwriters. New bands deserving of greater attention. The site for the music omnivore. It's all here, on the Ripple Effect

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Home
Submissions
Record Label
Heavy Ripples Distribution
Ripple Radio
Swag
Contact
Who We Be

Home
Submissions
Record Label
Heavy Ripples Distribution
Ripple Radio
Swag
Contact
Who We Be

Showing posts from August, 2014

Posts

A Ripple Conversation with Wes Ford

August 31, 2014

blues Doom interview texas wes ford + wes ford and the foundry

blues Doom interview texas wes ford wes ford and the foundry

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Ripple Reggae Round-up- Featuring Midnite, Christos DC, and 10 ft Ganja Plant

August 30, 2014

10 ft Ganja Plant Christos DC Kings bell Long Road Midnite reggae + Skycatcher

10 ft Ganja Plant Christos DC Kings bell Long Road Midnite reggae Skycatcher

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A Whovian Tale

August 29, 2014

BBC America doctor who +1 Jenna Coleman New York City Peter Capaldi Steven Moffat World Tour

BBC America doctor who Jenna Coleman New York City Peter Capaldi Steven Moffat World Tour

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ORANGE GOBLIN's New Album Coming This October; Track Streaming At Loudwire

August 28, 2014

Back From The Abyss +1 Candlelight Records Loudwire new album orange goblin streaming song

Back From The Abyss Candlelight Records Loudwire new album orange goblin streaming song

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Interview With The Harp Twins

August 27, 2014

Camille and Kennerly Heavy Metal Covers Iron Maiden metallica + The Harp Twins

Camille and Kennerly Heavy Metal Covers Iron Maiden metallica The Harp Twins

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MOTHERSHIP Confirmed For Brooklyn's UNINVITED Festival

August 26, 2014

bloody hammers brooklyn elder +6 electric citizen heavy rock lo pan mothership orchid ripple Music sasquatch the skull UNINVITED Festival

bloody hammers brooklyn elder electric citizen heavy rock lo pan mothership orchid ripple Music sasquatch the skull UNINVITED Festival

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Four Quickies

August 26, 2014

Alvvays Flux of Solace Kap Kap +2 Pillar Point portishead the ramones Webbed Hand Records White Reaper

Alvvays Flux of Solace Kap Kap Pillar Point portishead the ramones Webbed Hand Records White Reaper

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LEAVE A SCAR: LIVE IN NORTH CAROLINA, the brand new live album from southern rockers BLACKBERRY SMOKE, is out now in Europe

August 25, 2014

album BLACKBERRY SMOKE Europe +2 LEAVE A SCAR Live LIVE IN NORTH CAROLINA New southern rockers

album BLACKBERRY SMOKE Europe LEAVE A SCAR Live LIVE IN NORTH CAROLINA New southern rockers

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Ripple Field Trip: Dirt Fest 2014

August 24, 2014

2014 Dirt Fest +4 free album music review zip download new music new album mp3 review album metal Ripple Field Trip rock Zombies

2014 Dirt Fest free album music review zip download new music new album mp3 review album metal Ripple Field Trip rock Zombies

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Revenge of the Quick Ripple Bursts - Featuring Mexico City Blondes, Catatonic Society and the Casket Crew

August 23, 2014

Catatonic Society coercion +4 demo-nology face free album music review zip download new music new album metal Mexico City Blondes The Casket Crew

Catatonic Society coercion demo-nology face free album music review zip download new music new album metal Mexico City Blondes The Casket Crew

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Blackwolfgoat Set To Release Drone Maintenance

August 22, 2014

black pyramid Blackwolfgoat +3 Darryl Shepard Drone Maintenance Roadsaw small stone records The Scimitar

black pyramid Blackwolfgoat Darryl Shepard Drone Maintenance Roadsaw small stone records The Scimitar

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Noiseworks - Noiseworks

Back in the late eighties an Australian friend of mine, whom I've sadly lost touch with since, sent me a cassette of a Sydney-based band. It was their self-titled debut and the band in question was Noiseworks. At this point in time, this five-piece were completely unknown to me and based off of the artwork, a photo of the band against a white backdrop with the logo above, I had no clue what to expect. However, once the music started I was sold - hook, line and sinker! Australian rock and pop of the eighties had a particular sound. Can't honestly describe it in words but to this day that sound is very identifiable in a good way. And Noiseworks are not exempt of this. They deftly embrace their heritage while going full tilt with awesome hooks, great lyrics and a lot of emotion. What baffles me is that the guys were labeled a pub rock band. Maybe that was the case in their infant years but ‘Noiseworks’ is anything but. Then again, we all look at things differently. ...

Jane's Addiction - Nothing's Shocking

Growing up as a teenager in the 1980’s I’d say my progression through rock and roll was fairly standard. Status Quo were my gateway band that drew me into a world of distorted guitars and hard assed rhythms. From there it had to be harder and heavier…Quo gave way to Maiden who gave way to Venom, who gave way to Mercyful Fate then to Metallica, Slayer, Bay Area thrash, death metal…etc. I also embraced the pantheon of forebears…Sabbath always did rule the roost for me from one summer’s day in ’83 when I heard “Live Evil” and still do to this day as do the classics like Lizzy, Purple, Skynyrd, Led Zep, ZZ Top, AC/DC, Motorhead, Kiss. I was a typical heavy metal teenager. Metal was always what it was…hard, heavy, escapist…etc but towards the end of the decade there was a shift; the Red Hot Chilli Peppers introduced metallers to funk, The Beastie Boys and Run DMC with Aerosmith introduced metallers to rap, Faith No More introduced metallers to funk and rap and then there was Jane’s Addict...

Burn on the Bayou: a Heavy Underground Tribute to Creedence Clearwater Revival

Tribute Albums can be a minefield, depending on whom the chosen artist is that is being given the (sometimes dubious) honour of having their songs covered. Black Sabbath have countless tributes and have had every possible band from the Giants (Metallica) to the bizarre (Busta Rhymes) cover them with extremely mixed results. For every White Zombie and 1000 Homo D.J.s sublime covers of Children of the Grave and Supernaught theflip side is the absolute travesty of Emerald Sabbath (I kid you not) consisting of anyone with the most tenuous connection to Sabbath (Dave Walker, Neil Murray, Bev Bevan) murdering their songs. The first hurdle of any tribute album is avoiding the obvious (Sabbath, Lizzy, Purple etc) picking an artist well known but not covered to point of saturation. So, Credit to Ripple Music A whip smart choice of a tribute and overall executed with style. With Burn on the Bayou the first hurdle has been easily jumped. Creedence Clearwater Revivals music is par...

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; NASHVILLE
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