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The Ripple Effect

The best music you're not listening to.™ Reviews of lost classics and obscure titles. Unheralded bands and songwriters. New bands deserving of greater attention. The site for the music omnivore. It's all here, on the Ripple Effect

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Showing posts from July, 2017

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Howling Giant - Black Hole Space Wizard Part 2

black hole space wizard part 2 circle of druids classic rock doom metal earth wizard henry tate howling giant kubla khan stoner rock the forest speaks the pioneer

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Heavy Psych Sounds Records & Booking News

7" single european tour Evil going downtown heavy psych sounds records lords of altamont mother engine n.o. hits at all vol 2 nick oliveri post rock psychedelic rock stoner rock

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Russkaja - Peace, Love & Russian Roll

el pueblo unido energia folk music heavy metal kosmopoliturbo parachute peace love & russian roll polka radio song rock'n roll today Russkaja Ska you are the revolution

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WOODHAWK "Strikes Back Tour" (AB/SK/BC) + Riff-tastic Debut "Beyond The Sun" Out Now!

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Thou Shall Kill – Death King Enthroned

At The Gates buried beneath death king enthroned death metal thou shall kill tomas lindberg weapons of war

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King Crimson To Tour The US Fall 2017!

bill reiflin dgm gavin harrison jakko jakszyk jeremy stacey King Crimson mel collins pat mastelotto progressive rock robert fripp Tony Levin US tour

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RADIO MOSCOW Reveal Artwork & Debut Single off "New Beginnings", Add Fall US & UK Tour Dates

album artwork century media records kaleidobolt new beginnings new single RADIO MOSCOW the drifting tour the groundhogs UK tour US tour

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WOLVES IN THE THRONE ROOM ANNOUNCE U.S. TOUR

artemisia records black metal born from the serpent's eye pillorian thrice woven US tour Wolves In The Throne Room

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Ripple Music presents, Poseidon, Flying Eyes 7", and Second Coming of Heavy Chapter 6 Limited Edition Vinyl

7" vinyl bandcamp chapter 6 favequaid Flying Eyes infinite abyss kayleth limited edition poseidon prologue ripple Music second coming of heavy

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Bandcamp Bonanza – Smoked Out

bandcamp bonanza between the lines black hole space wizard part 2 favequaid gunfighter tales hair of the dog howling giant III kayleth second coming of heavy sun rider the last coyote this world turns

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ROZAMOV Tour With The Ditch And The Delta Confirmed; Band Issues Track From Impending Free Live Recording Via The Obelisk

adaptations Battleground Records dullest records free album Rozamov serpent cult surrounded by wolves the ditch and the delta the obelisk this mortal road US tour

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Noiseworks - Noiseworks

Back in the late eighties an Australian friend of mine, whom I've sadly lost touch with since, sent me a cassette of a Sydney-based band. It was their self-titled debut and the band in question was Noiseworks. At this point in time, this five-piece were completely unknown to me and based off of the artwork, a photo of the band against a white backdrop with the logo above, I had no clue what to expect. However, once the music started I was sold - hook, line and sinker! Australian rock and pop of the eighties had a particular sound. Can't honestly describe it in words but to this day that sound is very identifiable in a good way. And Noiseworks are not exempt of this. They deftly embrace their heritage while going full tilt with awesome hooks, great lyrics and a lot of emotion. What baffles me is that the guys were labeled a pub rock band. Maybe that was the case in their infant years but ‘Noiseworks’ is anything but. Then again, we all look at things differently.

Jane's Addiction - Nothing's Shocking

Growing up as a teenager in the 1980’s I’d say my progression through rock and roll was fairly standard. Status Quo were my gateway band that drew me into a world of distorted guitars and hard assed rhythms. From there it had to be harder and heavier…Quo gave way to Maiden who gave way to Venom, who gave way to Mercyful Fate then to Metallica, Slayer, Bay Area thrash, death metal…etc. I also embraced the pantheon of forebears…Sabbath always did rule the roost for me from one summer’s day in ’83 when I heard “Live Evil” and still do to this day as do the classics like Lizzy, Purple, Skynyrd, Led Zep, ZZ Top, AC/DC, Motorhead, Kiss. I was a typical heavy metal teenager. Metal was always what it was…hard, heavy, escapist…etc but towards the end of the decade there was a shift; the Red Hot Chilli Peppers introduced metallers to funk, The Beastie Boys and Run DMC with Aerosmith introduced metallers to rap, Faith No More introduced metallers to funk and rap and then there was Jane’s Addict

Burn on the Bayou: a Heavy Underground Tribute to Creedence Clearwater Revival

Tribute Albums can be a minefield, depending on whom the chosen artist is that is being given the (sometimes dubious) honour of having their songs covered. Black Sabbath have countless tributes and have had every possible band from the Giants (Metallica) to the bizarre (Busta Rhymes) cover them with extremely mixed results. For every White Zombie and 1000 Homo D.J.s sublime covers of Children of the Grave and Supernaught theflip side is the absolute travesty of Emerald Sabbath (I kid you not) consisting of anyone with the most tenuous connection to Sabbath (Dave Walker, Neil Murray, Bev Bevan) murdering their songs. The first hurdle of any tribute album is avoiding the obvious (Sabbath, Lizzy, Purple etc) picking an artist well known but not covered to point of saturation. So, Credit to Ripple Music A whip smart choice of a tribute and overall executed with style. With Burn on the Bayou the first hurdle has been easily jumped. Creedence Clearwater Revivals music is part of the

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-(16)-
; NASHVILLE
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. new album
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