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The Ripple Effect

The best music you're not listening to.™ Reviews of lost classics and obscure titles. Unheralded bands and songwriters. New bands deserving of greater attention. The site for the music omnivore. It's all here, on the Ripple Effect

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Showing posts from December, 2015

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Odin's Top Ten List for 2015

December 31, 2015

blackqueen dragged into sunlight/gnaw their tongues fogg horrendous Iron Maiden Panopticon Ruby the Hatchet second coming of heavy chapter one the body & krieg top 10 Wende

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The Huntsman's Top 30 Records Of 2015

December 30, 2015

All Them Witches datura4 dorthia cottrell Drive By truckers elder Freedom Hawk great peacock Ruby the Hatchet sergeant thunderhoof top 10 Valkyrie we hunt buffalo wino & conny ochs

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A Ripple Conversation with Paul Valle of the Chiefs

December 29, 2015

Chiefs free album music review zip download new music new album new cd mp3 cd review album review blog ripple

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Swedebeast's Top 10 2015

December 28, 2015

a.p.f. Black Star Riders elder killing joke king Giant Manegarm mangog My Sleeping Karma Space Probe Taurus switchblade jesus The Crown top 10

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The Void's Top 10 Of 2015

December 27, 2015

Ghost Lucifer mammoth storm Monolord slayer Sons Of Huns The Sword top 10 Torche we hunt buffalo with the dead

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A Ripple Conversation with Chad Houts of Bonehawk

December 26, 2015

Albino Rhino BoneHawk free album music review zip download new music new album mp3 review album heavy ripple Music

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KIND's Rocket Science, Blackwülf's Oblivion Cycle and Sonic Medusa's The Sunset Soundhouse Tapes Released on Ripple Music

December 24, 2015

bandcamp blackwulf hard rock kind oblivion cycle ripple Music rocket science sonic medusa the sunset soundhouse tapes

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Single Shot Of Black Coffee And Good Advice With Mother Mars

December 23, 2015

black coffee and good advice black coffee and no advice claimed by the cloner desert highways Five Horse Johnson mother mars on the trail (short trip) Single the grand astoria Thin Lizzy

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Noiseworks - Noiseworks

Back in the late eighties an Australian friend of mine, whom I've sadly lost touch with since, sent me a cassette of a Sydney-based band. It was their self-titled debut and the band in question was Noiseworks. At this point in time, this five-piece were completely unknown to me and based off of the artwork, a photo of the band against a white backdrop with the logo above, I had no clue what to expect. However, once the music started I was sold - hook, line and sinker! Australian rock and pop of the eighties had a particular sound. Can't honestly describe it in words but to this day that sound is very identifiable in a good way. And Noiseworks are not exempt of this. They deftly embrace their heritage while going full tilt with awesome hooks, great lyrics and a lot of emotion. What baffles me is that the guys were labeled a pub rock band. Maybe that was the case in their infant years but ‘Noiseworks’ is anything but. Then again, we all look at things differently.

Jane's Addiction - Nothing's Shocking

Growing up as a teenager in the 1980’s I’d say my progression through rock and roll was fairly standard. Status Quo were my gateway band that drew me into a world of distorted guitars and hard assed rhythms. From there it had to be harder and heavier…Quo gave way to Maiden who gave way to Venom, who gave way to Mercyful Fate then to Metallica, Slayer, Bay Area thrash, death metal…etc. I also embraced the pantheon of forebears…Sabbath always did rule the roost for me from one summer’s day in ’83 when I heard “Live Evil” and still do to this day as do the classics like Lizzy, Purple, Skynyrd, Led Zep, ZZ Top, AC/DC, Motorhead, Kiss. I was a typical heavy metal teenager. Metal was always what it was…hard, heavy, escapist…etc but towards the end of the decade there was a shift; the Red Hot Chilli Peppers introduced metallers to funk, The Beastie Boys and Run DMC with Aerosmith introduced metallers to rap, Faith No More introduced metallers to funk and rap and then there was Jane’s Addict

Burn on the Bayou: a Heavy Underground Tribute to Creedence Clearwater Revival

Tribute Albums can be a minefield, depending on whom the chosen artist is that is being given the (sometimes dubious) honour of having their songs covered. Black Sabbath have countless tributes and have had every possible band from the Giants (Metallica) to the bizarre (Busta Rhymes) cover them with extremely mixed results. For every White Zombie and 1000 Homo D.J.s sublime covers of Children of the Grave and Supernaught theflip side is the absolute travesty of Emerald Sabbath (I kid you not) consisting of anyone with the most tenuous connection to Sabbath (Dave Walker, Neil Murray, Bev Bevan) murdering their songs. The first hurdle of any tribute album is avoiding the obvious (Sabbath, Lizzy, Purple etc) picking an artist well known but not covered to point of saturation. So, Credit to Ripple Music A whip smart choice of a tribute and overall executed with style. With Burn on the Bayou the first hurdle has been easily jumped. Creedence Clearwater Revivals music is part of the

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; NASHVILLE
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