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Showing posts from December, 2013

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Blackfinger - S/T

December 31, 2013

Blackfinger Doom ripple Music sludge stoner stoner rock reviews

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The Grime Weighs in on the Year in Music that was 2013

December 31, 2013

best of top 10 albums of the year years best

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Year End Best - The Kiddies in the Pool Weigh In

December 31, 2013

best of 2013 top ten list year's best

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On the Ripple Desk - Vinyl Overload; featuring Haggard, Three Man Cannon & Lee Corey Oswald, Galactic Cannibal, and Brief Lives

December 30, 2013

Brief Lives free album Galactic Cannibal haggard Lee Corey Oswald punk rock review zip download ripple Music split 12" stoner rock Three Man Cannon various stages of ice we're all fucked whistleblower

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Arrison Kirby - The Micro Jackson EP

December 29, 2013

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Rocket and the Ghost – S/T EP

December 28, 2013

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Richie Owens and the Farm Bureau - Tennessee

December 28, 2013

Richie Owens and the Farm Bureau ripple Music Tennessee

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I've Got Your 7 Inches Right Here #1 featuring Bombs of Hades and Horrifying

December 27, 2013

7" vinyl Bombs of Hades Carnivores death metal Euphoric Existence heavy metal Horrifying ripple Music stoner rock reviews

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A Ripple Conversation with Dave Wyndorf- Monster Magnet

December 26, 2013

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Double Dose of Headshot; Featuring Death Hawks and Germ

December 25, 2013

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Kink Ador - Free World

December 24, 2013

Free World Kink Ador ripple Music ripple music free album music review download free mp3 stoner rock reviews

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The Single Life - 7" of Fun; featuring Lawnmower, Control Group, The Street Dogs, and the Jons

December 23, 2013

Control Group free album music review zip download GOP Lawnmower ripple Music Shoes of the People stoner rock Street Dogs the Jons Walk towards the people Whack Yer Brain

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The Rising Sun Expierence - Beyond the Oblivious Abyss

December 22, 2013

Beyond the Oblivious Abyss Doom heavy psych heavy rock ripple Music ripple music free album music review download free mp3 stoner rock reviews The Rising Sun Expierence

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Ripple Field Report - NRBQ 12/8/13 at the Met Cafe, Pawtucket RI

December 21, 2013

concert review Live nrbq punk tour

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Grel Reveals Tales from the Road - Merlin - The Magicians Alliance

December 21, 2013

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Noiseworks - Noiseworks

Back in the late eighties an Australian friend of mine, whom I've sadly lost touch with since, sent me a cassette of a Sydney-based band. It was their self-titled debut and the band in question was Noiseworks. At this point in time, this five-piece were completely unknown to me and based off of the artwork, a photo of the band against a white backdrop with the logo above, I had no clue what to expect. However, once the music started I was sold - hook, line and sinker! Australian rock and pop of the eighties had a particular sound. Can't honestly describe it in words but to this day that sound is very identifiable in a good way. And Noiseworks are not exempt of this. They deftly embrace their heritage while going full tilt with awesome hooks, great lyrics and a lot of emotion. What baffles me is that the guys were labeled a pub rock band. Maybe that was the case in their infant years but ‘Noiseworks’ is anything but. Then again, we all look at things differently.

Jane's Addiction - Nothing's Shocking

Growing up as a teenager in the 1980’s I’d say my progression through rock and roll was fairly standard. Status Quo were my gateway band that drew me into a world of distorted guitars and hard assed rhythms. From there it had to be harder and heavier…Quo gave way to Maiden who gave way to Venom, who gave way to Mercyful Fate then to Metallica, Slayer, Bay Area thrash, death metal…etc. I also embraced the pantheon of forebears…Sabbath always did rule the roost for me from one summer’s day in ’83 when I heard “Live Evil” and still do to this day as do the classics like Lizzy, Purple, Skynyrd, Led Zep, ZZ Top, AC/DC, Motorhead, Kiss. I was a typical heavy metal teenager. Metal was always what it was…hard, heavy, escapist…etc but towards the end of the decade there was a shift; the Red Hot Chilli Peppers introduced metallers to funk, The Beastie Boys and Run DMC with Aerosmith introduced metallers to rap, Faith No More introduced metallers to funk and rap and then there was Jane’s Addict

Burn on the Bayou: a Heavy Underground Tribute to Creedence Clearwater Revival

Tribute Albums can be a minefield, depending on whom the chosen artist is that is being given the (sometimes dubious) honour of having their songs covered. Black Sabbath have countless tributes and have had every possible band from the Giants (Metallica) to the bizarre (Busta Rhymes) cover them with extremely mixed results. For every White Zombie and 1000 Homo D.J.s sublime covers of Children of the Grave and Supernaught theflip side is the absolute travesty of Emerald Sabbath (I kid you not) consisting of anyone with the most tenuous connection to Sabbath (Dave Walker, Neil Murray, Bev Bevan) murdering their songs. The first hurdle of any tribute album is avoiding the obvious (Sabbath, Lizzy, Purple etc) picking an artist well known but not covered to point of saturation. So, Credit to Ripple Music A whip smart choice of a tribute and overall executed with style. With Burn on the Bayou the first hurdle has been easily jumped. Creedence Clearwater Revivals music is part of the

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