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Showing posts from January, 2011

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Roadsaw - S/T

January 31, 2011

album review free download free mp3 new CD ripple Music Roadsaw small stone records stone Axe

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A Sunday Conversation with Grammy Nominated World Music Performer Chandrika Krishnamurthy Tandon

January 30, 2011

Chandrika Krishnamurthy Tandon interview Soul Call world music

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Ektomorf – Redemption

January 29, 2011

AFM Records album review angst metal Ektomorf extreme metal Farkas Zoltan Hungary music review nu-metal Redemption The ripple Effect thrash metal

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Ripple News - Exploding In Sound Unveils Latest Compilation WAX UNWOUND Featuring Black Mountain, Twilight Singers, Monotonix + More

January 29, 2011

Black Mountain download Exploding in Sound free album free compilation free mp3 free podcast Monotonix twilight singers wax unwound

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King Diamond -Abigail

January 28, 2011

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Field Report - Zig Zag Jones @ Longboards

January 27, 2011

Live review reggae fusion reggae rock San Diego Music The ripple Effect world soul Zig Zag Jones

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Wino - Adrift

January 27, 2011

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Random and K-Murdock - Forever Famicom

January 26, 2011

album review CD Review Forever Famicom free download Random and K-Murdock rap

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Kirsten Thien -Delicious

January 25, 2011

album review Bonnie Raitt Delicious free download Kirsten Thien new CD

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An Electrifying Edifice of Ebullient EP's Featuring Restorations, Andrew Gharib, Pacer, and The Silver Liners

January 24, 2011

Andrew Gharib Pacer Restorations The Silver Liners

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A Sunday Conversation with Red Hot Rebellion

January 23, 2011

interview new CD Red Hot Rebellion

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Ripple News - California's Influential Surf Punk Rockers Agent Orange Return North, Play with Montreal Grunge Metallers Slaves on Dope

January 22, 2011

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Poobah’s "Let Me In" Tops Rolling Stone Year End List!

January 22, 2011

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Ripple News - Benefit to Aid the Australian Flood Victims

January 22, 2011

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Weedeater - Jason... The Dragon

January 21, 2011

album review free download Jason the dragon new CD Sludge metal stoner rock Weedeater

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Black Thai – Blood From On High

January 20, 2011

album review Black thai Blood from on High debut ep new CD stoner metal

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Readymade Breakup - S/T

January 19, 2011

album review free download free mp3 new CD powerpop Readymade breakup

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Noiseworks - Noiseworks

Back in the late eighties an Australian friend of mine, whom I've sadly lost touch with since, sent me a cassette of a Sydney-based band. It was their self-titled debut and the band in question was Noiseworks. At this point in time, this five-piece were completely unknown to me and based off of the artwork, a photo of the band against a white backdrop with the logo above, I had no clue what to expect. However, once the music started I was sold - hook, line and sinker! Australian rock and pop of the eighties had a particular sound. Can't honestly describe it in words but to this day that sound is very identifiable in a good way. And Noiseworks are not exempt of this. They deftly embrace their heritage while going full tilt with awesome hooks, great lyrics and a lot of emotion. What baffles me is that the guys were labeled a pub rock band. Maybe that was the case in their infant years but ‘Noiseworks’ is anything but. Then again, we all look at things differently.

Jane's Addiction - Nothing's Shocking

Growing up as a teenager in the 1980’s I’d say my progression through rock and roll was fairly standard. Status Quo were my gateway band that drew me into a world of distorted guitars and hard assed rhythms. From there it had to be harder and heavier…Quo gave way to Maiden who gave way to Venom, who gave way to Mercyful Fate then to Metallica, Slayer, Bay Area thrash, death metal…etc. I also embraced the pantheon of forebears…Sabbath always did rule the roost for me from one summer’s day in ’83 when I heard “Live Evil” and still do to this day as do the classics like Lizzy, Purple, Skynyrd, Led Zep, ZZ Top, AC/DC, Motorhead, Kiss. I was a typical heavy metal teenager. Metal was always what it was…hard, heavy, escapist…etc but towards the end of the decade there was a shift; the Red Hot Chilli Peppers introduced metallers to funk, The Beastie Boys and Run DMC with Aerosmith introduced metallers to rap, Faith No More introduced metallers to funk and rap and then there was Jane’s Addict

Burn on the Bayou: a Heavy Underground Tribute to Creedence Clearwater Revival

Tribute Albums can be a minefield, depending on whom the chosen artist is that is being given the (sometimes dubious) honour of having their songs covered. Black Sabbath have countless tributes and have had every possible band from the Giants (Metallica) to the bizarre (Busta Rhymes) cover them with extremely mixed results. For every White Zombie and 1000 Homo D.J.s sublime covers of Children of the Grave and Supernaught theflip side is the absolute travesty of Emerald Sabbath (I kid you not) consisting of anyone with the most tenuous connection to Sabbath (Dave Walker, Neil Murray, Bev Bevan) murdering their songs. The first hurdle of any tribute album is avoiding the obvious (Sabbath, Lizzy, Purple etc) picking an artist well known but not covered to point of saturation. So, Credit to Ripple Music A whip smart choice of a tribute and overall executed with style. With Burn on the Bayou the first hurdle has been easily jumped. Creedence Clearwater Revivals music is part of the

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; NASHVILLE
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