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The Ripple Effect

The best music you're not listening to.™ Reviews of lost classics and obscure titles. Unheralded bands and songwriters. New bands deserving of greater attention. The site for the music omnivore. It's all here, on the Ripple Effect

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Showing posts from 2018

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Riffcaster’s 2018 Top 11 List

December 31, 2018

blackwulf clutch corrosion of conformity forming the void high on fire holy grove MIssissippi Bones Mos Generator Sleep top ten list Witch Mountain Yob

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Bandcamp Bonanza – 087

December 29, 2018

bandcamp bonanza Edmond Jefferson & Sons gods & punks hot ram liquid sun mirror of deception otto and the moaners rf shannon smokestack lightning the absurd wizard must die

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Pale Divine - Pale Divine

December 28, 2018

bleeding soul chemical decline curse the shadows Pale divine ron "fezzy" mcginnis Self-titled Album shades of blue ship of fools silver tongue so low spinning wheel

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The Xroadie Files

December 26, 2018

arcadian child atria civilizations hollow leg II Nachtmystium new world nightmare resilient superfonica the xroadie files under the mountain

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GYPSY CHIEF GOLIATH: Canadian Stoner Metal Outfit Signs With Kozmik Artifactz For February Release Of Masters Of Space And Time LP

December 24, 2018

al yeti bones classic rock georgian skull gypsy chief goliath kozmik artifactz masters of space and time new album stoner metal the mighty nimbus

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Australia’s Rising Prog-Rock Riff Lords AVER to release Orbis Majora on Ripple Music | Stream new song ‘Feeding the Sun’ now!

December 22, 2018

aver bandcamp feeding the sun hemp fandango new album orbis majora prog rock psychedelic rock ripple Music song stream SOUNDCLOUD stoner rock

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THUNDERCLAP: Florida Outfit To Release Debut Album Through Financial Ruin; Florida Tour Dates With Meatwound Booked For Late December

December 20, 2018

classic rock debut album financial ruin records heavy metal inebriocean meatwound thunderclap tour dates

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The Xroadie Files

December 19, 2018

(the true) veiled already gone booze & glory chapter iv in blinding presence lillith and the night radio silence roxanne the xroadie files war cry wicked garden

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Noiseworks - Noiseworks

Back in the late eighties an Australian friend of mine, whom I've sadly lost touch with since, sent me a cassette of a Sydney-based band. It was their self-titled debut and the band in question was Noiseworks. At this point in time, this five-piece were completely unknown to me and based off of the artwork, a photo of the band against a white backdrop with the logo above, I had no clue what to expect. However, once the music started I was sold - hook, line and sinker! Australian rock and pop of the eighties had a particular sound. Can't honestly describe it in words but to this day that sound is very identifiable in a good way. And Noiseworks are not exempt of this. They deftly embrace their heritage while going full tilt with awesome hooks, great lyrics and a lot of emotion. What baffles me is that the guys were labeled a pub rock band. Maybe that was the case in their infant years but ‘Noiseworks’ is anything but. Then again, we all look at things differently.

Jane's Addiction - Nothing's Shocking

Growing up as a teenager in the 1980’s I’d say my progression through rock and roll was fairly standard. Status Quo were my gateway band that drew me into a world of distorted guitars and hard assed rhythms. From there it had to be harder and heavier…Quo gave way to Maiden who gave way to Venom, who gave way to Mercyful Fate then to Metallica, Slayer, Bay Area thrash, death metal…etc. I also embraced the pantheon of forebears…Sabbath always did rule the roost for me from one summer’s day in ’83 when I heard “Live Evil” and still do to this day as do the classics like Lizzy, Purple, Skynyrd, Led Zep, ZZ Top, AC/DC, Motorhead, Kiss. I was a typical heavy metal teenager. Metal was always what it was…hard, heavy, escapist…etc but towards the end of the decade there was a shift; the Red Hot Chilli Peppers introduced metallers to funk, The Beastie Boys and Run DMC with Aerosmith introduced metallers to rap, Faith No More introduced metallers to funk and rap and then there was Jane’s Addict

Burn on the Bayou: a Heavy Underground Tribute to Creedence Clearwater Revival

Tribute Albums can be a minefield, depending on whom the chosen artist is that is being given the (sometimes dubious) honour of having their songs covered. Black Sabbath have countless tributes and have had every possible band from the Giants (Metallica) to the bizarre (Busta Rhymes) cover them with extremely mixed results. For every White Zombie and 1000 Homo D.J.s sublime covers of Children of the Grave and Supernaught theflip side is the absolute travesty of Emerald Sabbath (I kid you not) consisting of anyone with the most tenuous connection to Sabbath (Dave Walker, Neil Murray, Bev Bevan) murdering their songs. The first hurdle of any tribute album is avoiding the obvious (Sabbath, Lizzy, Purple etc) picking an artist well known but not covered to point of saturation. So, Credit to Ripple Music A whip smart choice of a tribute and overall executed with style. With Burn on the Bayou the first hurdle has been easily jumped. Creedence Clearwater Revivals music is part of the

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-(16)-
; NASHVILLE
:Twingiant
. Book
. new album
...and the fire within
...in the shadows below
...it's ugly or nothing
...must die
...only a suggestion

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