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The Ripple Effect

The best music you're not listening to.™ Reviews of lost classics and obscure titles. Unheralded bands and songwriters. New bands deserving of greater attention. The site for the music omnivore. It's all here, on the Ripple Effect

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Showing posts from July, 2024

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ALUNAH's New Album "Fever Dream" Will Be Out September 20th on Heavy Psych Sounds!

Alunah bandcamp doom metal fever dream hard rock heavy psych sounds new album Preorder psychedelic rock stoner rock

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The Xroadie Files

12 aran flamekeeper Focus fuzz realm green hog band high noon kahuna maahan laskettu Self-titled Album the xroadie files this place is haunted

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THUNDERBIRD DIVINE Unleash Heavy Fuzz with New Single "Times Gone Bad"

bandcamp black doomba records crazy horses fuzz rock last laugh little wars new album new single Presale thunderbird divine times gone bad

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Fu Manchu ★ The Return of Tomorrow

bandcamp Double Album Fu Manchu HIgh Tide loch ness wrecking machine no one rides for free scott hill stoner rock the return of tomorrow vinyl

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The Lost Art of the Live Album as a Statement

alive allman brothers Deep Purple Earthless Fu Manchu Hawkwind king buffalo Kiss led zeppelin live album MC5 Motorhead Nirvana Thin Lizzy

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A Ripple Conversation With Arctic Dreams

a ripple conversation arctic dreams bach chat gpt cradle of filth jigsaw Kiss Lord of the Rings metallica monteverdi the city built on bones the way to infinity

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LEGIONS OF DOOM: Doom Metal Super Group To Release Debut Full-Length The Skull 3 On September 13th Via Tee Pee Records; New Video/Single Now Playing, Limited Edition 7” EP Announced, And More!

doom metal eric wagner henry vasquez Karl Agell legions of doom music video new single pre-order scott little scott reagers supergroup tee pee records the skull 3

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The Xroadie Files

bag seeker black totem borer darkness falls desultory iii: sacrifice tonite mourning noise screams dreams The Early Years the lost demo the xroadie files zu

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NEHODA Releases First Single "Bells" from Upcoming Self-Titled Album

alternative rock bandcamp bells blues grunge hot blooded woman nehoda new album new single Self-titled Album stream song

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Double Horse ★ Diablerie

bandcamp black widow coven diablerie doom metal double horse kozmik artifactz Occult Doom sonic demon vinyl wizard master

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High Noon Kahuna - This Place Is Haunted

atomic sunset good night god bless high noon kahuna killing spree midnight moon power pop prehistoric love letter punk rock spaghetti western surf rock the devil's lettuce this place is haunted

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Noiseworks - Noiseworks

Back in the late eighties an Australian friend of mine, whom I've sadly lost touch with since, sent me a cassette of a Sydney-based band. It was their self-titled debut and the band in question was Noiseworks. At this point in time, this five-piece were completely unknown to me and based off of the artwork, a photo of the band against a white backdrop with the logo above, I had no clue what to expect. However, once the music started I was sold - hook, line and sinker! Australian rock and pop of the eighties had a particular sound. Can't honestly describe it in words but to this day that sound is very identifiable in a good way. And Noiseworks are not exempt of this. They deftly embrace their heritage while going full tilt with awesome hooks, great lyrics and a lot of emotion. What baffles me is that the guys were labeled a pub rock band. Maybe that was the case in their infant years but ‘Noiseworks’ is anything but. Then again, we all look at things differently.

Jane's Addiction - Nothing's Shocking

Growing up as a teenager in the 1980’s I’d say my progression through rock and roll was fairly standard. Status Quo were my gateway band that drew me into a world of distorted guitars and hard assed rhythms. From there it had to be harder and heavier…Quo gave way to Maiden who gave way to Venom, who gave way to Mercyful Fate then to Metallica, Slayer, Bay Area thrash, death metal…etc. I also embraced the pantheon of forebears…Sabbath always did rule the roost for me from one summer’s day in ’83 when I heard “Live Evil” and still do to this day as do the classics like Lizzy, Purple, Skynyrd, Led Zep, ZZ Top, AC/DC, Motorhead, Kiss. I was a typical heavy metal teenager. Metal was always what it was…hard, heavy, escapist…etc but towards the end of the decade there was a shift; the Red Hot Chilli Peppers introduced metallers to funk, The Beastie Boys and Run DMC with Aerosmith introduced metallers to rap, Faith No More introduced metallers to funk and rap and then there was Jane’s Addict

Burn on the Bayou: a Heavy Underground Tribute to Creedence Clearwater Revival

Tribute Albums can be a minefield, depending on whom the chosen artist is that is being given the (sometimes dubious) honour of having their songs covered. Black Sabbath have countless tributes and have had every possible band from the Giants (Metallica) to the bizarre (Busta Rhymes) cover them with extremely mixed results. For every White Zombie and 1000 Homo D.J.s sublime covers of Children of the Grave and Supernaught theflip side is the absolute travesty of Emerald Sabbath (I kid you not) consisting of anyone with the most tenuous connection to Sabbath (Dave Walker, Neil Murray, Bev Bevan) murdering their songs. The first hurdle of any tribute album is avoiding the obvious (Sabbath, Lizzy, Purple etc) picking an artist well known but not covered to point of saturation. So, Credit to Ripple Music A whip smart choice of a tribute and overall executed with style. With Burn on the Bayou the first hurdle has been easily jumped. Creedence Clearwater Revivals music is part of the

Ripples Past - Album Review Archives

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-(16)-
; NASHVILLE
:Twingiant
. Book
. new album
...and the fire within
...in the shadows below
...it's ugly or nothing
...must die
...only a suggestion

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