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The Ripple Effect

The best music you're not listening to.™ Reviews of lost classics and obscure titles. Unheralded bands and songwriters. New bands deserving of greater attention. The site for the music omnivore. It's all here, on the Ripple Effect

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Showing posts from 2024

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A Fistful Of Questions Halloween Edition!

October 27, 2024

a fistful of questions bandcamp bride of frankenstein dj jazzy jeff eight foot manchild Halloween nightmare on my street psycho rosemary's baby the fresh prince

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Disgraceland - Tweed

October 24, 2024

disgraceland do better ep Motorhead pissteeth porkrind punk rock the hives thinner tweed warthog watcha gonna do

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Swedish stoner metal berserkers 10,000 YEARS release new single "The Experiment"; "All Quiet On The Final Frontier" out Nov. 22 on Ripple Music.

October 23, 2024

10000 years all quiet on the final frontier CD digital high noon in sword city new single Preorder ripple Music stoner metal the experiment vinyl

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The Xroadie Files

October 22, 2024

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Australian stoner rock legends ROLLERBALL release special reissue of debut album "Lost In Space" on Ripple Music.

October 21, 2024

bandcamp beneath the desert floor Fu Manchu Kyuss lost in space lowly sublime Nebula ripple Music rollerball stoner rock vinyl

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Beneath the Desert Floor ★ Part I - IV

October 20, 2024

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A Ripple Conversation With 4ra 4ra

October 19, 2024

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Cortez Return With "Thieves And Charlatans"!

October 16, 2024

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The Xroadie Files

October 15, 2024

being number 2 sucks emergence ill repute jozey and the corruption land mammal les brown mortalus spiral grave the next one the xroadie files three times louder

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Check OutThe Brand New Release From Eight Foot Manchild!

October 14, 2024

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Psychlona ★ Warped Vision

October 13, 2024

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Deserts Of Mars Prepare To Release New Album 'Dead Planet Exodus'!

October 11, 2024

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A Ripple Conversation With Non Talkers

October 10, 2024

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Noiseworks - Noiseworks

Back in the late eighties an Australian friend of mine, whom I've sadly lost touch with since, sent me a cassette of a Sydney-based band. It was their self-titled debut and the band in question was Noiseworks. At this point in time, this five-piece were completely unknown to me and based off of the artwork, a photo of the band against a white backdrop with the logo above, I had no clue what to expect. However, once the music started I was sold - hook, line and sinker! Australian rock and pop of the eighties had a particular sound. Can't honestly describe it in words but to this day that sound is very identifiable in a good way. And Noiseworks are not exempt of this. They deftly embrace their heritage while going full tilt with awesome hooks, great lyrics and a lot of emotion. What baffles me is that the guys were labeled a pub rock band. Maybe that was the case in their infant years but ‘Noiseworks’ is anything but. Then again, we all look at things differently.

Jane's Addiction - Nothing's Shocking

Growing up as a teenager in the 1980’s I’d say my progression through rock and roll was fairly standard. Status Quo were my gateway band that drew me into a world of distorted guitars and hard assed rhythms. From there it had to be harder and heavier…Quo gave way to Maiden who gave way to Venom, who gave way to Mercyful Fate then to Metallica, Slayer, Bay Area thrash, death metal…etc. I also embraced the pantheon of forebears…Sabbath always did rule the roost for me from one summer’s day in ’83 when I heard “Live Evil” and still do to this day as do the classics like Lizzy, Purple, Skynyrd, Led Zep, ZZ Top, AC/DC, Motorhead, Kiss. I was a typical heavy metal teenager. Metal was always what it was…hard, heavy, escapist…etc but towards the end of the decade there was a shift; the Red Hot Chilli Peppers introduced metallers to funk, The Beastie Boys and Run DMC with Aerosmith introduced metallers to rap, Faith No More introduced metallers to funk and rap and then there was Jane’s Addict

Burn on the Bayou: a Heavy Underground Tribute to Creedence Clearwater Revival

Tribute Albums can be a minefield, depending on whom the chosen artist is that is being given the (sometimes dubious) honour of having their songs covered. Black Sabbath have countless tributes and have had every possible band from the Giants (Metallica) to the bizarre (Busta Rhymes) cover them with extremely mixed results. For every White Zombie and 1000 Homo D.J.s sublime covers of Children of the Grave and Supernaught theflip side is the absolute travesty of Emerald Sabbath (I kid you not) consisting of anyone with the most tenuous connection to Sabbath (Dave Walker, Neil Murray, Bev Bevan) murdering their songs. The first hurdle of any tribute album is avoiding the obvious (Sabbath, Lizzy, Purple etc) picking an artist well known but not covered to point of saturation. So, Credit to Ripple Music A whip smart choice of a tribute and overall executed with style. With Burn on the Bayou the first hurdle has been easily jumped. Creedence Clearwater Revivals music is part of the

Ripples Past - Album Review Archives

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-(16)-
; NASHVILLE
:Twingiant
. Book
. new album
...and the fire within
...in the shadows below
...it's ugly or nothing
...must die
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