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The Ripple Effect

The best music you're not listening to.™ Reviews of lost classics and obscure titles. Unheralded bands and songwriters. New bands deserving of greater attention. The site for the music omnivore. It's all here, on the Ripple Effect

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Showing posts from January, 2024

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Doom metal conjurers HAUNTED to release new album "Stare At Nothing" on April 19th via Ripple Music; watch "Catamorph" video now!

January 31, 2024

bandcamp catamorph dayburner doom metal doome & stoned haunted music video new album Preorder ripple Music stare at nothing

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The Xroadie Files

January 30, 2024

20 years: a frantic effort deecracks King Crimson larks tongues in aspic n.o. hits at all nick oliveri Self-titled Album slower the big express the complete recording sessions the xroadie files xtc

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New sampler release from Ripple Music!

January 29, 2024

bandcamp john gist Las Vegas new release new sampler album planet desert rock planet desert rock iv ripple Music

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The Xroadie Files

January 28, 2024

aawks codices daniel reyes llinas falling endlessly farehaven i'll be damned live at radar luna megamouth the clamps the xroadie files

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Doom metal giants THE OBSESSED release new single "Realize A Dream" off upcoming "Gilded Sorrow" album on Ripple Music; full US tour announced!

January 26, 2024

gilded sorrow gozu howling giant it's not ok new single Preorder realize a dream ripple Music scott wino weinrich stoned back to the bomb age the obsessed US tour

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A Ripple Conversation With The Noble Front

January 25, 2024

a ripple conversation alice in chains Doom Gojira idles metallica nevermind Pantera slayer soundgarden spinal tap the noble front

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Heavy rock collective BIG SCENIC NOWHERE streams new track "Surf Western"; new album out 02/02 on Heavy Psych Sounds.

January 24, 2024

big scenic nowhere Fu Manchu heavy psych sounds Mos Generator New Track Preorder sara smile surf western the waydown Yawning Man

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The Xroadie Files

January 23, 2024

a bridge to eternal darkness dave kerzner dethroned existential heart land mines vol. 1 ritual king sleep in motion swedish woods the infinite mirror the manikins the xroadie files

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San Francisco proto-rock freaks GLITTER WIZARD to reissue "Hunting Gatherers" on Ripple Music this spring; stream "Worship The Devil" now!

January 22, 2024

album reissue bandcamp beneath the desert floor Bonus Track glitter wizard hunting gatherers Preorder proto-rock ripple Music vinyl worship the devil

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Slift – Ilion

January 21, 2024

bandcamp Fugazi ilion Krautrock progressive rock psychedelic rock slift steeleye span sub-pop ummon unseen

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Noiseworks - Noiseworks

Back in the late eighties an Australian friend of mine, whom I've sadly lost touch with since, sent me a cassette of a Sydney-based band. It was their self-titled debut and the band in question was Noiseworks. At this point in time, this five-piece were completely unknown to me and based off of the artwork, a photo of the band against a white backdrop with the logo above, I had no clue what to expect. However, once the music started I was sold - hook, line and sinker! Australian rock and pop of the eighties had a particular sound. Can't honestly describe it in words but to this day that sound is very identifiable in a good way. And Noiseworks are not exempt of this. They deftly embrace their heritage while going full tilt with awesome hooks, great lyrics and a lot of emotion. What baffles me is that the guys were labeled a pub rock band. Maybe that was the case in their infant years but ‘Noiseworks’ is anything but. Then again, we all look at things differently.

Jane's Addiction - Nothing's Shocking

Growing up as a teenager in the 1980’s I’d say my progression through rock and roll was fairly standard. Status Quo were my gateway band that drew me into a world of distorted guitars and hard assed rhythms. From there it had to be harder and heavier…Quo gave way to Maiden who gave way to Venom, who gave way to Mercyful Fate then to Metallica, Slayer, Bay Area thrash, death metal…etc. I also embraced the pantheon of forebears…Sabbath always did rule the roost for me from one summer’s day in ’83 when I heard “Live Evil” and still do to this day as do the classics like Lizzy, Purple, Skynyrd, Led Zep, ZZ Top, AC/DC, Motorhead, Kiss. I was a typical heavy metal teenager. Metal was always what it was…hard, heavy, escapist…etc but towards the end of the decade there was a shift; the Red Hot Chilli Peppers introduced metallers to funk, The Beastie Boys and Run DMC with Aerosmith introduced metallers to rap, Faith No More introduced metallers to funk and rap and then there was Jane’s Addict

Burn on the Bayou: a Heavy Underground Tribute to Creedence Clearwater Revival

Tribute Albums can be a minefield, depending on whom the chosen artist is that is being given the (sometimes dubious) honour of having their songs covered. Black Sabbath have countless tributes and have had every possible band from the Giants (Metallica) to the bizarre (Busta Rhymes) cover them with extremely mixed results. For every White Zombie and 1000 Homo D.J.s sublime covers of Children of the Grave and Supernaught theflip side is the absolute travesty of Emerald Sabbath (I kid you not) consisting of anyone with the most tenuous connection to Sabbath (Dave Walker, Neil Murray, Bev Bevan) murdering their songs. The first hurdle of any tribute album is avoiding the obvious (Sabbath, Lizzy, Purple etc) picking an artist well known but not covered to point of saturation. So, Credit to Ripple Music A whip smart choice of a tribute and overall executed with style. With Burn on the Bayou the first hurdle has been easily jumped. Creedence Clearwater Revivals music is part of the

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-(16)-
; NASHVILLE
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. Book
. new album
...and the fire within
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