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The Ripple Effect

The best music you're not listening to.™ Reviews of lost classics and obscure titles. Unheralded bands and songwriters. New bands deserving of greater attention. The site for the music omnivore. It's all here, on the Ripple Effect

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Showing posts from July, 2019

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The Xroadie Files

enter the endless abyss fight to the death hell's addicition mike campese paul maged singin 'n' slingin the fire within the xroadie files v 1.0 vigilance wild planes

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Come Hang Out with Ripple Music at this Year's Psycho Las Vegas!

carcass clutch corrosion of conformity electric Wizard high on fire Las Vegas mandalay bay Opeth psycho las vegas ripple Music Rock 'n' Roll the misfits

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The Story of Pale Divine

cemetery earth crimson tears eternity revealed i hate records imperial anthems painted windows black Pale divine self-titled thunder perfect mind

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album review deadbangers productions death rides a horse Doom epic metal more god than man new album power thrash

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Are you ready for the final instalment of Ripple Music’s The Second Coming of Heavy? | Last split to feature The W Likes and Palace In Thunderland

bandcamp chapter 10 palace in thunderland pre-order ripple Music SOUNDCLOUD split vinyl the second coming of heavy the w likes

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Fistful Of Questions With Tim Catz From Roadsaw And White Dynomite

a fistful of questions bob seger boston celtics Jethro Tull Kyuss Motley Crue Roadsaw sky valley the beach boys tim catz White Dynomite zen guerilla

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Heavy Mash 2019 with The Liquid Sound Co., Destroyer of Light, Forming the Void, and more!

ci destroyer of light forming the void Funeral Horse heavy mash 2019 smokey mirror the grasshopper lies heavy the liquid soud company vorvon whep

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The Xroadie Files

1000 pounds of oi! a song for all seasons black moon don't panic harrington saints izz Lucifer's Friend paralyzed Renaissance silver devil the xroadie files

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Feel the Ascension of Psychedelic Quintet DEAD FEATHERS on ALL IS LOST | Stream the Storming Title Track Now!

all is lost bandcamp dead feathers facebook HeviSike Records new album new song psychedelic rock ripple Music

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Kadavar misfits psycho las vegas tour uncle acid viva psych Yob

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Dig Two Graves - Deathwish

as above deathwish dig two graves djent dream pop ep facebook progressive metal so below spotify youtube

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gene loves jezebel jay aston mike peters modern english sigma lxxxv tour the alarm

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Noiseworks - Noiseworks

Back in the late eighties an Australian friend of mine, whom I've sadly lost touch with since, sent me a cassette of a Sydney-based band. It was their self-titled debut and the band in question was Noiseworks. At this point in time, this five-piece were completely unknown to me and based off of the artwork, a photo of the band against a white backdrop with the logo above, I had no clue what to expect. However, once the music started I was sold - hook, line and sinker! Australian rock and pop of the eighties had a particular sound. Can't honestly describe it in words but to this day that sound is very identifiable in a good way. And Noiseworks are not exempt of this. They deftly embrace their heritage while going full tilt with awesome hooks, great lyrics and a lot of emotion. What baffles me is that the guys were labeled a pub rock band. Maybe that was the case in their infant years but ‘Noiseworks’ is anything but. Then again, we all look at things differently.

Jane's Addiction - Nothing's Shocking

Growing up as a teenager in the 1980’s I’d say my progression through rock and roll was fairly standard. Status Quo were my gateway band that drew me into a world of distorted guitars and hard assed rhythms. From there it had to be harder and heavier…Quo gave way to Maiden who gave way to Venom, who gave way to Mercyful Fate then to Metallica, Slayer, Bay Area thrash, death metal…etc. I also embraced the pantheon of forebears…Sabbath always did rule the roost for me from one summer’s day in ’83 when I heard “Live Evil” and still do to this day as do the classics like Lizzy, Purple, Skynyrd, Led Zep, ZZ Top, AC/DC, Motorhead, Kiss. I was a typical heavy metal teenager. Metal was always what it was…hard, heavy, escapist…etc but towards the end of the decade there was a shift; the Red Hot Chilli Peppers introduced metallers to funk, The Beastie Boys and Run DMC with Aerosmith introduced metallers to rap, Faith No More introduced metallers to funk and rap and then there was Jane’s Addict

Burn on the Bayou: a Heavy Underground Tribute to Creedence Clearwater Revival

Tribute Albums can be a minefield, depending on whom the chosen artist is that is being given the (sometimes dubious) honour of having their songs covered. Black Sabbath have countless tributes and have had every possible band from the Giants (Metallica) to the bizarre (Busta Rhymes) cover them with extremely mixed results. For every White Zombie and 1000 Homo D.J.s sublime covers of Children of the Grave and Supernaught theflip side is the absolute travesty of Emerald Sabbath (I kid you not) consisting of anyone with the most tenuous connection to Sabbath (Dave Walker, Neil Murray, Bev Bevan) murdering their songs. The first hurdle of any tribute album is avoiding the obvious (Sabbath, Lizzy, Purple etc) picking an artist well known but not covered to point of saturation. So, Credit to Ripple Music A whip smart choice of a tribute and overall executed with style. With Burn on the Bayou the first hurdle has been easily jumped. Creedence Clearwater Revivals music is part of the

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-(16)-
; NASHVILLE
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. Book
. new album
...and the fire within
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