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The Ripple Effect

The best music you're not listening to.™ Reviews of lost classics and obscure titles. Unheralded bands and songwriters. New bands deserving of greater attention. The site for the music omnivore. It's all here, on the Ripple Effect

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Showing posts from 2024

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Swedish heavy rock unit TEMPLE OF DISCORD to release debut album "In The Ashes" on Ripple Music; watch "The Reaper" video now!

December 20, 2024

bandcamp CD debut album digital in the ashes music video Preorder ripple Music temple of discord the reaper vinyl wytch

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Our MASSIVE Holiday Sale Is Happening NOW!

December 20, 2024

$2 $7 bigcartel CD holiday bonanza limited edition merch ripple Music sale test presses vinyl

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The Xroadie Files

December 17, 2024

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Kayleth ★ New Babylon

December 16, 2024

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Heavy rock festival PLANET DESERT ROCK WEEKEND shares full lineup for winter 2025 edition in Las Vegas; tickets available now!

December 15, 2024

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Phil Mogg - Moggs Motel

December 14, 2024

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US Traditional Doom Metal Band Mourn the Light Announce New EP; Black Sabbath Cover Now Available

December 13, 2024

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Unearthed Metal By Ray Van Horn, Jr.

December 11, 2024

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The Xroadie Files

December 10, 2024

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Sergeant Thunderhoof ★ The Ghost of Badon Hill

December 09, 2024

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ALL FOR METAL Present Festive New Music Video; Full Adunata 2024 Concert Streaming On YouTube

December 07, 2024

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Spooky Tooth - Ceremony: An Electronic Mass (1969)

December 06, 2024

an electric mass blues rock Ceremony gary wright luther grosvenor musique concrete pierre henry progressive rock protometal spooky tooth spooky two

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GOTTHARD Unveil New Song "Boom Boom" Announce New Album Stereo Crush Out On March 21, 2025 Via RPM

December 04, 2024

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Noiseworks - Noiseworks

Back in the late eighties an Australian friend of mine, whom I've sadly lost touch with since, sent me a cassette of a Sydney-based band. It was their self-titled debut and the band in question was Noiseworks. At this point in time, this five-piece were completely unknown to me and based off of the artwork, a photo of the band against a white backdrop with the logo above, I had no clue what to expect. However, once the music started I was sold - hook, line and sinker! Australian rock and pop of the eighties had a particular sound. Can't honestly describe it in words but to this day that sound is very identifiable in a good way. And Noiseworks are not exempt of this. They deftly embrace their heritage while going full tilt with awesome hooks, great lyrics and a lot of emotion. What baffles me is that the guys were labeled a pub rock band. Maybe that was the case in their infant years but ‘Noiseworks’ is anything but. Then again, we all look at things differently. ...

Jane's Addiction - Nothing's Shocking

Growing up as a teenager in the 1980’s I’d say my progression through rock and roll was fairly standard. Status Quo were my gateway band that drew me into a world of distorted guitars and hard assed rhythms. From there it had to be harder and heavier…Quo gave way to Maiden who gave way to Venom, who gave way to Mercyful Fate then to Metallica, Slayer, Bay Area thrash, death metal…etc. I also embraced the pantheon of forebears…Sabbath always did rule the roost for me from one summer’s day in ’83 when I heard “Live Evil” and still do to this day as do the classics like Lizzy, Purple, Skynyrd, Led Zep, ZZ Top, AC/DC, Motorhead, Kiss. I was a typical heavy metal teenager. Metal was always what it was…hard, heavy, escapist…etc but towards the end of the decade there was a shift; the Red Hot Chilli Peppers introduced metallers to funk, The Beastie Boys and Run DMC with Aerosmith introduced metallers to rap, Faith No More introduced metallers to funk and rap and then there was Jane’s Addict...

Burn on the Bayou: a Heavy Underground Tribute to Creedence Clearwater Revival

Tribute Albums can be a minefield, depending on whom the chosen artist is that is being given the (sometimes dubious) honour of having their songs covered. Black Sabbath have countless tributes and have had every possible band from the Giants (Metallica) to the bizarre (Busta Rhymes) cover them with extremely mixed results. For every White Zombie and 1000 Homo D.J.s sublime covers of Children of the Grave and Supernaught theflip side is the absolute travesty of Emerald Sabbath (I kid you not) consisting of anyone with the most tenuous connection to Sabbath (Dave Walker, Neil Murray, Bev Bevan) murdering their songs. The first hurdle of any tribute album is avoiding the obvious (Sabbath, Lizzy, Purple etc) picking an artist well known but not covered to point of saturation. So, Credit to Ripple Music A whip smart choice of a tribute and overall executed with style. With Burn on the Bayou the first hurdle has been easily jumped. Creedence Clearwater Revivals music is par...

Ripples Past - Album Review Archives

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