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Showing posts from February, 2015

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Marillion From a Swedebeast's Point of View - Clutching At Straws

February 28, 2015

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Cleaning Out the Corners - The Blackbury Accident, Flying Lizards, Fortune Maltese, and Buddy Holly

February 27, 2015

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Ripple Music Announces "The Second Coming Of Heavy" Vinyl Anthology

February 26, 2015

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FUZZ EVIL Confirms April Headlining Southwestern US Tour; Debut Album To See 2015 Release Via Battleground Records

February 26, 2015

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Oral Groove - June

February 25, 2015

folk punk garage rock June Oral Groove punk rock

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Three Seasons joins Blues Pills, Truckfighters and Jex Thoth for the Rock Revelations Tour!

February 24, 2015

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PSYCHO CALIFORNIA ANNOUNCES INDIVIDUAL DAY PASSES, DAILY LINE-UP

February 24, 2015

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On the Ripple Desk - featuring, Hidden Cabins & Eyeswan split 10", and 5 AM

February 23, 2015

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Musical line up complete for Roadburn 2015; ticket sales moving quickly.

February 22, 2015

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Radio Moscow on Tour!

February 22, 2015

RADIO MOSCOW tour dates

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DEATH ALLEY Sign to Tee Pee Records

February 21, 2015

black magick boogieland Black Sabbath blue oyster cult captain beyond death alley MC5 Motorhead proto metal tee pee records The Devil's Blood

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Monolord return with new album via RidingEasy Records | UK & European Tour Dates with Salem’s Pot

February 21, 2015

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Le Betre / King Buffalo Split STB Records Limited 12" Vinyl

February 20, 2015

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Noiseworks - Noiseworks

Back in the late eighties an Australian friend of mine, whom I've sadly lost touch with since, sent me a cassette of a Sydney-based band. It was their self-titled debut and the band in question was Noiseworks. At this point in time, this five-piece were completely unknown to me and based off of the artwork, a photo of the band against a white backdrop with the logo above, I had no clue what to expect. However, once the music started I was sold - hook, line and sinker! Australian rock and pop of the eighties had a particular sound. Can't honestly describe it in words but to this day that sound is very identifiable in a good way. And Noiseworks are not exempt of this. They deftly embrace their heritage while going full tilt with awesome hooks, great lyrics and a lot of emotion. What baffles me is that the guys were labeled a pub rock band. Maybe that was the case in their infant years but ‘Noiseworks’ is anything but. Then again, we all look at things differently.

Jane's Addiction - Nothing's Shocking

Growing up as a teenager in the 1980’s I’d say my progression through rock and roll was fairly standard. Status Quo were my gateway band that drew me into a world of distorted guitars and hard assed rhythms. From there it had to be harder and heavier…Quo gave way to Maiden who gave way to Venom, who gave way to Mercyful Fate then to Metallica, Slayer, Bay Area thrash, death metal…etc. I also embraced the pantheon of forebears…Sabbath always did rule the roost for me from one summer’s day in ’83 when I heard “Live Evil” and still do to this day as do the classics like Lizzy, Purple, Skynyrd, Led Zep, ZZ Top, AC/DC, Motorhead, Kiss. I was a typical heavy metal teenager. Metal was always what it was…hard, heavy, escapist…etc but towards the end of the decade there was a shift; the Red Hot Chilli Peppers introduced metallers to funk, The Beastie Boys and Run DMC with Aerosmith introduced metallers to rap, Faith No More introduced metallers to funk and rap and then there was Jane’s Addict

Burn on the Bayou: a Heavy Underground Tribute to Creedence Clearwater Revival

Tribute Albums can be a minefield, depending on whom the chosen artist is that is being given the (sometimes dubious) honour of having their songs covered. Black Sabbath have countless tributes and have had every possible band from the Giants (Metallica) to the bizarre (Busta Rhymes) cover them with extremely mixed results. For every White Zombie and 1000 Homo D.J.s sublime covers of Children of the Grave and Supernaught theflip side is the absolute travesty of Emerald Sabbath (I kid you not) consisting of anyone with the most tenuous connection to Sabbath (Dave Walker, Neil Murray, Bev Bevan) murdering their songs. The first hurdle of any tribute album is avoiding the obvious (Sabbath, Lizzy, Purple etc) picking an artist well known but not covered to point of saturation. So, Credit to Ripple Music A whip smart choice of a tribute and overall executed with style. With Burn on the Bayou the first hurdle has been easily jumped. Creedence Clearwater Revivals music is part of the

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-(16)-
; NASHVILLE
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. Book
. new album
...and the fire within
...in the shadows below
...it's ugly or nothing
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