Getting the opportunity to interview
Dana Ortt, frontman of one of the most innovative, exciting and mind-bending
bands of all time, Beelzefuzz, was a no-brainer in accepting. The band recently
released their sophomore album, ‘The
Righteous Bloom’, a wax that left yours truly flabbergasted. It has
everything you could ever ask for and then some, and even more, it brings out
new elements and angles at every spin. Few, if any, recordings can claim that
while keeping the music cohesive and brilliant. Therefore sit back and enjoy
reading the conversation I had with Dana about the present and the future of
Beelzefuzz.
Dana, there’s been some changes within the band since
your self-titled debut came out back in 2013. You are now a four-piece with
Greg Diener and Bert Hall being full time Beelzefuzzers. What made you approach
both guys? Not that I’m complaining since they are fantastic additions.
- Greg started playing with us after the first album was recorded and I
wish we would have gotten together sooner. I'd really like to have his playing on the
first album. As you know, Greg and Darin are in the band Pale Divine and have
recorded some great jams together. Greg recorded the majority of the guitar
solos and harmony lines on The Righteous Bloom album. For the band's music
videos, he'll be the dude performing all guitar solos on mountaintops
or while riding dragons. As for Bert, I'm familiar with a few of the many
great recordings Bert has done with Revelation and Against Nature.
A musician friend recommended us to ask Bert to join and I'm glad he
did. He quickly learned the songs and came up with great lines for the
album. Bert's a cool personality and a cool musician to be around. He also
plays guitar in his band called Mangog and is a musical guy that we are
fortunate to playing bass for us.
Where did you find the inspiration to
write ‘The Righteous Bloom’, both
lyrically and musically?
- I've been compiling a lot of riffs
and songs over the past 4 years. Musically, always been attracted to the
idea of combining elements of Deep Purple, Uriah Heep, Candlemass and early
Genesis together. Lyrically, I've borrowed some themes from many different
sources, I'd have to go song to song to name the influence but
mainly, Paradise Lost, The King In Yellow and various Lovecraft stories
influenced the lyrics, along with my own semi coherent thoughts of experiencing
a life trip in this temporary human shell.
Did
the writing come easy, or did they require a lot of work?
- The music to the songs came easily, there was a lot of tracking to do
for the album, but we got the majority done quickly. Greg
recorded the album. Richard Whitaker mixed and mastered the album, he's a
great dude! Lyrics took a while, many rewrites, always second
guessing the lyrics, still not satisfied with them and would rewrite them now
if the songs weren't recorded already.
Second guessing the lyrics? That surprises me since
they seem great already but is that part of being an artist, having doubts
about your creativity and musical output? Would you rewrite all the lyrics
entirely?
- I'd rewrite certain sections of lyrics to be more concise.
I also have the urge to re-record some of the vocal sections, after playing the
songs for a few months, the way we play the songs has changed along with the
way I phrase the vocals. I did the best that I could do at the time, but always
working to improve the delivery of the vocals to match the emotion behind it.
Personally, I think you did great, Dana!
But I assume it is part of being a songwriter/ musician, you always strive for
the best. I love both your albums immensely but I have
to say ‘The Righteous Bloom’ is more
natural, organic and free-flowing than its predecessor. Song ideas
seem more worked through with a certain structure wherein the band can take
wide turns.
- Thanks, yes, we learned
a lot through the process of making this album. I think the 3rd album is going
to be a more realized version of the band and the vibe we are trying to
deliver. There are many things I would change now to the songs on The Righteous
Bloom, lyric changes, vocal melodies, changes in arrangements, guitar tones.
Will apply the things we've learned onto the next album for which we have
8 songs written with many of the drum tracks already recorded.
It really amazes me when you say you want to
rework so many things. To me as a supporter of the band, the album is brilliant
and needs no changes. Although with you mentioning 8 new songs are done with
drums recorded, it piques my mind to hear the new work in progress.
