When I was a kid, growing up in a house with Cat Stevens,
Neil Diamond, and Simon and Garfunkel, the first time I ever heard Kiss's
"Detroit Rock City,"
it was a moment of musical epiphany. It was just so vicious, aggressive and
mean. It changed the way I listened to music. I've had a few minor epiphany's
since then, when you come across a band that just brings something new and
revolutionary to your ears.
What have been your musical epiphany moments?
I think the biggest musical epiphany for me was going to see
my friends older brother play a show when I was in junior high. I had seen
concerts on TV before but this made me realize, these were just normal guys on
stage and everyone was having a good time and there to see them.
Talk to us about the song-writing process for you. What
comes first, the idea? A riff? The lyrics? How does it all fall into place?
Riffs and lyrics happen separately. We all do our own thing
and then when it comes time to write, Corey will show me a riff and I’ll see if
it vibes with a lyric. From there we start building the song.
Who has influenced you the most?
Bands like Refused, System Of A Down, MewithoutYou and Rage
Against The Machine. All artists that had something to say and did it in a way
that was completely unique for what was going on at the time. I respect bands
that manage to bridge genres without easily fitting into one sound.
Where do you look for continuing inspiration? New ideas, new
motivation?
Lyrically, every day is a new experience to draw from. Musically,
I’m inspired by seeing our friends and peers do awesome things that push the
limits.
We're all a product of our environment. Tell us about the
band's hometown and how that reflects in the music?
Arizona
has never had a shortage of great artists that have had success in their own
regard. When I first got into the scene, bands like Jimmy Eat World and The
Format we’re first starting to take off. Eventually post hardcore bands like
The Bled and Scary Kids Scaring Kids carved the way for a new sound which
progressively seemed to get heavier in the mid 00s with Job For A Cowboy and
the whole deathcore scene. It’s always seemed cyclical though where one style
would take off, a handful of bands followed and then the next trend replaced
it. I’d like to think that we’ve we’ve been the band who will play with anyone
regardless of genre as long as they’re solid people playing music we enjoy.
Where'd the band name come from?
Age old story of looking down at a toilet brand and then
adding an “S” in order to copyright the name. Tale as old as time.
You have one chance, what movie are you going to write the
soundtrack for?
Ernest Cures COVID
You now write for a music publication (The Ripple
Effect?). You're going to write a 1,000
word essay on one song. Which would it be and why?
The OG Full House theme song. Chip-a-dee-ba-ba-dow!
Come on, share with us a couple of your great, Spinal Tap,
rock and roll moments?
I once debated hard on buying a $60 lucha libre mask before
playing with the band Orgy in Seattle,
WA. Off to a good start, right? I
buy the mask and wear it on stage during the show (of course). I’m doing my usual antics of crowd
surfing to the back of the venue and
power sliding on the bar. The security was not a fan of this and proceeded to
kick us out immediately after our set. The mask comes back into play here
because during the shuffle I somehow lose it in the venue and they refuse to
let us back in. The only thing that remains is a few pictures that we took at
the space needle that day.
Tell us about playing live and the live experience for you
and for your fans?
The live show matters to us above all else. It’s not about
playing it perfect, it’s about giving everyone an experience that they’ll
remember.
What makes a great song?
Dynamics. It’s all about tension and release. You have to
believe in what you’re doing too. Otherwise it takes away from the emotion and
energy.
Tell us about the first song you ever wrote?
As a band, I think our first song was Paradigm Alt Shift
Delete which was on our 2011 demo then re-recorded for the Still Life album.
Back then everything came real organically. You could tell we were just 5 guys
with a pile of ideas and conflicting opinions on which way the band should go.
The compromise that we landed on was really formative for the sound.
What piece of your music are particularly proud of?
That album actually. Almost a decade later and I still love
everything about Still Life. I know the recordings aren’t up to today’s
standards but that almost adds to what I like about it. It’s raw and full of
what we were going through at the time.
Who today writes great songs? Who just kicks your ass? Why?
In terms of more recent bands, were all huge fans of
Greyhaven. Back to dynamics, these guys know how to write a song and have a ton
of character in their delivery.
Vinyl, CD, or digital? What's your format of choice?
I know I’m suppose to say vinyl but I’ve got to be honest. I
grew up with stacks of CD folders and ditched them the minute I got Spotify. I
love the nostalgia of waiting for the record store to open, tearing open
something physical and diving into the booklet but it just doesn’t happen often
for me anymore.
Whiskey or beer? And
defend your choice
Whiskey 100%. Nothing fancy. Jack Daniels will do. I don’t
need to waste my time drinking a dozen beers or feel like hell after. Give me a
few stiff whiskey cokes and I’m good.
We, at the Ripple Effect, are constantly looking for new
music. What's your home town, and when we get there, what's the best record
store to lose ourselves in?
Phoenix
has a few but if I had to pick one, I’ve spent many of hours and paychecks at
Zia Records. Not only great for music but also my go too for buying games for
all the retro systems I own.
What's next for the band?
Actually planning on re-recording our first demo CD which a
decade later is almost impossible to find online. After that, I’d love to do at
least one more full length.
Any final comments or thoughts you'd like to share with our
readers, the waveriders?
Whatever happened to predictability? The milkman, the
paperboy, evening tv.
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