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The Ripple Effect

The best music you're not listening to.™ Reviews of lost classics and obscure titles. Unheralded bands and songwriters. New bands deserving of greater attention. The site for the music omnivore. It's all here, on the Ripple Effect

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Showing posts from 2014

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Absent Sky - Cielo Ausente

December 31, 2014

Absent Sky alternative rock Bauhaus Cielo Ausente depeche mode electronica Husker Du Joy Division Kaemon killing joke Lord Ol' Scratch Sisters Of Mercy Swans The Cure Willy Rivera

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Gorilla Pulp – Hell In A Can

December 30, 2014

Fuzz Metal Gorilla Pulp Hell In A Can Marina Montero Mean Devil Blues Mother Fuzzer Records punk rock Rock and Roll stoner rock

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PUTRID OFFAL Crowdfunding Campaign for Suffering Kollektor Series CD (Kaotoxin Records)

December 29, 2014

Crowdfunding Kaotoxin Records Kollektor Series CD Putrid Offal Suffering

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BORDERLAND FUZZ FIESTA: Tucson, Arizona's First Annual Riff Party Reveals 2015 Lineup Including FIREBALL MINISTRY, WO FAT, MOS GENERATOR & More

December 29, 2014

Asimov Borderland Fuzz Fiesta fireball ministry Goatroper Madalchemy Liquid Light Show Mos Generator Powdered Wig Machine Skulldron Wo Fat

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Armageddon Premiere New Track At Decibel Magazine's Website

December 28, 2014

Armageddon Captivity & Devourment Crossing The Rubicon Decibel Magazine Embrace The Mystery Listenable Records The Watcher

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Witchrist Stream New Iron Bonehead Mini Album At CVLTNation.com

December 28, 2014

12" Vinyl Album Stream Cvlt Nation Haruspex Iron Bonehead Productions The Golden Ascent Transmuting Rituals Vritra Witchrist

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The Huntsman – Top Ten 2014

December 27, 2014

Aleph Null Best Of 2014 biblical JEREMY IRONS & THE RATGANG MALIBUS Moab mothership Planet Of Zeus Slow Season stubb Sturgill Simpson top 10 truckfighters

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BLOODMOON: No Clean Singing Streams California Blackened Sludge Act's Voidbound In Its Entirety

December 26, 2014

Album Stream Bloodmoon James Plotkin No Clean Singing Sludge metal Voidbound

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Infernal Manes To Reissue Classic Demo Through Iscariah's New Label

December 26, 2014

Battle Of Souls Edged Circle Productions Infernal Manes Iscariah NWOBHM

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Headshot's Best Of 2014

December 25, 2014

Best Of 2014 Blonde Redhead Dum Dum Girls grouper Kap Kap merlin Nickel Creek Raveonettes St Paul And The Broken Bones The Moon And The Nightspirit top 10 Tusmorke

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Odin's Top Ten List for 2014

December 25, 2014

At The Gates behemoth Best Of 2014 Death Penalty Exhumed/Iron Reagan Falls Of Rauros/Panopticon goatwhore Mortualia The Body top 10 Tryptikon Yob

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Danger Doom - The Mouse And The Mask

December 24, 2014

Adult Swim Aqua Teen Hunger Force Cartoon Network Danger Doom Danger Mouse Harvey Birdman hip hop MF Doom Sealab 2021 The Mouse And The Mask

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Swedebeast's Best Of 2014

December 23, 2014

Best Of 2014 Child Dandy Brown grifter Kamcahtka Lord Pale divine top 10 volume IV Wo Fat Zaum

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Noiseworks - Noiseworks

Back in the late eighties an Australian friend of mine, whom I've sadly lost touch with since, sent me a cassette of a Sydney-based band. It was their self-titled debut and the band in question was Noiseworks. At this point in time, this five-piece were completely unknown to me and based off of the artwork, a photo of the band against a white backdrop with the logo above, I had no clue what to expect. However, once the music started I was sold - hook, line and sinker! Australian rock and pop of the eighties had a particular sound. Can't honestly describe it in words but to this day that sound is very identifiable in a good way. And Noiseworks are not exempt of this. They deftly embrace their heritage while going full tilt with awesome hooks, great lyrics and a lot of emotion. What baffles me is that the guys were labeled a pub rock band. Maybe that was the case in their infant years but ‘Noiseworks’ is anything but. Then again, we all look at things differently.

Jane's Addiction - Nothing's Shocking

Growing up as a teenager in the 1980’s I’d say my progression through rock and roll was fairly standard. Status Quo were my gateway band that drew me into a world of distorted guitars and hard assed rhythms. From there it had to be harder and heavier…Quo gave way to Maiden who gave way to Venom, who gave way to Mercyful Fate then to Metallica, Slayer, Bay Area thrash, death metal…etc. I also embraced the pantheon of forebears…Sabbath always did rule the roost for me from one summer’s day in ’83 when I heard “Live Evil” and still do to this day as do the classics like Lizzy, Purple, Skynyrd, Led Zep, ZZ Top, AC/DC, Motorhead, Kiss. I was a typical heavy metal teenager. Metal was always what it was…hard, heavy, escapist…etc but towards the end of the decade there was a shift; the Red Hot Chilli Peppers introduced metallers to funk, The Beastie Boys and Run DMC with Aerosmith introduced metallers to rap, Faith No More introduced metallers to funk and rap and then there was Jane’s Addict

Burn on the Bayou: a Heavy Underground Tribute to Creedence Clearwater Revival

Tribute Albums can be a minefield, depending on whom the chosen artist is that is being given the (sometimes dubious) honour of having their songs covered. Black Sabbath have countless tributes and have had every possible band from the Giants (Metallica) to the bizarre (Busta Rhymes) cover them with extremely mixed results. For every White Zombie and 1000 Homo D.J.s sublime covers of Children of the Grave and Supernaught theflip side is the absolute travesty of Emerald Sabbath (I kid you not) consisting of anyone with the most tenuous connection to Sabbath (Dave Walker, Neil Murray, Bev Bevan) murdering their songs. The first hurdle of any tribute album is avoiding the obvious (Sabbath, Lizzy, Purple etc) picking an artist well known but not covered to point of saturation. So, Credit to Ripple Music A whip smart choice of a tribute and overall executed with style. With Burn on the Bayou the first hurdle has been easily jumped. Creedence Clearwater Revivals music is part of the

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; NASHVILLE
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