- I'm
proud of what we recorded on ‘The Righteous Bloom’ but I don't feel like we've
recorded the ultimate/definitive Beelzefuzz album yet. Darin, Greg, Bert and I
are working on making an album that aims to realize that goal of the definitive
Beelzefuzz album. We've learned a good bit about the recording process.
Musically, we are fine tuning tempos, refining transition sections, adding key
changes to solo sections, in general trying to make the songs
entertaining to listen to. We have a better grasp on how to organize the
songs and we are steadily working on a 3rd album.
‘The Righteous
Bloom’ hits home right away but keeps changing at every spin, creating
amazing soundscapes and imagery. Was it intentional on your part to make the
album this way, or did it just happen?
-
I want songs to have strong elements that convey honest emotion. I still
don't feel I've achieved that enough in the songs, but I feel we are
getting closer in developing a sound that is memorable.
When did you decide to switch back to the
name Beelzefuzz? Was it a difficult transition?
- For this album, using the band name Beelzefuzz is the best
choice to move forward with. The name has come to represent the sound
of the band and the songwriting. I wrote the songs on The Righteous Bloom
with the intention of it being the 2nd Beelzefuzz album. So, instead
of going with the band name Righteous Bloom, we decided to revert
back to the original name before releasing the album.
Since the members are spread out between Pennsylvania and Maryland,
was it hard to commence the writing process? Did you all write separately and
piece it all together during rehearsals? Lot’s of
jamming or is your writing process strictly structuralized?
- I usually present a mostly structured
song to Darin that we'll rock out, we'll adjust the arrangement from
there. We usually don't free form jam ideas at practice, we usually have a
limited amount of time and I try to come in with song ideas that are pretty
developed. I do lots of jamming and howling at the moon in my garage, but when
we practice I want to be prepared to present some solid song ideas and not
waste the few hours we have. Greg added many solos and harmony parts to
the songs. On the next album there will be more riff contributions from Greg as
well as vocals.
I hear rumours that David Paul Seymour’s
artwork for the album caused some controversy. Is this true, and if so what
caused it?
- David Paul Seymours's
art is great, unfortunately Facebook wants to censor the female
nipple. Violent videos of any sickening manner are cool with
Facebook apparently, but Facebook isn't down with female nipples.
That
is ridiculous but goes to show how screwed up media is these days. You
are still with Church Within but there is currently only a US release date
for ‘The Righteous Bloom’. Are they
going to handle the rest of the world as well or are you looking for a
different label for this?
- Church Within
Records will be releasing the CD in Europe.
Restricted Release will be releasing the CD in North
America with a release date of August 19th. We'd love to have
vinyl released at some point for this album, hopefully Oli from Church Within
can make that happen.
What are your goals on the live front? Any
extensive touring planned?
- We'd love
to be able to do a small tour opening for a cool band in support of
this album. I'd like to incorporate a projector screen with
footage of trippy images that correlate to the lyrics, my friend Pat from
Cinemavericks Media made us a video for the song "Nazzriff" and I
think it be great to have cool images like the ones he created for the
video in a live setting. We have August 19th as the official North
American release date followed by playing August 26 at the Psycho Las Vegas Fest.
Speaking
of Psycho Vegas, I think it is very impressive and well deserved that you
landed a spot there. How did that come about?
- I'm really looking forward to it, it's gonna be cool. Our friend
Pellet is helping organize the fest and he asked if we were interested in
playing. We appreciate the opportunity to be on such a cool bill. I'm gonna
fart so hard with excitement when the plane takes off! Just kidding, I'll
probably just awkwardly converse about the show with the person next
to me as they ignore me.
Hahahaha! Seriously though I think you will
attract a lot of attention out in Nevada,
and rightly so!
Unfortunately, it is time to wrap things, so
I bid Dana adieu and wish him and Beelzefuzz all the best in the world. It sure
has been a pleasure to talk to him. And for you dear wave riders, my advice is
this…buy Beelzefuzz’s albums and go see them play, if they show up near you.
They will blow your mind every which way until Sunday!
Comments