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The Ripple Effect

The best music you're not listening to.™ Reviews of lost classics and obscure titles. Unheralded bands and songwriters. New bands deserving of greater attention. The site for the music omnivore. It's all here, on the Ripple Effect

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Showing posts from July, 2014

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Falls Of Rauros / Panopticon Split 12"

Bindrune Recordings black metal Falls Of Rauros folk metal Panopticon split 12" vinyl

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Paul Di'Anno reveals the artwork and tracklist of "The Beast Arises" DVD!

Artwork DVD Iron Maiden Paul Di'Anno The Beast Arises tracklist

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BRIMSTONE COVEN: New Cosmic Hymn From Retro/Doom Metal Sorcerers Now Playing At Revolver; Release Day Draws Near

Brimstone Coven New Cosmic Hymn Now Playing Retro/Doom Metal Revolver Sorcerers

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WATCH BLACKBERRY SMOKE 'LEAVE A SCAR: LIVE IN NORTH CAROLINA' FULL CONCERT FEATURE

BLACKBERRY SMOKE FEATURE Video FULL CONCERT LEAVE A SCAR: LIVE IN NORTH CAROLINA

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The Swan King - Last So Long

Coliseum hardcore Last So Long pelican Planes Mistaken For Stars punk Sandrider sludge stoner The Swan King

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BLACKWOLFGOAT: Progressive Drone Project To Release New Full-Length Via Small Stone Recordings

Blackwolfgoat New Full-Length Progressive Drone Project release Small Stone Recordings

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BLACKWITCH PUDDING premiere second track from their forthcoming EP, Covered In Pudding Vol. 1, via The Sleeping Shaman

BLACKWITCH PUDDING Covered In Pudding Vol. 1 ep forthcoming premiere second track The Sleeping Shaman

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LAS CRUCES: Texan doom crew ink new contract with RIPPLE MUSIC

crew Doom las cruces new album new music ripple Music Texan

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VENOMOUS MAXIMUS Announces U.S. Tour Dates

Action! PR down Firewalker Fun Fun Fun Houston pentagram SXSW tour venomous maximus

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RIPPLE MUSIC and STB RECORDS forge new partnership

heavy rock partnership ripple Music stb records stoner rock vinyl

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The Drip - A Presentation Of Gruesome Poetics

A Presentation Of Gruesome Poetics death metal grindcore hardcore Relapse Records The Drip Ugly

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Cleopatra Records Partners With Carmine Appice's Rocker Records to Release Rare Live and Studio Recordings By Cactus, Bogert & Appice and Travers & Appice!

Bogert & Appice cactus Carmine Appice Cleopatra Records Rare Live release Rocker Records Studio Recordings Travers & Appice!

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Noiseworks - Noiseworks

Back in the late eighties an Australian friend of mine, whom I've sadly lost touch with since, sent me a cassette of a Sydney-based band. It was their self-titled debut and the band in question was Noiseworks. At this point in time, this five-piece were completely unknown to me and based off of the artwork, a photo of the band against a white backdrop with the logo above, I had no clue what to expect. However, once the music started I was sold - hook, line and sinker! Australian rock and pop of the eighties had a particular sound. Can't honestly describe it in words but to this day that sound is very identifiable in a good way. And Noiseworks are not exempt of this. They deftly embrace their heritage while going full tilt with awesome hooks, great lyrics and a lot of emotion. What baffles me is that the guys were labeled a pub rock band. Maybe that was the case in their infant years but ‘Noiseworks’ is anything but. Then again, we all look at things differently.

Jane's Addiction - Nothing's Shocking

Growing up as a teenager in the 1980’s I’d say my progression through rock and roll was fairly standard. Status Quo were my gateway band that drew me into a world of distorted guitars and hard assed rhythms. From there it had to be harder and heavier…Quo gave way to Maiden who gave way to Venom, who gave way to Mercyful Fate then to Metallica, Slayer, Bay Area thrash, death metal…etc. I also embraced the pantheon of forebears…Sabbath always did rule the roost for me from one summer’s day in ’83 when I heard “Live Evil” and still do to this day as do the classics like Lizzy, Purple, Skynyrd, Led Zep, ZZ Top, AC/DC, Motorhead, Kiss. I was a typical heavy metal teenager. Metal was always what it was…hard, heavy, escapist…etc but towards the end of the decade there was a shift; the Red Hot Chilli Peppers introduced metallers to funk, The Beastie Boys and Run DMC with Aerosmith introduced metallers to rap, Faith No More introduced metallers to funk and rap and then there was Jane’s Addict

Burn on the Bayou: a Heavy Underground Tribute to Creedence Clearwater Revival

Tribute Albums can be a minefield, depending on whom the chosen artist is that is being given the (sometimes dubious) honour of having their songs covered. Black Sabbath have countless tributes and have had every possible band from the Giants (Metallica) to the bizarre (Busta Rhymes) cover them with extremely mixed results. For every White Zombie and 1000 Homo D.J.s sublime covers of Children of the Grave and Supernaught theflip side is the absolute travesty of Emerald Sabbath (I kid you not) consisting of anyone with the most tenuous connection to Sabbath (Dave Walker, Neil Murray, Bev Bevan) murdering their songs. The first hurdle of any tribute album is avoiding the obvious (Sabbath, Lizzy, Purple etc) picking an artist well known but not covered to point of saturation. So, Credit to Ripple Music A whip smart choice of a tribute and overall executed with style. With Burn on the Bayou the first hurdle has been easily jumped. Creedence Clearwater Revivals music is part of the

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-(16)-
; NASHVILLE
:Twingiant
. Book
. new album
...and the fire within
...in the shadows below
...it's ugly or nothing
...must die
...only a suggestion

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