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Showing posts from August, 2015

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It Came From ReverbNation - The Ripple Music-ReverbNation Playlist Part 1: featuring Tennessee Stiffs, The Black Marbles, NMBR11, Axis/Orbit and The Losing Kind

August 31, 2015

Axis/Orbit NMBR11 Tennessee Stiff The Black Marbles The Losing Kind

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Ripple Needs Your Help - Writer's Wanted

August 29, 2015

electro emo guitar world magazine hard rock indy pop metal The ripple Effect usa today writers wanted

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French blackened death warmasters Azziard sign with Kaotoxin Records

August 28, 2015

azziard blackened death metal Kaotoxin Records momento mori the negation unus mundus weapons of self-destruction: volume 2

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Abominator Set Release Date For New Nuclear War Now! Collection

August 28, 2015

Abominator barbarian war worship black metal death metal descension of a darker deity nuclear war now! productions the conqueror possessed

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Classic Rock Legends The Lizards Feat. Ex-Black Sabbath, Rainbow, Cactus & Riot Members Release New CD!

August 27, 2015

Black Sabbath cactus classic rock hyperspace records Rainbow reptilicus maximus riot the lizards

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HOODED MENACE: Finnish Masters of Deathly Horror Announce Imminent Release of 'Darkness Drips Forth' via Relapse Records

August 27, 2015

darkness drips forth death metal hooded menace Relapse Records

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Cemetery Lust Stream Hells Headbangers Debut At InvisibleOranges.com, To Play "Hells Headbash - Part 2"

August 26, 2015

cemetery lust Hells Headbangers hells headbash - part 2 InvisibleOranges.com orgies of abomination screams of the violated the road to hells headbash

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Horrendous Announce the Coming of Anareta, Premiere New Song with Decibel Magazine

August 26, 2015

anareta death metal Decibel Magazine ecdysis horrendous sum of all failures

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Gnosis Of The Witch Reborn As Veiled, To Release Debut On Iron Bonehead

August 25, 2015

black metal gnosis of the witch iron bonehead omniscient veil veiled

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Cold Northern Vengeance Sets Release Date For New Moribund Album

August 25, 2015

cold northern vengeance domination and servitude maelstrom Moribund Records pagan metal viking metal

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INIQUITOUS SAVAGERY to Release Subversions of the Psyche Sept. 22

August 24, 2015

death metal iniquitous savagery subversions of the psyche transient states of metaphysical revelation

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Shrine Of Insanabilis Premiere New Track At NoCleanSinging.com

August 24, 2015

black metal disciples of the void nocleansinging.com shrine of insanabilis track premiere w.t.c. productions

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True North - We Speak In Code

August 23, 2015

dischord records Fugazi hardcore No Idea Records part deux true north wait wait we speak in code

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CHRCH: Preorder Unanswered Hymns On Vinyl Now

August 22, 2015

chrch doom metal psychedelic metal unanswered hymns

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Sabbath Assembly Premiere New Track At Decibel Magazine's Website

August 22, 2015

Decibel Magazine great schism sabbath assembly svart records the fiery angel of Desire

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Noiseworks - Noiseworks

Back in the late eighties an Australian friend of mine, whom I've sadly lost touch with since, sent me a cassette of a Sydney-based band. It was their self-titled debut and the band in question was Noiseworks. At this point in time, this five-piece were completely unknown to me and based off of the artwork, a photo of the band against a white backdrop with the logo above, I had no clue what to expect. However, once the music started I was sold - hook, line and sinker! Australian rock and pop of the eighties had a particular sound. Can't honestly describe it in words but to this day that sound is very identifiable in a good way. And Noiseworks are not exempt of this. They deftly embrace their heritage while going full tilt with awesome hooks, great lyrics and a lot of emotion. What baffles me is that the guys were labeled a pub rock band. Maybe that was the case in their infant years but ‘Noiseworks’ is anything but. Then again, we all look at things differently.

Jane's Addiction - Nothing's Shocking

Growing up as a teenager in the 1980’s I’d say my progression through rock and roll was fairly standard. Status Quo were my gateway band that drew me into a world of distorted guitars and hard assed rhythms. From there it had to be harder and heavier…Quo gave way to Maiden who gave way to Venom, who gave way to Mercyful Fate then to Metallica, Slayer, Bay Area thrash, death metal…etc. I also embraced the pantheon of forebears…Sabbath always did rule the roost for me from one summer’s day in ’83 when I heard “Live Evil” and still do to this day as do the classics like Lizzy, Purple, Skynyrd, Led Zep, ZZ Top, AC/DC, Motorhead, Kiss. I was a typical heavy metal teenager. Metal was always what it was…hard, heavy, escapist…etc but towards the end of the decade there was a shift; the Red Hot Chilli Peppers introduced metallers to funk, The Beastie Boys and Run DMC with Aerosmith introduced metallers to rap, Faith No More introduced metallers to funk and rap and then there was Jane’s Addict

Burn on the Bayou: a Heavy Underground Tribute to Creedence Clearwater Revival

Tribute Albums can be a minefield, depending on whom the chosen artist is that is being given the (sometimes dubious) honour of having their songs covered. Black Sabbath have countless tributes and have had every possible band from the Giants (Metallica) to the bizarre (Busta Rhymes) cover them with extremely mixed results. For every White Zombie and 1000 Homo D.J.s sublime covers of Children of the Grave and Supernaught theflip side is the absolute travesty of Emerald Sabbath (I kid you not) consisting of anyone with the most tenuous connection to Sabbath (Dave Walker, Neil Murray, Bev Bevan) murdering their songs. The first hurdle of any tribute album is avoiding the obvious (Sabbath, Lizzy, Purple etc) picking an artist well known but not covered to point of saturation. So, Credit to Ripple Music A whip smart choice of a tribute and overall executed with style. With Burn on the Bayou the first hurdle has been easily jumped. Creedence Clearwater Revivals music is part of the

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-(16)-
; NASHVILLE
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. Book
. new album
...and the fire within
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...it's ugly or nothing
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