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The best music you're not listening to.™ Reviews of lost classics and obscure titles. Unheralded bands and songwriters. New bands deserving of greater attention. The site for the music omnivore. It's all here, on the Ripple Effect

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Showing posts from April, 2016

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Bandcamp Bonanza – 4/20 Edition

4/20 bandcamp bonanza desert rock doom metal fuddge glitter psychedelic rock red scalp red sun cult rituals stoner rock thal

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Holy Grove - S/T

billy anderson doom metal Female vocals holy grove Ruby the Hatchet self titled album stoner rock Windhand

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Blackwitch Pudding – Betty Kougar/Herman The Worm Man

7" single betty kougar BLACKWITCH PUDDING doom metal heavy rock herman the worm man soul wizard stoner rock Witch Mountain

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Drawers - S/T LP

drawers france it's all about love Kaotoxin Records niko bastide self titled album shadow dancers Sludge metal

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DESERTFEST LONDON: stage times are up, weekend tickets almost sold out!

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MIRRORS FOR PSYCHIC WARFARE Featuring Neurosis' Scott Kelly And Buried At Sea's Sanford Parker Unveils First Single From Self-Titled Debut; Street Date + Preorders Posted

album preorder buried at sea mirrors for psychic warfare Neurosis oracles hex sanford parker scott kelly single release

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The Great Electric Quest

1901 cry of the wolf doom metal madam elbib ogrelude self titled album stoner rock the great electric quest thrash metal

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The Damned - Don't You Wish That We Were Dead coming to home video on May 20th via MVD Entertainment Group

brian james captain sensible chrissie hynde don't you wish that we were dead home video Ian Mackaye lemmy mick jones mvd entertainment group rat scabies the damned

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EYEHATEGOD Confirms Spring Live Takeovers; Upcoming Dates Include A Trek With Discharge

Discharge eyehategod mike IX williams Self-titled Album Sludge metal spring live takeovers

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Sunnata - Zorya

climbing the colossus doom metal poland stoner rock sunnata zorya

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The Single Life - 7 Inches of Fun: featuring Disastroid and King Buffalo

demo Disastroid flexidisc free album music review zip download new music new album Gadabout king buffalo Love is What You Bring On Home

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Solinaris – Deranged

concept album death metal deranged quebec solinaris technical death metal

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Zud - The Good, The Bad And The Damned

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Noiseworks - Noiseworks

Back in the late eighties an Australian friend of mine, whom I've sadly lost touch with since, sent me a cassette of a Sydney-based band. It was their self-titled debut and the band in question was Noiseworks. At this point in time, this five-piece were completely unknown to me and based off of the artwork, a photo of the band against a white backdrop with the logo above, I had no clue what to expect. However, once the music started I was sold - hook, line and sinker! Australian rock and pop of the eighties had a particular sound. Can't honestly describe it in words but to this day that sound is very identifiable in a good way. And Noiseworks are not exempt of this. They deftly embrace their heritage while going full tilt with awesome hooks, great lyrics and a lot of emotion. What baffles me is that the guys were labeled a pub rock band. Maybe that was the case in their infant years but ‘Noiseworks’ is anything but. Then again, we all look at things differently.

Jane's Addiction - Nothing's Shocking

Growing up as a teenager in the 1980’s I’d say my progression through rock and roll was fairly standard. Status Quo were my gateway band that drew me into a world of distorted guitars and hard assed rhythms. From there it had to be harder and heavier…Quo gave way to Maiden who gave way to Venom, who gave way to Mercyful Fate then to Metallica, Slayer, Bay Area thrash, death metal…etc. I also embraced the pantheon of forebears…Sabbath always did rule the roost for me from one summer’s day in ’83 when I heard “Live Evil” and still do to this day as do the classics like Lizzy, Purple, Skynyrd, Led Zep, ZZ Top, AC/DC, Motorhead, Kiss. I was a typical heavy metal teenager. Metal was always what it was…hard, heavy, escapist…etc but towards the end of the decade there was a shift; the Red Hot Chilli Peppers introduced metallers to funk, The Beastie Boys and Run DMC with Aerosmith introduced metallers to rap, Faith No More introduced metallers to funk and rap and then there was Jane’s Addict

Burn on the Bayou: a Heavy Underground Tribute to Creedence Clearwater Revival

Tribute Albums can be a minefield, depending on whom the chosen artist is that is being given the (sometimes dubious) honour of having their songs covered. Black Sabbath have countless tributes and have had every possible band from the Giants (Metallica) to the bizarre (Busta Rhymes) cover them with extremely mixed results. For every White Zombie and 1000 Homo D.J.s sublime covers of Children of the Grave and Supernaught theflip side is the absolute travesty of Emerald Sabbath (I kid you not) consisting of anyone with the most tenuous connection to Sabbath (Dave Walker, Neil Murray, Bev Bevan) murdering their songs. The first hurdle of any tribute album is avoiding the obvious (Sabbath, Lizzy, Purple etc) picking an artist well known but not covered to point of saturation. So, Credit to Ripple Music A whip smart choice of a tribute and overall executed with style. With Burn on the Bayou the first hurdle has been easily jumped. Creedence Clearwater Revivals music is part of the

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