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The Ripple Effect

The best music you're not listening to.™ Reviews of lost classics and obscure titles. Unheralded bands and songwriters. New bands deserving of greater attention. The site for the music omnivore. It's all here, on the Ripple Effect

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Showing posts with the label Split LP

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Californian psych rock units SOFTSUN and TEN EAST (w/ members of Yawning Man, Earthless) share new track off upcoming split LP; out April 3rd on Ripple Music

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Nebula and Black Rainbows announce "In Search of the Cosmic Tale: Crossing the Galactic Portal" split LP on Heavy Psych Sounds; first track available!

acid drop black rainbows crossing the galactic portal heavy psych sounds in search of the cosmic tale Nebula Preorder song stream Split LP stoner rock the obelisk

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RIPPLE MUSIC: 'Turned To Stone Chapter III' details and first track unveiled!

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U.S. Cosmic riffers, Spacetrucker, Signs to Heavyweight Stoner label, Ripple Music for New 12" Split Series, Turned to Stone

Black Sabbath Deep Purple Kyuss launch sequence ripple Music Sleep smooth orbit spacetrucker Split LP turn to stone

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Mr Bison Sign To Ripple Music, Record New Album and Prepare to Storm the Stage at Planet Desert Rock Weekend in Las Vegas

asteroid facebook holy oak mr bison new album Planet desert rock weekend ripple Music Split LP turn to stone we'll be brief

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PRIMITIVE MAN & UNEARTHLY TRANCE Announce Split LP Coming August 17th Via Relapse Records; Trailer Posted

-(16)- european tour heavy metal merging primitive man Relapse Records Split LP trailer unearthly trance

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Panopticon/Waldgefluster – Split

February 25, 2016

bindrune records black metal der traumschander hakan's song norwegian nights Panopticon Split LP trauerweide ii waldgefluster

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Ripple Music Signs Desert Suns to a World-Wide Deal - New Split 12" in the Works

February 10, 2015

Desert Suns ripple Music split Split LP stoner rock

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B*STARD OF THE SKIES/GRIMPEN MIRE Split LP out this Saturday 10th May

B*STARD OF THE SKIES GRIMPEN MIRE out this Saturday 10th May Split LP

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Jane's Addiction - Nothing's Shocking

Growing up as a teenager in the 1980’s I’d say my progression through rock and roll was fairly standard. Status Quo were my gateway band that drew me into a world of distorted guitars and hard assed rhythms. From there it had to be harder and heavier…Quo gave way to Maiden who gave way to Venom, who gave way to Mercyful Fate then to Metallica, Slayer, Bay Area thrash, death metal…etc. I also embraced the pantheon of forebears…Sabbath always did rule the roost for me from one summer’s day in ’83 when I heard “Live Evil” and still do to this day as do the classics like Lizzy, Purple, Skynyrd, Led Zep, ZZ Top, AC/DC, Motorhead, Kiss. I was a typical heavy metal teenager. Metal was always what it was…hard, heavy, escapist…etc but towards the end of the decade there was a shift; the Red Hot Chilli Peppers introduced metallers to funk, The Beastie Boys and Run DMC with Aerosmith introduced metallers to rap, Faith No More introduced metallers to funk and rap and then there was Jane’s Addict...

Burn on the Bayou: a Heavy Underground Tribute to Creedence Clearwater Revival

Tribute Albums can be a minefield, depending on whom the chosen artist is that is being given the (sometimes dubious) honour of having their songs covered. Black Sabbath have countless tributes and have had every possible band from the Giants (Metallica) to the bizarre (Busta Rhymes) cover them with extremely mixed results. For every White Zombie and 1000 Homo D.J.s sublime covers of Children of the Grave and Supernaught theflip side is the absolute travesty of Emerald Sabbath (I kid you not) consisting of anyone with the most tenuous connection to Sabbath (Dave Walker, Neil Murray, Bev Bevan) murdering their songs. The first hurdle of any tribute album is avoiding the obvious (Sabbath, Lizzy, Purple etc) picking an artist well known but not covered to point of saturation. So, Credit to Ripple Music A whip smart choice of a tribute and overall executed with style. With Burn on the Bayou the first hurdle has been easily jumped. Creedence Clearwater Revivals music is par...

Noiseworks - Noiseworks

Back in the late eighties an Australian friend of mine, whom I've sadly lost touch with since, sent me a cassette of a Sydney-based band. It was their self-titled debut and the band in question was Noiseworks. At this point in time, this five-piece were completely unknown to me and based off of the artwork, a photo of the band against a white backdrop with the logo above, I had no clue what to expect. However, once the music started I was sold - hook, line and sinker! Australian rock and pop of the eighties had a particular sound. Can't honestly describe it in words but to this day that sound is very identifiable in a good way. And Noiseworks are not exempt of this. They deftly embrace their heritage while going full tilt with awesome hooks, great lyrics and a lot of emotion. What baffles me is that the guys were labeled a pub rock band. Maybe that was the case in their infant years but ‘Noiseworks’ is anything but. Then again, we all look at things differently. ...

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-(16)-
; NASHVILLE
:Twingiant
. Book
. new album
...and the fire within
...in the shadows below
...it's ugly or nothing
...must die
...only a suggestion

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