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The Ripple Effect

The best music you're not listening to.™ Reviews of lost classics and obscure titles. Unheralded bands and songwriters. New bands deserving of greater attention. The site for the music omnivore. It's all here, on the Ripple Effect

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Showing posts from August, 2023

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Dee Calhoun - Old Scratch Comes To Appalachia

August 31, 2023

a wish in the darkness all i need is one cigarbox guitar conjured dee calhoun folk music Godless old scratch comes to appalachia shovel guitar stand with me

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Canadian hard rockers LA CHINGA premiere new single "Bolt Of Lightning"; new album "Primal Forces" out October 6th on Ripple Music.

August 30, 2023

Black Sabbath bolt of lightning hard rock La Chinga led zeppelin MC5 new album new single outlaws of the sun primal forces ripple Music small stone records

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The Xroadie Files

August 29, 2023

alastor fires in the fall gates of darkness kliwon krigsgrav mud spencer nie nas widze Nirvana orange & blue the xroadie files varmia

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MOON SHOT: Finnish Rock Band Signs Worldwide Record Deal With Reaper Entertainment

August 28, 2023

children of bodom confession disco ensemble Finland lapko moon shot reaper entertainment record deal Rock 'n' Roll

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A Fistful Of Questions With Murphy From Blessed Black

August 27, 2023

a fistful of questions Black Sabbath blessed black Danzig elric elvis presley faerie ring joshua murphy legend of zelda roky erickson seasons: vol. 1 star trek uncle acid & the deadbeats war curse

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Psychedelic Outfit AAWKS Releases New Single "1831"

August 26, 2023

1831 aawks aiwass colonizer new single pre-order psychedelic rock song stream the eastern scrolls

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Chicago psychedelic blues rockers DEAD FEATHERS to release Full Circle on Ripple Music September 22, 2003!

August 23, 2023

bandcamp blues rock dead feathers full circle new album pre-order psychedelic rock ripple Music

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The Xroadie Files

August 22, 2023

artefacts disillusive play nine mile station reimaginings from the original psychedelic era songs for the non existent suffocate faster the fathom ep the kvb the under the xroadie files

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Ape Machine Tour Dates! Check 'em Out!

August 21, 2023

ape machine blast through the desert tour glitter wizard New Merch on tour US tour website

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A Fistful Of Questions With Ben Yarley From La Chinga

August 20, 2023

a fistful of questions abba ben yarley duel Fu Manchu Humble Pie La Chinga led zeppelin oasis primal forces rolling stones suede The Beatles the byrds Van Halen

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Noiseworks - Noiseworks

Back in the late eighties an Australian friend of mine, whom I've sadly lost touch with since, sent me a cassette of a Sydney-based band. It was their self-titled debut and the band in question was Noiseworks. At this point in time, this five-piece were completely unknown to me and based off of the artwork, a photo of the band against a white backdrop with the logo above, I had no clue what to expect. However, once the music started I was sold - hook, line and sinker! Australian rock and pop of the eighties had a particular sound. Can't honestly describe it in words but to this day that sound is very identifiable in a good way. And Noiseworks are not exempt of this. They deftly embrace their heritage while going full tilt with awesome hooks, great lyrics and a lot of emotion. What baffles me is that the guys were labeled a pub rock band. Maybe that was the case in their infant years but ‘Noiseworks’ is anything but. Then again, we all look at things differently.

Jane's Addiction - Nothing's Shocking

Growing up as a teenager in the 1980’s I’d say my progression through rock and roll was fairly standard. Status Quo were my gateway band that drew me into a world of distorted guitars and hard assed rhythms. From there it had to be harder and heavier…Quo gave way to Maiden who gave way to Venom, who gave way to Mercyful Fate then to Metallica, Slayer, Bay Area thrash, death metal…etc. I also embraced the pantheon of forebears…Sabbath always did rule the roost for me from one summer’s day in ’83 when I heard “Live Evil” and still do to this day as do the classics like Lizzy, Purple, Skynyrd, Led Zep, ZZ Top, AC/DC, Motorhead, Kiss. I was a typical heavy metal teenager. Metal was always what it was…hard, heavy, escapist…etc but towards the end of the decade there was a shift; the Red Hot Chilli Peppers introduced metallers to funk, The Beastie Boys and Run DMC with Aerosmith introduced metallers to rap, Faith No More introduced metallers to funk and rap and then there was Jane’s Addict

Burn on the Bayou: a Heavy Underground Tribute to Creedence Clearwater Revival

Tribute Albums can be a minefield, depending on whom the chosen artist is that is being given the (sometimes dubious) honour of having their songs covered. Black Sabbath have countless tributes and have had every possible band from the Giants (Metallica) to the bizarre (Busta Rhymes) cover them with extremely mixed results. For every White Zombie and 1000 Homo D.J.s sublime covers of Children of the Grave and Supernaught theflip side is the absolute travesty of Emerald Sabbath (I kid you not) consisting of anyone with the most tenuous connection to Sabbath (Dave Walker, Neil Murray, Bev Bevan) murdering their songs. The first hurdle of any tribute album is avoiding the obvious (Sabbath, Lizzy, Purple etc) picking an artist well known but not covered to point of saturation. So, Credit to Ripple Music A whip smart choice of a tribute and overall executed with style. With Burn on the Bayou the first hurdle has been easily jumped. Creedence Clearwater Revivals music is part of the

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-(16)-
; NASHVILLE
:Twingiant
. Book
. new album
...and the fire within
...in the shadows below
...it's ugly or nothing
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