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The Ripple Effect

The best music you're not listening to.™ Reviews of lost classics and obscure titles. Unheralded bands and songwriters. New bands deserving of greater attention. The site for the music omnivore. It's all here, on the Ripple Effect

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Showing posts from November, 2014

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Triptykon - Melana Chasmata

November 30, 2014

Atmospheric Metal Boleskine House Celtic Frost death metal MELANA CHASMATA Monotheist Neurosis Tom G. Warrior Tryptikon

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Blue Black Hours - Sunlight And Dust

November 29, 2014

bandcamp Blue Black Hours Name Your Price progressive metal psychedelic rock Roger Waters Sunlight And Dust

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Stoner Rock Band From Sweden Siena Root Set To Conquer The States With Their New Album Pioneers!

November 28, 2014

Cleopatra Records Deep Purple hard rock Iron Butterfly Pioneers Sienna Root Sweden The Way You Turn

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Wizard Rifle – Here In The Deadlights

November 27, 2014

hard rock heavy metal Here In The Deadlights Mastodon Wizard Rifle

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Slow Season - Mountains

November 26, 2014

classic rock led zeppelin Mountains Riding Easy Records Rock and Roll Slow Season

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Fugazi "First Demo" Streaming Now

November 25, 2014

dischord records First Demo Fugazi Fugazi Live Series Ian Mackaye In Defense Of Humans

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John Wilkes Booth - Useless Lucy

November 24, 2014

Doom free album music review zip download heavy john wilkes booth sludge Useless Lucy

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Old Man Wizard - Unfavorable

November 23, 2014

Jethro Tull old man wizard Opeth power trio prog rock steven wilson Unfavorable

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A Ripple Conversation with Geezer

November 22, 2014

free album music review zip download geezer ripple Music stb records

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White Dynomite - S/T

November 21, 2014

(Don't Tell Me That) I Need A Doctor angel city Black Light Woman MC5 Nirvana Rock and Roll Self Titled White Dynomite You're The Reason My Life Sucks

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THORR-AXE: New Track From Indiana's Frost-Bitten Doomsters Streaming Now At MetalSucks

November 20, 2014

CD Preorder Gates of Winter MetalSucks skeletonwitch Thorr-Axe Twisted Tower Dire Weedeater

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MIDNITE COLLECTIVE: New Compilation Featuring Exclusive Tracks From COUGH, SHROUD EATER, TRAPPED WITHIN BURNING MACHINERY & More Streaming Now At CVLT Nation

November 20, 2014

cough INVDRS Ladybird Midnight Congregation - Verse II Midnite Collective shroud eater Trapped Within Burning Machinery

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Beastmilk - Climax and other EPs

November 19, 2014

Beastmilk Climax goth rock post punk Use Your Deluge White Stains On Black Wax

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Noiseworks - Noiseworks

Back in the late eighties an Australian friend of mine, whom I've sadly lost touch with since, sent me a cassette of a Sydney-based band. It was their self-titled debut and the band in question was Noiseworks. At this point in time, this five-piece were completely unknown to me and based off of the artwork, a photo of the band against a white backdrop with the logo above, I had no clue what to expect. However, once the music started I was sold - hook, line and sinker! Australian rock and pop of the eighties had a particular sound. Can't honestly describe it in words but to this day that sound is very identifiable in a good way. And Noiseworks are not exempt of this. They deftly embrace their heritage while going full tilt with awesome hooks, great lyrics and a lot of emotion. What baffles me is that the guys were labeled a pub rock band. Maybe that was the case in their infant years but ‘Noiseworks’ is anything but. Then again, we all look at things differently.

Jane's Addiction - Nothing's Shocking

Growing up as a teenager in the 1980’s I’d say my progression through rock and roll was fairly standard. Status Quo were my gateway band that drew me into a world of distorted guitars and hard assed rhythms. From there it had to be harder and heavier…Quo gave way to Maiden who gave way to Venom, who gave way to Mercyful Fate then to Metallica, Slayer, Bay Area thrash, death metal…etc. I also embraced the pantheon of forebears…Sabbath always did rule the roost for me from one summer’s day in ’83 when I heard “Live Evil” and still do to this day as do the classics like Lizzy, Purple, Skynyrd, Led Zep, ZZ Top, AC/DC, Motorhead, Kiss. I was a typical heavy metal teenager. Metal was always what it was…hard, heavy, escapist…etc but towards the end of the decade there was a shift; the Red Hot Chilli Peppers introduced metallers to funk, The Beastie Boys and Run DMC with Aerosmith introduced metallers to rap, Faith No More introduced metallers to funk and rap and then there was Jane’s Addict

Burn on the Bayou: a Heavy Underground Tribute to Creedence Clearwater Revival

Tribute Albums can be a minefield, depending on whom the chosen artist is that is being given the (sometimes dubious) honour of having their songs covered. Black Sabbath have countless tributes and have had every possible band from the Giants (Metallica) to the bizarre (Busta Rhymes) cover them with extremely mixed results. For every White Zombie and 1000 Homo D.J.s sublime covers of Children of the Grave and Supernaught theflip side is the absolute travesty of Emerald Sabbath (I kid you not) consisting of anyone with the most tenuous connection to Sabbath (Dave Walker, Neil Murray, Bev Bevan) murdering their songs. The first hurdle of any tribute album is avoiding the obvious (Sabbath, Lizzy, Purple etc) picking an artist well known but not covered to point of saturation. So, Credit to Ripple Music A whip smart choice of a tribute and overall executed with style. With Burn on the Bayou the first hurdle has been easily jumped. Creedence Clearwater Revivals music is part of the

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