Silent Monolith is the
third piece in the triad that installed faith in my music disparity regarding Nashville. The other two
bands being Noisecult and Howling Giant whom I've already talked about. Like
the other two, these guys play with such freedom, laissez faire and joy that it
is impossible not to like them. And who wouldn't want to? Forging their music
in the vein of stoner rock, Black Sabbath, Clutch and Kyuss, Silent Monolith
aim for the sun and reach far beyond. They aren't reinventing the wheel, but
where they separate themselves from so many others, is in the songwriting
department as well as in the instrumentation. Combined with a no bullshit
attitude, Silent Monolith are miles ahead of so many others.
‘Another Way To Fly’ is set up in two parts. The first five songs
make up the actual album, while the last three are alternate versions of two
tracks. ‘Feel Like I’m Dying’ starts
off like a slow blues tune that quickly turns into a crawling sludgy stoner
anthem. Dark and sinister, it broods its way through barbwire-sharp riffs and
brain-bashing rhythms while building up to an explosive crescendo. First
punkish, then Clutch-like before settling for a mid-paced mix in the vein of
the latter and Kyuss, ‘My Way’ is
another composition where Silent Monolith shows how you, in the best possible
way, change up an overcrowded genre and in turn make it fantastically good. No
bullshit and no pretension, the juggernaut that is ‘Fucker With A Fu Manchu’ is a beast and then some. The guys let
their hair down and unleash the fury and I love it! Big on the riffs and full
of groove, ‘Witch’s Brew’ boogies,
shakes, rattles and rolls and I can’t stop myself from dancing and writhing
like a possessed ghoul. Last one out is the title track, ‘Another Way To Fly’, and it is another speed demon just like ‘Fucker With A Fu Manchu’. No holds
barred, Silent Monolith comes at me with a sneer and a furrowed brow and they
mean business.
The second part of the
album begins with a radio edit of ‘Feel
Like I’m Dying’. The only difference from the original version is a segment
leading up to the guitar solo has been lifted out. A radio edit of ‘My Way’ follows as well before the real
diamond appears, the acoustic version of ’Feel
Like I’m Dying’. This outtake is where the band really shows their real
music prowess. What I mean is they take an already great song and completely
remake it, turning the new version into something just as fantastic as the
original. Obviously when you go from a full band to only an acoustic and an
electric guitar setting, a song changes. But what Silent Monolith has done is
creating a brand new song. And that’s talent, if it ever was. What does it
sound like then? Take The Man In Black, Johnny Cash, and the ‘Murder Ballads’-era Nick Cave
and voilà, you have this amazing diamond at your disposal.
As the final piece in the
Nashville
resurrection, Silent Monolith, like their two partners-in-crime, flawlessly and
elegantly present the proper way to play music. Regardless your
genre-preference, take a note from these guys as to how to make your band
great…because these knuckleheads can’t do wrong! Since I’ve been fortunate
enough to have seen them live several times, I know how perfectly they transfer
their songs from the studio setting to a live stage. And that is another sign
of greatness, in my book.
-Swedebeast
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