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The Ripple Effect

The best music you're not listening to.™ Reviews of lost classics and obscure titles. Unheralded bands and songwriters. New bands deserving of greater attention. The site for the music omnivore. It's all here, on the Ripple Effect

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Showing posts from September, 2014

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Ripple Record Store Round-Up - The Sound Machine, Reading UK

September 30, 2014

reading record store sound machine vinyl

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Enslaved and Wardruna To Perform Skuggsjá, The Sound of Norway's Norse History at Roadburn Festival 2015

September 30, 2014

Bongripper enslaved FLoor Norse History Presale Roadburn Festival Skuggsja Wardruna

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Triptykon - Melana Chasmata

September 29, 2014

Celtic Frost death metal doom metal heavy metal Hellhammer MELANA CHASMATA Tom G. Warrior triptykon

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A Ripple Conversation with George Trevino of Las Cruces

September 28, 2014

Doom free album music review zip download new music new album heavy metal las cruces ripple Music

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Vajra - Pleroma

September 27, 2014

Annamaria Pinna Pleroma progressive rock Sylvia Massy The Mars Volta Tom Baker Vajra

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Lo-Pan - Colossus

September 26, 2014

black cobra colossus DEVILLE Lo-Pan sasquatch small stone records stoner metal

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ORANGE GOBLIN Premieres New Video Via Noisey; Back From The Abyss To Drop Next Month

September 25, 2014

Back From The Abyss Candlelight Records new video NOISEY orange goblin Sabbath Hex The Devil's Whip

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Guestroom Records

September 24, 2014

Beatles Guestroom Records Kaleidoscope Miles Davis Oklahoma City Paseo Arts District Pink Floyd

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Escapetor - Fear

September 23, 2014

Classic Heavy Metal Escapetor Fear Kiss metallica NWOBHM thrash metal

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Ripple Field Trip - Vultures Of Volume Fest

September 22, 2014

Beelzefuzz Black Manta BlackHand blizaro Gorgantherron Pale divine the skull unorthodox Vultures Of Volume Fest Wizard Eye

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A Ripple Conversation with Tyrel Choat from The Cosmic Trigger

September 21, 2014

cosmic trigger dallas free album music review zip download new music new album heavy metal heavy rock interview

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So I Wrote The President A Letter

September 20, 2014

Johnny Cash Musical History Nashville RCA Studios willie nelson

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THE PHUSS announce release of new video and album ON THE PROWL

September 19, 2014

Blue Cheer I Don't Feel Good new video Nirvana On The Prowl Queens of the Stone Age The Phuss

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Bask - American Hollow

September 18, 2014

American Hollow Americana Bask folk hardcore My Morning Jacket Post-rock psychedelic stoner metal

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Noiseworks - Noiseworks

Back in the late eighties an Australian friend of mine, whom I've sadly lost touch with since, sent me a cassette of a Sydney-based band. It was their self-titled debut and the band in question was Noiseworks. At this point in time, this five-piece were completely unknown to me and based off of the artwork, a photo of the band against a white backdrop with the logo above, I had no clue what to expect. However, once the music started I was sold - hook, line and sinker! Australian rock and pop of the eighties had a particular sound. Can't honestly describe it in words but to this day that sound is very identifiable in a good way. And Noiseworks are not exempt of this. They deftly embrace their heritage while going full tilt with awesome hooks, great lyrics and a lot of emotion. What baffles me is that the guys were labeled a pub rock band. Maybe that was the case in their infant years but ‘Noiseworks’ is anything but. Then again, we all look at things differently.

Jane's Addiction - Nothing's Shocking

Growing up as a teenager in the 1980’s I’d say my progression through rock and roll was fairly standard. Status Quo were my gateway band that drew me into a world of distorted guitars and hard assed rhythms. From there it had to be harder and heavier…Quo gave way to Maiden who gave way to Venom, who gave way to Mercyful Fate then to Metallica, Slayer, Bay Area thrash, death metal…etc. I also embraced the pantheon of forebears…Sabbath always did rule the roost for me from one summer’s day in ’83 when I heard “Live Evil” and still do to this day as do the classics like Lizzy, Purple, Skynyrd, Led Zep, ZZ Top, AC/DC, Motorhead, Kiss. I was a typical heavy metal teenager. Metal was always what it was…hard, heavy, escapist…etc but towards the end of the decade there was a shift; the Red Hot Chilli Peppers introduced metallers to funk, The Beastie Boys and Run DMC with Aerosmith introduced metallers to rap, Faith No More introduced metallers to funk and rap and then there was Jane’s Addict

Burn on the Bayou: a Heavy Underground Tribute to Creedence Clearwater Revival

Tribute Albums can be a minefield, depending on whom the chosen artist is that is being given the (sometimes dubious) honour of having their songs covered. Black Sabbath have countless tributes and have had every possible band from the Giants (Metallica) to the bizarre (Busta Rhymes) cover them with extremely mixed results. For every White Zombie and 1000 Homo D.J.s sublime covers of Children of the Grave and Supernaught theflip side is the absolute travesty of Emerald Sabbath (I kid you not) consisting of anyone with the most tenuous connection to Sabbath (Dave Walker, Neil Murray, Bev Bevan) murdering their songs. The first hurdle of any tribute album is avoiding the obvious (Sabbath, Lizzy, Purple etc) picking an artist well known but not covered to point of saturation. So, Credit to Ripple Music A whip smart choice of a tribute and overall executed with style. With Burn on the Bayou the first hurdle has been easily jumped. Creedence Clearwater Revivals music is part of the

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; NASHVILLE
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