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Showing posts from February, 2016

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SPIRITUAL BEGGARS - Debut first "Sunrise To Sundown" single; Tour announced

February 29, 2016

classic rock magazine european tour hard rock InsideOut Music single release spiritual beggars sunrise to sundown

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SUNN O))) Announces US Live Actions Including Big Ears Festival, Levitation, Moogfest, And More

February 29, 2016

attila csihar big ears festival greg anderson levitation moogfest stephen o'malley steve moore Sunn O))) tos nieuwenhuizen US tour

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Listen to KING MUD in its entirety

February 28, 2016

Album Stream black diamond heavies blues rock consequence of sound king mud Left Lane Cruiser stoner rock supergroup victory motel sessions

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BEASTWARS to release new album The Death Of All Things this April | Stream and share the new song 'Call To The Mountain'

February 28, 2016

Beastwars call to the mountain heavy metal high on fire Kyuss new album obey the riff song stream the death of all things unsane

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Stars That Move – No Riders

February 27, 2016

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Moonstone Music Fest Wave 2 Just Announced!!

February 26, 2016

awolnation best coast Buckcherry def Leppard evanescence flaming lips kansas Kiss moonstone music fest Queensryche Vintage Trouble wave 2

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RidingEasy Records shares "RidingEasy Potcast #2" w/ guests Mondo Drag

February 26, 2016

dj bonghits dj rick lightnin mondo drag monthly podcast ridingeasy potcast RidingEasy Records stoner metal

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Panopticon/Waldgefluster – Split

February 25, 2016

bindrune records black metal der traumschander hakan's song norwegian nights Panopticon Split LP trauerweide ii waldgefluster

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TAXI DRIVER RECORDS ANNOUNCES THE RELEASE OF THE SPLIT RECORD DANDY BROWN / TEMPLE OF DEIMOS IN FALL 2016

February 24, 2016

Dandy Brown desert rock Hermano John Garcia nick oliveri split record stoner rock taxi driver records temple of deimos work to be done

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Russian Circles to headline the fifth edition of DESERTFEST LONDON this spring in Camden!

February 24, 2016

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Noiseworks - Noiseworks

Back in the late eighties an Australian friend of mine, whom I've sadly lost touch with since, sent me a cassette of a Sydney-based band. It was their self-titled debut and the band in question was Noiseworks. At this point in time, this five-piece were completely unknown to me and based off of the artwork, a photo of the band against a white backdrop with the logo above, I had no clue what to expect. However, once the music started I was sold - hook, line and sinker! Australian rock and pop of the eighties had a particular sound. Can't honestly describe it in words but to this day that sound is very identifiable in a good way. And Noiseworks are not exempt of this. They deftly embrace their heritage while going full tilt with awesome hooks, great lyrics and a lot of emotion. What baffles me is that the guys were labeled a pub rock band. Maybe that was the case in their infant years but ‘Noiseworks’ is anything but. Then again, we all look at things differently.

Jane's Addiction - Nothing's Shocking

Growing up as a teenager in the 1980’s I’d say my progression through rock and roll was fairly standard. Status Quo were my gateway band that drew me into a world of distorted guitars and hard assed rhythms. From there it had to be harder and heavier…Quo gave way to Maiden who gave way to Venom, who gave way to Mercyful Fate then to Metallica, Slayer, Bay Area thrash, death metal…etc. I also embraced the pantheon of forebears…Sabbath always did rule the roost for me from one summer’s day in ’83 when I heard “Live Evil” and still do to this day as do the classics like Lizzy, Purple, Skynyrd, Led Zep, ZZ Top, AC/DC, Motorhead, Kiss. I was a typical heavy metal teenager. Metal was always what it was…hard, heavy, escapist…etc but towards the end of the decade there was a shift; the Red Hot Chilli Peppers introduced metallers to funk, The Beastie Boys and Run DMC with Aerosmith introduced metallers to rap, Faith No More introduced metallers to funk and rap and then there was Jane’s Addict

Burn on the Bayou: a Heavy Underground Tribute to Creedence Clearwater Revival

Tribute Albums can be a minefield, depending on whom the chosen artist is that is being given the (sometimes dubious) honour of having their songs covered. Black Sabbath have countless tributes and have had every possible band from the Giants (Metallica) to the bizarre (Busta Rhymes) cover them with extremely mixed results. For every White Zombie and 1000 Homo D.J.s sublime covers of Children of the Grave and Supernaught theflip side is the absolute travesty of Emerald Sabbath (I kid you not) consisting of anyone with the most tenuous connection to Sabbath (Dave Walker, Neil Murray, Bev Bevan) murdering their songs. The first hurdle of any tribute album is avoiding the obvious (Sabbath, Lizzy, Purple etc) picking an artist well known but not covered to point of saturation. So, Credit to Ripple Music A whip smart choice of a tribute and overall executed with style. With Burn on the Bayou the first hurdle has been easily jumped. Creedence Clearwater Revivals music is part of the

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-(16)-
; NASHVILLE
:Twingiant
. Book
. new album
...and the fire within
...in the shadows below
...it's ugly or nothing
...must die
...only a suggestion

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