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The Ripple Effect

The best music you're not listening to.™ Reviews of lost classics and obscure titles. Unheralded bands and songwriters. New bands deserving of greater attention. The site for the music omnivore. It's all here, on the Ripple Effect

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Showing posts from July, 2020

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SLADE - Cum On Feel The Hitz To be released September 25th

coz i luv you cum on feel the hitz cum on feel the noize glam rock jim lea mama weer all crazee now noddy holder skweeze me pleeze me slade take me bak 'ome the best of slade vinyl

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The Ripple Effect Exclusive: Boy Deluxe (Ever So Android/LA Noise Pop) New Video

boy deluxe electro pop new single new video ripple effect world premiere

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The Xroadie Files

another day dawns as the world dies canedy downloads from the universe stranger the great play of extension the jason daniels band the swell fellas the xroadie files trauma warrior

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Undesiccated - ‎צֶמַח (tseh'-makh)

botanogrind cudzoo discipline in obedience ep festooning heavy metal hell's teeth hold the line the failures of the flesh undesiccated צֶמַח

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Doom Saloon Volume II Live Stream Announced!

clutch dan maines jean-paul gaster live from the doom saloon live performance neil fallon Stream tickets tim sult volume II

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On the Ripple Desk - Featuring Hanson, The Flying Machine and the Elektra March Release Compilation (1972)

album review butterfield blues band Elektra march release Hanson magic dragon The Flying Machine The Wackers

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Avd 5 - Revir

90 tal avd 5 facebook ksmb livets harda skola mellankoli Motorhead punk rock revir skuld utanforskap

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UK stoner rock stalwarts PSYCHLONA unveil rip-roaring new video; upcoming album 'Venus Skytrip' out next month on Ripple Music!

album preorder blast off edge of the universe Lyric Video new album psychlona ripple Music venus skytrip vinyl

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The Xroadie Files

arium bloodletting engutturalment cephaloslamectomy glam not slam heavy hands lions'den mountaineer rhy dongju sanctifying ritual self-titled the xroadie files through the night

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It's Better to Burn out Than it is to Rust - When Formerly Great Artists Try to Keep Up with the Times, featuring DNA (Rick Derringer/Carmine Appice) and Gamma (Ronnie Montrose)

album review Carmine Appice dna gamma gamma 1 party tested review Rick Derringer ronnie montrose

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DEREK SHERINIAN – launches "Empyrean Sky", first track taken from new album ‘The Phoenix’

armen ra buddy miles derek sherinian empyrean sky jimmy johnson new album new song progressive rock ron 'bumblefoot' thal simon phillips sons of apollo the phoenix

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Noiseworks - Noiseworks

Back in the late eighties an Australian friend of mine, whom I've sadly lost touch with since, sent me a cassette of a Sydney-based band. It was their self-titled debut and the band in question was Noiseworks. At this point in time, this five-piece were completely unknown to me and based off of the artwork, a photo of the band against a white backdrop with the logo above, I had no clue what to expect. However, once the music started I was sold - hook, line and sinker! Australian rock and pop of the eighties had a particular sound. Can't honestly describe it in words but to this day that sound is very identifiable in a good way. And Noiseworks are not exempt of this. They deftly embrace their heritage while going full tilt with awesome hooks, great lyrics and a lot of emotion. What baffles me is that the guys were labeled a pub rock band. Maybe that was the case in their infant years but ‘Noiseworks’ is anything but. Then again, we all look at things differently.

Jane's Addiction - Nothing's Shocking

Growing up as a teenager in the 1980’s I’d say my progression through rock and roll was fairly standard. Status Quo were my gateway band that drew me into a world of distorted guitars and hard assed rhythms. From there it had to be harder and heavier…Quo gave way to Maiden who gave way to Venom, who gave way to Mercyful Fate then to Metallica, Slayer, Bay Area thrash, death metal…etc. I also embraced the pantheon of forebears…Sabbath always did rule the roost for me from one summer’s day in ’83 when I heard “Live Evil” and still do to this day as do the classics like Lizzy, Purple, Skynyrd, Led Zep, ZZ Top, AC/DC, Motorhead, Kiss. I was a typical heavy metal teenager. Metal was always what it was…hard, heavy, escapist…etc but towards the end of the decade there was a shift; the Red Hot Chilli Peppers introduced metallers to funk, The Beastie Boys and Run DMC with Aerosmith introduced metallers to rap, Faith No More introduced metallers to funk and rap and then there was Jane’s Addict

Burn on the Bayou: a Heavy Underground Tribute to Creedence Clearwater Revival

Tribute Albums can be a minefield, depending on whom the chosen artist is that is being given the (sometimes dubious) honour of having their songs covered. Black Sabbath have countless tributes and have had every possible band from the Giants (Metallica) to the bizarre (Busta Rhymes) cover them with extremely mixed results. For every White Zombie and 1000 Homo D.J.s sublime covers of Children of the Grave and Supernaught theflip side is the absolute travesty of Emerald Sabbath (I kid you not) consisting of anyone with the most tenuous connection to Sabbath (Dave Walker, Neil Murray, Bev Bevan) murdering their songs. The first hurdle of any tribute album is avoiding the obvious (Sabbath, Lizzy, Purple etc) picking an artist well known but not covered to point of saturation. So, Credit to Ripple Music A whip smart choice of a tribute and overall executed with style. With Burn on the Bayou the first hurdle has been easily jumped. Creedence Clearwater Revivals music is part of the

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-(16)-
; NASHVILLE
:Twingiant
. Book
. new album
...and the fire within
...in the shadows below
...it's ugly or nothing
...must die
...only a suggestion

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